KRANG

može li nešto biti iritirajuće u dobrom smislu? ne znam da li je sjebano, ali ceo album je strašno disonantan i iritirajuć (u pozitivnom smislu).

opaka prašina se diže na [ADVANCE] The Ladies - They Mean Us [2006/Temporary Residence] Rob Crow: co-creator of San Diego's sentimental pop superstars Pinback; leader of absurdist metal outfit Goblin Cock; former leader of Thingy and Heavy Vegetable; former member of Physics; accomplished solo performer in his own right. Zach Hill: one-half of the outlandish noise duo Hella; member of Deftones side-project Team Sleep; drummer for post-Marilyn Manson/A Perfect Circle stoner-rock combo Goon Moon; one-third of the total sensory-overload that was Nervous Cop (along with Joanna Newsom and a member of Deerhoof). When you want the sound of three drummers playing at once, but only have room for one drum kit, Zach is your man. Rob Crow and Zach Hill are The Ladies. Now that we all know who The Ladies are, let's get to the point: They Mean Us is one of the strongest and most unique pop records of the last several years. Produced in various locations over the last 2 years, it is a genuine testament to the magnetic chemistry of Zach Hill and Rob Crow, and a shining example of what these two guys are capable of when they are at their most inspired. More adventurous than Pinback, and more accessible than Hella, The Ladies prove to be the best of both worlds. It's even better than the ideal album you've been making up in your head for the last half decade or so. probajte pesmu http://www.temporaryresidence.com/mp3s/ladies_empathy.mp3

ovaj docent sa ekonomskog fakulteta u podgorici je veoma zanimljiva osoba... voleo bih da ga upoznam.

nije to ništa. pazi ovo sa metal-archives. Art progressive indie noise avant-garde - 21% Written by LeTisonBrulant on January 11th, 2006 How to begin with this review? After reading this, i'm sure a lot of you are probably gonna think i'm the 'METAL ONLY' type of guy with no 'diverse' and 'open-minded' tastes in music as some would say, but don't get me wrong, I am a big lover of post/indie rock, noise rock, avant-garde and all other weirdies in between. 'Dowsing Anemone with Copper Tongue' is the second full-length from 'Avant' metal band Kayo Dot, and having 3 full-lengths under the name MOTW. Just before listening to this album, my bullshit radar immediately flashed. Huge line-up and very fucking arrogant titles (Amaranth the Peddler. seriously, what the fuck? I don't care how many drugs, or how 'arty' you think you are, that's a fucking GAY title). Well, after all that bullshit, I decided to spin the album and try to leave these (un)comforting prejudices aside. 'Gemini Becoming the Tripod' kicks things off, and for some reason it's EXACTLY how I thought it would sound - long, boring, uninspired, trying to create an interesting atmosphere but failing at it on almost every level. There's a riff near the end, but that's not enough to cover the 8 minutes of your life that you'll never get back. The loud and obnoxious instrumentation creates a post-rock atmosphere, plus arrogance, more random bullshit and whatnot. Instead of creating repetitive trance-inducing atmosphere (like certain black metal bands), or calming, soothing drones (like some drone bands), the stuff here is 80% filler, 15% avant-riff bullshit and 5% of good stuff. Seriously, what the fuck? The second song, 'Immortelle And Paper Caravelle' (I know, it's hard not to laugh at the titles). I waited forever for it to start. Thing is it doesn't start. You can skip to almost anywhere in this song and what you'll hear is near-silence. It's nearly 10 minutes long too. Yes, I know, as 'open-minded' asshats would say, this is 'grower' music, but trust me, I can tell the difference between bullshit 'avant' music and actually grower music, stuff that has a certain level of complexity. 'Aura On An Asylum Wall' is the strongest song here (or should I say, the song that doesn't suck as much as the rest), despite having some random-as-all-fuck lyrics and a considerable amount of filler. 'On Limpid Form', the longest track (and supposedly the 'highlight), drags on for 18 fucking minutes. Eighteen. There's a few good moments (I'd say maybe a minute and a half of that), but it's usually just trying to be noise. Yeah, I said it. They try to be that noisy post-rock band that tries to be 'noise'. This isn't actual noise. Noise is stuff like Merzbow, Borbetomagus, Government Alpha etc. Not randomly plucking your instrument with that asian art chick that listens to indie rock and wears purple highliner and dies her hair pink (which, if you haven't realized it yet, is what Kayo Dot is all about). So, verdict? No matter how 'avant', 'indie', 'arty', 'original' or 'open-minded' you try to be, there's no enjoying of this album. I'd like to thank Opeth and misunderstanding of the 'avant-garde' term for breeding this monster that creates scenester kids. You know, that kid who walks around campus with a Pelican or Opeth shirt, arrogant look, and who's probably gonna end up writing a book about music and spirituality and...ok, i'll stop that for now. This is arrogant, over-the-top, 'noisy, and last but definitely not least boring music. Don't get it. Download it if you want, but whipe the dust off you delete button before you do. + The art in procrastination and calling it art - 30% Written by megafury on January 23rd, 2006 Umm..Okay what happened? The last album was a masterpiece I praised like a psycho but this is just pretty mediocre. I gave it so many listens over a couple months and it just doesn't click with me. You know how some CD's you keep forever in hopes that you'll grow on it one day? Well I thought that would happen but the opposite was true. I hated it even more the more I tried liking it. First of all, the songs are way too abstract. There's nothing really coherent. The music indulges in cliché dark classical atmosphere with random sparingly used gentle guitar plucking (a post-rock cliché) and cliché mild build-ups that fail to deliver anything, as if they were just one long intro. That sums it up; every song is just one long drawn-out intro to a song that doesn't even exist! No, I don't think my expectations were too unreasonably high. I just expected some good tunes and got nothing but what seems to be puffs of airs (literally PUFFS OF AIR!) and psuedo-classical music combined with mediocre post-rock trying to pass off as "eclectic experimental art". It sounds like your standard Sigur Ros/GSYBE!Mogwai/Tristeza clone with a done-to-oblivion doom metal pace and "we have trumpets and flutes too" gimmick. The only people that would think this is radically different from anything else ever are the geeky 15 year old metal kids that felt like taking a break from Slayer so they went to metal-archives or amazon.com and tried to find something avant-garde, in order to pat themselves on the back for listening to something "diverse". Maybe AFI and Strokes fans will find this CD and think they stumbled upon a secret treasure, too "challenging" for anybody else to enjoy. It's classical for scenster indie kids majoring in art and clueless about classical music, post-rock for metalheads clueless about post-rock, and just plain stale pointless random noise that stalls and stalls from doing anything remotely interesting for anyone without their heads up their asses. The music is forever looped in procrastination; never even starting a song at all. A huge disappointment for a huge MOTW fan such as myself. It's such a waste that a huge line-up achieves nothing but a new ego-boosting album for psuedo-intellectuals. The very few redeeming qualities of this CD (vocals are decent) are discredited from the tedious length

haha.. inače, novi dragonforce spot je must see. jebote. dragonforce

jao --------------- daj bre, gregor samsa su imali split sa red sparowes, a upravo su završili turneju sa kayo dot. i nisu skandinavci, iz illinoisa su. - a ovo za khomu... pa s obzirom da će za 95% ljudi koji čuju novi album, prvi album biti potpuno nepoznat, ok je što su ubacili ove 3 pesme. i jesu najbolje sa prvog. Sounds Like: Radiohead, Muse, Mew, Sigur Ros, Kashmir...

u stvari.. bio je do jaja. matori je crko i sada je smešno. i konačno. još jedna cool stvar: http://www.khoma.net/ pušten sajt. the second wave is coming! MEDEA.. nova pesma.. može se čuti ovde: http://www.myspace.com/khoma tracklist: The tracklisting for the album is as follows: 1.) The Guillotine 2.) Stop Making Speeches 3.) If all else fails 4.) Medea 5.) Hyenas 6.) Through Walls 7.) Like Coming Home 8.) Asleep 9.) Last Call 10.) 1909.08.04 11.) One Of Us Must Hang heh. gurnuli su 3 pesme sa prošlog albuma ovde.. nema veze. biće super kakogod

vidim. -- pre pola h me pita ortak kako se na engleskom kaže "hvaliti se", jer chatuje sa nekom sestrom iz kanade koja ne zna srpski.. i ja mu kažem "rim job". posle 10 minuta vidim da me je stavio na ignore listu. baš me zanima kako je tekla konverzacija. -- i tako.. baš u pravo vreme za moju ranjenu dušu: [ADVANCE]Gregor Samsa - 55:12 [2006/The Kora/MP3/320] a baš si tražio full album debeli, a? eto ti full album! konkurencija za post rock album godine je veoma ozbiljna, a nije ni februar. haha edit: a i santoro - nalbandian meč je do jaja

ti kraljica downloada? pa ja skidam 16 post rock albuma dnevno. ja sam kraljica downloada.

dobro, jeste. ---------- ok, ako ti je on rekao. šta će im on?? nigde nisam čitao da se to snima.. verovatno neka kućna tehnika.. nadam se da će da izdaju to sranje. jel ti rekao bilo šta drugo o projektu? edit: a.. vidim da si i tamo nešto kenjao. "ov" edit2: http://www.yumetal.net/forum/index.php?showtopic=24883 creep.

nije. to su jonas i mikael sami. a ti si debeo. edit: zaboravio sam da kažem: "a ti si debeo".

nije

još nešto.. sad gledam katatonia forum i primetim nešto super cool. slo train co. projekat svevišnjeg mikaela a. i jonasa r. o kome se malo pričalo. a to ne može da ne bude genijalno.. i sad, na opethovom sajtu, na mikaelovoj playlisti: Slo train co - My soul is empty, I must atone for my shame najava nečega?

jel taj eits koncert onaj na koji je azal trebalo da ide? onaj rasprodati...? zvuk je perfektan, ne mogu ni da zamislim na šta je to ličilo. upravo idu na prvo mesto moje liste bendova koje bih gledao uživo. ---------- symmetry? link za .mpg ne radi.. ovo je self-released.. qrac ću da nadjem. mislim da sam pročitao jedno 800 istih ovakvih najava. epic mogwai radiohead weight climax ambient crescendo bla bla i svaki put me navuku!

i za kraj mog dosadnog monologa/tirade sačuvao sam vam nešto lepo: Explosions in the Sky Live at the Bowery Ballroom Manhattan, NYC Monday, December 12th, 2005 1. First Breath After Coma 2. New Song 3. Six Days At The Bottom Of The Ocean 4. Have You Passed Through The Night? 5. Memorial 6. The Moon Is Down dirktni http linkovi, brzi onoliko koliko je vaša veza: http://www.bradleysalmanac.com/songs/2005-...rComa(live).mp3 http://www.bradleysalmanac.com/songs/2005-...wSong(live).mp3 http://www.bradleysalmanac.com/songs/2005-...Ocean(live).mp3 http://www.bradleysalmanac.com/songs/2005-...Night(live).mp3 http://www.bradleysalmanac.com/songs/2005-...orial(live).mp3 http://www.bradleysalmanac.com/songs/2005-...sDown(live).mp3 da parafraziram danila... "eits u mojoj sobi". ******* It was an excellent, ear-blistering set... the delicacy of their studio work was there, though trumped by the pedal-fueled moments of fury. These guys know how to swell to a sonic payoff, and they were as tight doing so as their recordings promised. Speaking of, I was finally able to pick up discs I'd only had as mp3s at their merch table, including the one-per-person / immediately-out-of-print Travels in Constants EP, 'The Rescue', which includes these words in the liner notes: "... for this, our idea was to take two weeks and write and record a song every day. (we ended up doing this for eight days and the rest of the two weeks was spent mixing the results). No riffs were to be written beforehand; things would be made up on the spot. It seemed daunting but fun and perhaps, instructive. A learning experience. A chance to try new instruments and new ways of thinking about writing songs." So that explains the 'Day One' through 'Day Eight' titles, for all you downloaders. The band is cool with you stealing that sucker online if you aren't fortunate enough to find it at one of the few shows they're playing right now. If you do get to see 'em in person, grab that EP early, because they were gone fast in NYC. As you can see on the setlist, we got what I'd imagine is one of the new songs that will end up on their in-progress next album (did anyone else get different unveilings at other shows?). If it's an old one I'm not familiar with, set me straight in the comments. For those upcoming show dates (two in LA this weekend, two in Texas next month), check out the EitS site, and for more frequent news updates, hit this excellent fan site. For a couple more pictures from the Bowery show, head over to my Flickr page. (12/19 eta: some excellent photos from the sunday show can be found at crackers united.)

"Emotional, passionate, epic. Just a few words to describe this album. Each song sounds like an uphill climb, an epic battle against the world, and Redjetson have won. Redjetson are anthemic, their intense songs are full of fire, the emotion boundaries are being pushed to a new level. Underneath the masterpieces, the band are similar to a young Radiohead, technically brilliant, ridiculously passionate about their music. This album is fantastic, buy more than one copy and spread the word. Redjetson are phenomenal." ------- With a debut album as breathtakingly beautiful as this, Redjetson are guaranteed for far bigger things. They pedal a fine musical line which incorporates the innovation of bands such as Radiohead and Joy Division while feeding them through an extravagant 'post-rock' blender. I do not use 'post-rock' in a derogatory way either; this is not a band of shoe-gazers. They are impassioned in their delivery and have an unquestionable emotional intensity to their sound, many of the bands ilk lack. Not often are shivers sent down my spine, but Redjetson succeed frequently with luscious, slow-burning guitar lines and awe-inspiring vocals especially on tracks such as 'America is its only friend' and album opener 'Divorce'. Although often sounding bleak and distant, Redjetson have a definite warmth to their music, perhaps it's more appropriate to describe it as soul. There is undeniable feeling that this six piece from the lovely climbs of Southend are completely unpretentious and make music not for fame or commercial success but because they enjoy to, because it is this which makes them happy and it really shows. They combine the ability of being jaw-droppingly fragile and epic with an ear-pummeling heaviness, without ever losing the direction of their composition. There is no doubt in my mind that I'm going to be checking this lot out live as I get the feeling this would be the arena where their music really comes to life, buy the 'New General Catalogue' and then I suggest you do the same. -- tek sad.. jebem ti današnji svet. -- ovo pričam jer će moći da se slušaju nove pesme od sutra na online radio stanici www.xfm.co.uk a na proleće i novi album.

nije, ali kad već o tome pričamo... [ADVANCE] Swearing at Motorists - Last Night Becomes This Morning [2006/Secretly Canadian/LAME --aps/199 (VBR)] i naravno [ADVANCE] Monochrome - Eclat [2006/Paranoid/MP3/218 (VBR)]

blago tebi.. album je njesra.. skidao sam ja diskografiju pre možda mesec dana, bilo mi zanimljivo ime.. trećerazredno. skini jensa lekmana.. to valja sa s.canadian .. u zadnjih par meseci, naravno. mada je i on dosadnjikav.

to ti je vešto eskiviranje lose-lose situacije za njega --- This Is Your Captain Speaking - Storyboard (2005) ovi australijaneri su do jaja

nemoj dodatno da doprisnosiš navodnoj hermetičnosti. svi će nas mrzeti.. ona lista se super primila na IT, ljudi počeli da postavljaju ostale albume.. samo niko neće da skida 65daysofstatic definitivno najpotcenjeniji album godine. bez sumnje.

huh.. skinuo sam butlege 2 nove pesme. ne da sam očekivao nešto vredno, ali ovo je trećerazredno sranje.

Postman Syndrome - Terraforming (2002, Unsigned, 192k MP3) jel to imaš neki remaster, rerelease.. ili ovo matoro izdanje?

nigde nema jonasa.. -- super je ovaj retro fazon.. voda na bubnjevima.. što već reče jedan lik tamo. nisi valjda očekivao ribe iz reperskih spotova? edit: najgore je što su se ti likovi primili na ribu..

haha.. katatonia završila snimanje spota. po screencapsovima mi se čini da će biti mnogo dobar http://www.ultimatemetal.com/forum/showthread.php?t=224519 holy fuck. stvano sam fanboy.. drhtim od uzbuđenja

ti si mi rekao da se radi recenzija, zato nisam ni pominjao. @br zezam se za alasku, pacerčino debela. ali ozbiljno..stvarno dosta liči.. i podjednako je dobro, ako ne i bolje.