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ZmYchE

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Posts posted by ZmYchE

  1. Ne moze svako da se bavi ovim poslom.

     

    Pod jedan trebaju vam sponzori.

     

    Bolje reklame

     

    manje koncerata, ali PROBRANIH!

     

    MAXIMALNO PODRŽAVAM. Ne treba da bude konkurencija nego dogovor, ako jedan bukira jedno, drugi neka lovi nešto drugo u nekom drugom periodu. Šatro sve se radi zarad fanova - bullshit, pola toga se radi i radi neke zarade.. ne glumite svi naivnost...Mogu sa ovim duboko da odem, al ne pada mi napamet...

    I obavezno treba pratiti kad su odredjeni festivali poput Exita, jer realno svi odoše tamo, odredjena manjina ne posećuje to.

     

     

  2. Elem, jos dok sam bila u srednjoj negde sam citala, zaboravih gde, da je Chris zavrsio nesto vezano za istoriju (da li srednja, fax..bem li ga..), i da iz tog razloga on se najvise bavi pisanjem pesama za bend, i da i iz tog razloga se rade konceptualni albumi,...

     

  3. Totalan bre heavy osamdesetih! :D

    I ono sto je meni licno najsmesnije, postoje od 1983, a sto likovi i dan danas postoje i prze, a imaju samo 6 albuma!!! Tacnije 5 ako ne racunamo live.. :P

     

    Endangerd Species - 1985

    Leatherwolf - 1987

    Street Ready - 1989

    Wide Open - Live 1999/2000

    World Asylum - 2006

    New Worls Asylum - 2007

     

    I da - evo i myspace strane http://www.myspace.com/leatherwolfmusic

  4. Pa kad pogledaš većinski albumi im i jesu konceptualni...

    Pošto me mrzi da objašnjavam nešto ću kopirati:

     

    The Reaper:

    the story about grim reaper, death, devil...

     

    Knights Of the Cross:

    The album tells the story of the Knights Templar from the times of the Order's birth in 1129, through the years of its glory, and finally to its fall in 1312. The first song describes the First Crusade organised in the West after Muslim victories in Asia Minor over the weakening forces of Byzantine Empire (Deus Lo Vult, Knights of the Cross). Subsequent songs mention the foundation of the Knights Templar by French knight Hugues de Payens in 1129 after the establishing of the Kingdom of Jerusalem (Monks of War), and the new danger to the Franks brought some time later by Saladin's Egyptian armies and Nizari sect of Hashashim (Heroes Of This Time, Fanatic Assasins). Then the album deals with cruelties of the Third Crusade led by Richard I of England and Philip Augustus of France (Lionheart), and with the myth of Templars holding the Holy Grail (Keeper Of The Holy Grail). The next four songs deals with the tragic end of the Order: putting hundreds of Knights Templar under arrest in 1307 to face the Inquisition on false accusations by French king Philip the Fair of heresy and homosexual practicies within the Order (Inquisition), prisoners' statements - forced under torture - about worshipping the demon Baphomet which led to Order's cancellation by Pope Clement VII in 1312 (Baphomet), the escape of some former Templar Knights into Scotland (Over the Sea), and the execution of Order's last Grand Master Jacques de Molay in 1314, who was believed to curse the King and the Pope from his stake while being burned alive, so both of them would die the same year he did (The Curse of Jacques). The last song deals with the alleged help of former Templar Knights to the Scotts during the Battle of Bannockburn, which allowed them to acquire independance from the English rule (Battle of Bannockburn).

     

    Excalibur:

    the story of King Arthur and the knights of the round table

     

    Grave Digger

    kao najmračniji album, najmračniji liriksi, uticaj Edgar Alan Po-a + obrade

     

    Rheingold

    Richard Wagner's - The Ring of the Nibelung

     

    The Last Supper

    Nije konceptualan ali se smatra jer su preko 50% liriksi o Isusu Hristu

     

    Liberty Of Death:

    Vocalist Chris Boltendahl was inspired with this album by a book named "Liberty Or Death" by a Cretean writer, whose title is the English translation of Eleftheria i thanatos. The book directly inspired the title song about the Greek revolution on Crete, with lyrical references to the Greek national anthem.

     

    Two songs deal with Germany's treatment of the Jews in the Second World War and a further two more about more Ancient Jewish history. "Ocean of Blood" tells of Moses parting the Red Sea and "Massada" tells of the siege of Masada at the end of the First Jewish-Roman War. "March of the Innocent" is about the Holocaust and "Ship of Hope" tells of the "Voyage of the Damned" of the SS St. Louis. "Highland Tears" deals with freedom in Scotland. "Forecourt to Hell" deals with the gladiators in the Roman Empire age. "The Terrible One" is about Ivan, the Terrible. "Until the Last King Died" is about the French Revolution. Boltendahl says that the number of songs on this subject was not intended, but that the stories were interesting on their own.1

     

    Shadowland is about the atrocities of the Ku Klux Klan in USA.

     

    Eto to bi kao bili konceptualni, ostali su mix od svega po malo :D

     

     

  5. Jebem ti i publiku i metal i sve ti jebem, sada nikada necu cuti "Gutter Ballet" live. U kurac.

     

     

    Ja delimično pizdim i na vas, jer i dalje smatram da je za ovo morala da se uradi promocija, s druge strane i sa tom promocijom možda bi bilo 100ak ljudi, a nešto mi se čini da vam ni to ne bi bilo od pomoći. Više pizdim na ekonomsku krizu (činjenica je da su čak i neki ljudi koji su kada je objavljeno rekli da sigurno dolaze u međuvremenu ili odustali ili bi im bilo povuci-potegni do samog dana koncerta, evo ja bih 100% došao ali bih najverovatnije morao da pozajmim na kraju, odustanem od Amon Amartha (to u svakom slučaju iako je otkazan JOP), možda čak i od Cynica), takođe pizdim i na ovdašnju ograničenu metal publiku, koliko sam samo ovih dana slušao/čitao komentare ljudi koji idu na Slipknot a ne znaju ni zašto idu ("pa ono, zezanje, šutka, spektakl"). Mada i to što na Slipknot idu neki koji ne znaju zašto idu govori o značaju marketinga. Nijedan koncert ne može da uspe samo sa podrškom najvernijih fanova benda.

     

     

    Pa od onih 500 koji su bili na Savatage-u 2002 i ko zna koliko još nas kojima je užasno krivo što tada nisu bili, valjda je moglo da se skrpi tih 200 il' koliko je već bilo potrebno da bi koncert uspeo nekako. Sranje! :udri:

     

    Ovo se podržavam i isto mislim i ne mogu da opišem kako mi je krivo... U sekundi kad sam videla da je Mladen cancelovao event na fejsbuku, tako su mi zasuzile oči...

    Meni je Savatage omiljeni bend i definitivno ovo je bio jedini način da ih i vidim i čujem - pogotovo sa Jonom kao vokalom (iako mu je glas posle ovoliko godina propao)....

    Nadam se, tako mnogo se nadam da ćete izgurati ostatak koncerata koje ste bukirali i da ćete kad - tad moći da dovedete ovaj bend...

     

     

  6. Obožavam ovaj bend... Jedan od najboljih bendova...

    Hideaway je himna definitivno, ali obožavam i instrumental Black Knight...Mada inače Street Ready mi je favoritni album od njih...

     

    Ko nije čuo ovaj bend, obavezno da ga nadje i presluša...

    Ako vam trebaju download linkovi, iscimajte me da vam nadjem...

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