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Sludge / Stoner preporuke


Vlaja Buraz
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Trailer for the feature-length documentary, featuring exclusive interviews and live footage of Neurosis, Isis, Godspeed You! Black Emperor, Pelican, Oxbow, Evangelista, Thee Silver Mt. Zion Memorial Orchestra, Cave In, and many others whose music and art found ideal homes in the artist-run record labels of Hydra Head, Neurot, and Constellation.

 

Sad listam temu bezveze i naletim na ovo, skroz sam zaboravio. Ima da se skine torent sa rutrackera.

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Ne znam da li je neko opazio ovaj vrhunski bend "Herem" iz Finske , sviraju neki mix traditional doom-a, sludge-a i stonera. Meni je zadnji album "II" vrh od prve do poslednje sekunde, ponajbolji iz 2011. u ovoj bransi. Evo par pesama na bandcamp-u:

http://herem.bandcamp.com/

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Evo sad sam trazio nisam nasao ni jedan "ziv" link. Ja sam uspio skinuti celu diskografiju pa cu mozda ako uhvatim vremena da okacim bar zadnji album

 

Kad smo vec kod relativno zanemarenih bisera, poslusate ovaj: http://hangmanschair.bandcamp.com/album/hope-dope-rope

Edited by NullPointerException

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E sad, priča kaže sledeće:

 

Kontam da je većini Hank Williams III a.k.a. Hank 3 poznat kao izvođač country muzike (i kao unuk country velikana Hank Williamsa).

Međutim isto tako je već poodavno u vodama prljavog punka (Arson Anthem) i metala (Superjoint Ritual, Assjack).

Gos'n 3 je 2011. izbacio svoj samostalni album Attention Deficit Domination, koji nimalo nije za bacanje :)

 

"(...)In terms of musical style, this album is firmly established in a slightly fuzzy variation of the traditional doom mold, taking clear cues from old favorites like Sleep, Electric Wizard, classic Melvins, and Cathedral’s earlier releases. Fortunately, the usage of this style never cheapens the project’s feel as Hank shows some unique tricks while keeping an eye for authenticity. The first thing that stands out about the album is the production. While these songs were written and produced during the time period in Hank’s home studio as the other albums from this year, the production style on this effort is much more distant and muffled in comparison. Hell, it’s pretty hazy by doom standards though it does give things a very live feel.

 

Another factor that seems to separate this from typical doom bands is that there seems to be less of an emphasis on the riffs and guitar presence than usual. While the guitars do have a slight crunch to them and there are some great riffs scattered throughout, one can only wonder how much stronger this would’ve sounded if the guitars were more prominent in the project’s mix. Fortunately, the rhythm section manages to stay pretty solid and proves once more that Hank is able to handle just about everything on here quite smoothly. The drums stand out a bit more and go between supporting the drones and providing some strong blasting on certain songs.

 

But what really makes this project stand out is the vocal delivery. Seeing as how the nasally sneer on Hank’s country material probably wouldn’t fit this type of sound (yet), he instead goes for an effect that keeps his higher pitch intact but emphasizes the vibrato in his voice and throws in a few growls for good measure(...)"

 

615gyeAuHmL.jpg

 

http://www.youtube.com/watch?v=QlspTc2FX7A

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