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Kayo Dot (ex-maudlin of the Well)


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Ne znam za vas ali mene ona melodija i pevanje na Rose Quartz Turning the Glass negde oko 5:19 podseca na Pink Floyd - Hey You! .

 

-Edit- ili ne samo taj mali deo me je podsetio,a vishe neznam ni ja sto. XD

Edited by Lunar

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FOR IMMEDIATE RELEASE

 

Coyote was once again engineered by Randall Dunn (Sunn 0)), Earth, Six Organs of Admittance) in Seattle, Washington. The album is quite different than any previous Kayo Dot outing, featuring an unusual instrumentation for this band (bass guitar, orchestral percussion, alto sax, tenor sax, trumpet, french horn, synths, organ, violin, and vocals). There's hardly any guitar this time around, and the overall aesthetic has been referred to as "goth fusion," combining elements of early Cure, Faith and the Muse, and Bauhaus with Herbie Hancock's psychedelic album Sextant, and Scott Walker's recent album The Drift. The music is more rhythmically oriented than any previous Kayo Dot work, was recorded mostly live (similar to 2006's Dowsing Anemone With Copper Tongue), and brings back some of the aggression absent from 2008's Blue Lambency Downward.

 

Coyote will be released by Hydra Head in early 2010. The album is already finished, so look for samples available online soon.

 

nek menjaju sta hoce, samo da ne nastave u fazonu prethodnog, blue BORING downward, albuma

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Maudlin of the well > Kayo Dot , but , drago mi je da se ne zove Kayo Dot jer zvuci retardirano.

 

Nije losh album. Ipak je stari Maudlin mama

 

Upravo tako...mnogo je mlak album,mislim kul je ali nije to maudlin zvuk....Bath je ipak mama :}

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Coyote, Kayo Dot's fourth studio album, is a single, narrative-driven, long-form composition written with story and text provided by a close, terminally-ill friend of the band, Yuko Sueta, in the final stage of her life. Coyote was once again engineered by Randall Dunn (Sunn 0)), Earth, Six Organs of Admittance) in Seattle, Washington, forging a new genre of "goth fusion" which combines elements of early Cure, Faith And The Muse, and Bauhaus with Herbie Hancock's psychedelic album, Sextant, and Scott Walker's recent masterpiece, The Drift. The lyrics and story were constructed with deliberate melodrama to pay homage as well to the intended gothic vibe, expressing the protagonist's loneliness and longing to be in a better place, and her journey through her own personal looking-glass through a hallucinatory world of fear and wonder. The musical objective this time around was to create a piece of music that uses the sonic aesthetic of this specific era of gothic art-rock integrated with a more modern-classical approach to form and architecture. To achieve this, Kayo Dot has put together a new instrumentation, which features trumpet (provided by former Candiria and Friendly Bears trumpet player Tim Byrnes) and alto saxophone at the lead, backed up by violin, keyboards, piano, organ, bass guitar, percussion, and a pronounced lack of guitar across the album. This album also marks the return of former Kayo Dot member, Terran Olson, whose contributions were heard on the band's 2003 debut, Choirs of the Eye, as well as with Kayo Dot's alter-ego, maudlin of the Well. The music is also more rhythmically-driven than any previous Kayo Dot work, and being a performance-oriented composition, it was recorded mostly live (similar to 2006's Dowsing Anemone With Copper Tongue). Coyote also brings back some of the aggression absent from 2008's Blue Lambency Downward.

 

Coyote will be released by Hydra Head in early 2010. There is a sample of a track and write-up at Time Out New York:

 

http://www3.timeoutny.com/newyork/thevolume/2009/10/listen-now-new-music-from-kayo-dot-exclusively-on-the-volume/

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Ovo su Tobijeve reči o zimskoj turneji: 'Looks like it'll be about a week in UK, a few in Germany, Hungary, serbia, Poland, Czech, Slovenia, Russia. Still looking for some help in Finland.' Da mu oprostimo što je jedino serbia napisao malim slovom. Zasad su potvrđena dva datuma u Slovačkoj i Mađarskoj, a za nas se još valjda čekaju organizator, promoter, sranja...

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