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Možda će biti zanimljivije čuti remasterizovane verzije starih pesama nego nešto novo. Od poslednjih pet albuma, nijedan nije bio za naročito pamćenje. 

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Zašto bi, već je jednom zabrljao tako jebeno dobro producirane albume. Idu mi na kurac oni remasterizovani originali koje sam nabavio (rip, cte) i nikada ih ne puštam, sreća pa sam sačuvao stare snimke tih albuma. Jedino što je moglo da se uzme u obzir je debi (kimb..), jedino taj album bolje zvuči u rem. verziji, pošto je baš tanko zvučao.

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Omladina koja upija blede youtube metal novitete, bendova nepamtljivih imena, prosto nije svesna nepobitnih dimenzija genijalnosti kojim ovaj bend u izobilju obiluje.

Edited by vudun
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mustaine može samo da posluži hetfildu ako mu je kojim slučajem potrebno presađivanje pazušnih dlaka...

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On 1/12/2019 at 3:47 PM, HUMAN said:

Zašto bi, već je jednom zabrljao tako jebeno dobro producirane albume. Idu mi na kurac oni remasterizovani originali koje sam nabavio (rip, cte) i nikada ih ne puštam, sreća pa sam sačuvao stare snimke tih albuma. Jedino što je moglo da se uzme u obzir je debi (kimb..), jedino taj album bolje zvuči u rem. verziji, pošto je baš tanko zvučao.

I So Far. Ostale nije ni trebalo dirati, posebno one gdje je ponovo otpjevao pojedine pjesme.

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TWNAH zvuči identično kao original, sem ako sam ja gluv. Sad skidam System.

P.S. oba albuma su imala odličnu produkciju, boga pitaj zašto ih remasterizuju.

Edited by Vic Rattlehead

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Malo pa malo pa neki remaster, od svih bendova. Ne razumem, album se snimio tada i tada, pod tim okolnostima, sa tom tehnikom i duhom tog vremena. Ne slikamo novu Mona Lisu svake godine iznova i iznova, vec je tako dobro naslikana kakva jeste u originalu. Pogotovo me nervira kad ponovo snimaju odredjene delove, ponovo otpevaju. Od onih Megadeth remastera iz (valjda) 2004-te bezim ko djavo od krsta. Srecom imam sva originalna izdanja...

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1550691040_cover.jpg

https://getmetal.club/152706-walls-of-blood-imperium-2019.html

WALLS OF BLOOD, the new project led by Canadian guitarist Glen Drover, will release its debut album, "Imperium", on February 22 via Metalville. The disc will contain 10 songs of "high-class power metal," with guest appearances by some of the genre's most acclaimed vocalists, including Tim Owens (JUDAS PRIEST, ICED EARTH), Chuck Billy (TESTAMENT), Todd La Torre (QUEENSRŸCHE) and Henning Basse (METALLIUM, FIREWIND).

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5 minutes ago, Chicken Little 420 said:

 with guest appearances by some of the genre's most acclaimed vocalists, including Tim Owens

iii tu sam stao da čitam

marketspeak za "most available vocalists who'd sing on anything"

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zašto ovim albumima treba remaster uopšte :haha:

jako je malo slučajeva da post-2000 albumima ikako treba tako nešto, recimo redak primer je Lamb Of God - As The Palaces Burn gde se Devin Townsend posrao po originalu uzduž i popreko onim užasom od produkcije pa je onaj remaster iz 2013. bio delo samog Isusa, ali za ove 'Deth albume ne vidim svrhu nikakvu sem para naravno

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taj album moze samo da zvuci tako kako zvuci zato sto su likovi iz Lamb of God hteli tako da zvuci, da ima neki raw vibe.

Ne znam onda zasto su zvali Devina kad je poznat po svojoj slick, jako anti-raw produkciji jos od 97. 

Mozda su hteli kao SYL da zvuci ali dzabe kad su 20 puta gori bend :haha: 

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ajao kakvi postovi će sad da uslede haha

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pa ono, samo godinu dana kasnije su izdali Ashes Of The Wake koji zvuči kao avion tako da ne znam baš :haha:

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pa mnogo su manji budzet imali sa ovim verovatno, a i bili neiskusni. 

hocu samo da kazem da nema sanse da su rekli devinu "radi produkciju kako ti radis" i da je taj zvuk ispao :D

jedino ako mu nisu platili do kraja. Ocean Machine zvuci kao avion i za danasnju produkciju da ne pricam o Infinityu i dalje. 

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sad baš guglam nešto oko tog albuma, znam da je sa remasterom izašao i dokumentarac ali ga nisam gledao :D

https://www.theprp.com/2013/10/29/news/devin-townsend-praises-lamb-of-gods-tenth-anniversary-reissue-of-as-the-palaces-burn/

i ovo: 

Ten years is enough time for everyone involved in Palaces to be honest, resulting in some fairly incredible admissions (neither Blythe nor Chris Adler liked Mark Morton’s lyrics for the title track initially; producer Devin Townsend didn’t listen to New American Gospel before accepting the job on Palaces, and when he saw the band live for the first time, opening for Mushroomhead, he walked away unconvinced that they were any good). 

:haha:

Edited by Talvi
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