Out Of Time
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EXT. WEST SIDE DOCKS - LATE AFTERNOON The area is totally deserted except for two trucks parked side by side. Two men are tossing boxes from one truck to another and looking around furtively. MICHAEL stands nearby. MICHAEL LONGO is 26 years old. He lives in a different neighborhood but comes from the same type of background as CHARLIE and the others. He runs an illegitimate bar and dabbles in the yearly sale of firecrackers which he smuggles in from Maryland. He also deals in contraband cigarettes and runs a small-time "loan shark" business. He has a knack for business but he is otherwise unintelligent. Michael crosses over to a '58 black Oldsmobile. MICHAEL Hey, hurry up with that shit will ya. MICHAEL gets in the car. Another MAN is sitting in the back. He is also well dressed. MICHAEL takes a small lens out of his pocket and tosses it to the MAN. MAN What's this? More shit...? MICHAEL Naw...that ain't shit...that's a German lens. The MAN looks at it carefully. 4. MICHAEL A good buy...good two shipments of them. MAN Can't use it... MICHAEL Why...? That's a telescopic one... it's good. MAN First, it ain't German...it's Japanese...and second, this ain't no lens...it's like a...a...an adaptor...so you got two shipments of Jap adaptors with no lenses. (He laughs) MAN hands adaptor back to MICHAEL. MICHAEL (disappointed) A Jap adaptor? TITLE APPEARS on bottom of screen: MICHAEL. EXT. STREET - DAY A deserted warehouse area in lower Manhattan. Prominent in the frame is a brightly painted red white and blue mailbox, contrasting with the drab hues of the neighborhood. JOHNNY BOY walks down the street toward camera. JOHN CIVELLO (JOHNNY BOY) is 23 years old. He is an only child and lives with his mother, a divorcee. He is clean cut looking, yet slightly radical in dress. He was expelled from high school for vandalism and consequently spent several months in reform school. He is reckless, unambitious, nihilistic, and was classified a psychiatric 4- F. He is first cousin of TERESA RONCHALI who lives next door to CHARLIE. He has adopted TERESA'S family as his own and spends more time with them than he does with his mother. JOHNNY is carrying a package wrapped in plain brown paper under his arm, and he is smiling. He drops the package into the mailbox and keeps walking. But he is moving a little faster now and smiling a little more. Suddenly the mailbox explodes. Dozens of red, white and blue fragments shower down on the street. The impact of the blast knocks JOHNNY down. TITLE APPEARS on bottom of frame: JOHNNY BOY. 5. He is up in a moment. The CAMERA TRACKS with him as he starts running. WE SEE that he is grinning - quite literally - like crazy. INT. CHURCH WE SEE CHARLIE full face. Behind him is a Confessional Booth. The church is very old, quiet, and dark. The CAMERA ZOOMS OUT to reveal rows of Holy Candles lit in the foreground. CHARLIE suddenly begins to speak softly and confidentially to an unseen entity that is OFF SCREEN. CHARLIE (Confession) A...As you know, I've just come out of Confession. And as a penance they gave me ten 'Hail Marys' and ten 'Our Fathers'... THE CAMERA BEGINS TO TRUCK OUT. IT MOVES AROUND CHARLIE AND AWAY FROM THE HOLY CANDLES REVEALING CHARLIE'S PROFILE. CHARLIE (continued) ...Now, between you and me... You know how I feel about such things... 'Hail Marys'...'Our Fathers'...No imagination... THE CAMERA HAS NOW TRUCKED BEHIND CHARLIE AND WE SEE over his head he has been addressing a life sized statue of the crucified body of Christ, eyes closed reclining in his sepluchure. CHARLIE (Continuing) ...If I'm going to do penance at all, I'll do it the way I think it would be done...by me, that is...according to my own trespasses. You know what I mean. This conversation of Confession will occur from time to time in other parts of the story as CHARLIE will periodically try very casually to justify his thoughts and actions to his "God." The images accompanying these monologues are to be of free association almost documentary in nature. INT. TONY'S PLACE - NIGHT The club is dark and noisy and smokey when CHARLIE enters. He greets TONY who is sitting on a bar-stool. TONY directs CHARLIE to a corner of the club where the rest of the group is now getting boisterously drunk. 6. CHARLIE joins in, immediately taking on the mood of the group. The rest of the club is filled with many different types of customers: teenagers, adults pretending to be teenagers, sailors, male and female gays, and "the boys from the neighborhood." The music is loud and the lights are flashing but the strippers have not yet appeared. DISSOLVE TO: TONY is at the bar. He is approached by GEORGE one of the bouncers. He seems upset about the noise that CHARLIE and his friends are creating. TONY doesn't take GEORGE very seriously. GEORGE It's ten o'clock and they're like this. And they're just starting? TONY smiles. GEORGE (continuing) Smile...What are you smiling at? This is a business night. TONY (interrupting) George...did I ever tell you the story about the three chickens? GEORGE (genuinely) No... TONY Too bad. DISSOLVE TO: CHARLIE's zany behavior as frenetically as it occurs. There is no particular logical sequence except that events are suited to the rythmic pattern of the music. 1. CHARLIE and his friends dance and sing along with the music. 2. CHARLIE picks up a billiard stick. He attempts to hit a filled shot glass towards TONY at the other end of the bar. He fails. 3. CHARLIE tries to pull a tablecloth off of a stranger's table without moving the glasses or bottles. This also fails. 7. 4. A punch is thrown at someone. A lit cigarette in the puncher's fist creates a swift arc of light in the darkness. 5. The Strippers finally appear on stage. CHARLIE becomes obsessed with the Negro stripper DIANE. He shouts to her, tosses things, and calls her names. She tries, half amusedly to ignore him but she can't. 6. TONY drinks from a bottle of Southern Comfort, and as a chaser swigs down Aqua Velva. DISSOLVE TO: CHARLIE sitting at an empty table watching DIANE, the stripper, perform again. He stares glassy-eyed and then begins to speak softly, continuing his Confession. CHARLIE Y'know...she's really good-looking... really good-looking. I've gotta say that again. She's really good- looking...but she's black... You can see that real plain. (as an afterthought) When you get down to it though... there's not much of a difference, is there? (He waits for an answer) Well...is there? (He smiles and begins chewing on an ice cube from his half empty glass) Suddenly MICHAEL appears and sits down at CHARLIE's table. He hands CHARLIE two cartons of cigarettes. CHARLIE Oh great...hey - Winstons? MICHAEL For these prices don't be particular. That's all they had - but next week we'll see... CHARLIE gives him the money. CHARLIE OK, ok... MICHAEL Sell 'em if you can't smoke them. 8. CHARLIE No...I'll be ok for a week. MICHAEL You seen Johnny Boy tonight? CHARLIE (disinterested) Nope... MICHAEL Isn't he supposed to be here tonight...I mean... CHARLIE Look...I don't know. What am I supposed to be, his keeper or something? Yeah, he's supposed to be here but who knows what goes on in his head. Right? MICHAEL I'd like to know Charlie, it looks like your little friend is trying to duck me... CHARLIE remains silent. MICHAEL (continuing) ...Charlie, don't you think you should be interested in Johnny's payments to me? I think you should be, you know that. CHARLIE (quietly) Michael, nobody's out to screw you, I guarrantee that. MICHAEL I know that Charlie but look at my side. You undersigned the loans. You vouched for him. What happens if this kid don't pay me? I gotta collect from you? I don't want to do that. I made a deal with him not you, right? CHARLIE (patronizing) You're right. You're right. Look, I'm not gonna wind up paying his debts. You know that. 9. MICHAEL I don't know that. That's what I'm telling you. CHARLIE Michael, believe me. You know the kid's a little crazy sometimes. I vouched for him and he'll come through. I promise. I'll talk to him and straighten him out. Don't worry, OK? MICHAEL (satisfied) OK. -
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kome se smuchilo da cheka novi saturnus neka kusha novi Darconian - Arcane Rain Fell... mnogo bolji no prvi i slichi pomenutim dancima... vi sa divljim netom bi mogli da mi pripomognu sa poslednjom pesmom koju cu da skinem za 12 dana... 25mb... josh dva puta da vidim katatonia-u i teracu ih da se raspadnu... plashim se da to ne izgubi smisao ...
oHH kRANG kAKO upevASH da Ti kosHULJA Bude tako belA? izadji napolje!
neka, neka... imam ja dogovor i oni su na ringli, ali lenj sam kao nilski konj... slede'i br > na jednoj str Isis na drugoj CoL, a dobi'e ista pitanja pa da vidimo chija majka crnu vunu pr(e)de...
nishta... sedi i sachekaj da ga ja sachinim... cish...
pa bre realno mogao si bolje da ga nachinish...
debeli shibicaru chujem da ocesh i ti da poJdesh...
o High On Fire-u ovde moze realno da zbori samo Agarth zato pozovite choveka da otvori temu i taman mu recite za Crowbar... ra-ra...