Dave GROHL

I ponovo i ponovo... bas nemam srece sa ovim importovanjem slike, blah...

Slika mog seta ide ponovo...

Blah, onda sam ja extra amater sto se perverzija tice. Mislim da si ok prosao sto se para tice, ali sad racunaj da treba kupiti i nove stalke, cinele, torbe obavezno - mozes Stagg, ok su, a cena extra povoljna. Ne znam za vas, ali meni ispod 22" bass bubanj nikako ne ide. Mislim da bi izgledao kao karikatura iza tog bubnja, ali ok, nisu svi ko od brda odvaljeni, as I am... Evo moj set - Slika 1. sa snimanja spota za Plastiku, Slika 2. ono cemu tezim da oformim jednog dana. Ride je 22", crashevi 18, Hi-Hat 14", Spalsh-evi 8, 10, 12" i 2 Chine od 20". Drvo 12, 13, 16, 22", voleo bi na buducem TAMA Starclassic Maple da imam i tom od 14", pa da bude 12, 13, 14, 16, 22" i dobos metalni 14/8".

Jebo te, koji ste vi isprani mozgovi, kao da sa balijama pricam, a mozda i pricam. Kako svi vi vidite sta su Srbi radili, a kad se pomene sta su oni nama radili, kako su milione proterali i pobili, onda ta prica smara. Masete ovde sa nekim evakuisanim selom kao etnickim ciscenjem, a ne pominjete pola miliona ociscenih Krajisnika. Smara ta prica zar ne? Odakle tebi ideja da smo mi bili agresor?!?!? To je prica ustasa i seldzuka da bi opravdali svoju secesionisticku politiku. Bratoubilacki rat? Ne secam se da su se Srbi ubijali medjusobno. Ustase i seldzuci mi nisu braca. Kako volim Mladica? Mladic pobio hiljade neduznih? Jebo te, gde ti zivis, sta su tebi pricali roditelji i cime su te naucili!?!?!? Kakva bolest i zamena teza, kakva demagogija... fuj. Koja si ti to velicina da ocenjujes jednog vojskovodju? Uzivajte u svojim pateticnim zivotima, mozda cete jednom shvatiti neke stvari, ali ja se vise necu truditi da vam bilo sta objasnjavam. offtopic

Sta to Srbi rade s ostalima? They definitely are the aggressors and Milosovitch has come to power with that hatred and fascism. Malo pazljivije citaj, please!

Ne, nije taj intervju, nego ovaj... Uopste nije poenta sta on misli o situaciji kod nas. Kako on uopste moze ista da zna o situaciji kod nas od 1804. do danas!??! Koliko se god trudili da budemo slobodoumni i nezavisni u odnosu na medije, ne moze se ignorisati slika o nama koju su mediji stvorili na Zapadu o Srbiji, Srbima i svemu sto je ovde bilo. Prvo su nam uveli sankcije jer su muslimani pobili ljude u redu za hleb, ocekujuci intervenciju 6. flote. Onda su nas bombardovali po Srpskoj jer su 2 puta pobili svoj narod na pijaci Markale. Prvi put nisu dovoljno sokirali javnost, te nije krenulo bombardovanje, ali drugi put nisu mogli da odole. Onda su nas bombardovali pod izgovorom da sprecavaju humanitarnu katastrofu na Kosovu pod imenom Milosrdni andjeo. Na isti nacin su skenjali Afganistan, pa Irak i oruzje za masovno unistenje koje na kraju se ispostavilo da ne postoji, pa sad na Iranu isto primenjuju za nuklearni program... blah, svuda isti scenario... Da, vojskovodju Mladica sam pozdravio po principu SOAD-a. Cuvam ga i volim kao sto je on nekada mene i moj narod kad nam je bilo tesko u periodu povampirenosti Seldzuka i ustasa. Evo intervju... SERJ TANKIAN of SYSTEM OF A DOWN SYSTEM OF A DOWN just shouldn't be happening. They are too political. They are too aggressive. They are too avant garde and they are just too damned intelligent. They have a quirkiness about them that can, all too easily, catch the listener off guard. With this ability comes a responsibility not to abuse their communicative powers and this is a responsibility that the group, individually and collectively, takes very seriously. To be certain, SOAD does have a message but rather than cram that message down the collective listening and viewing public's gullet SOAD chooses to rely on their faith in the audiences intelligence. "People don't give kids enough credit for their knowledge" says vocalist, Serj Tankian, and who can argue with that? It was the kids who managed to discover SOAD despite a shamefully absent media campaign and it was the kids who showed up in the dozens at a day of show in-store appearance that nobody thought to advertise! Something is happening here and the heavy metal community had better take notice before it is completely overrun by intelligent, individually thinking kids who won't stand for an artist to prance on stage and tell bullshit stories only to insert thename of the local town for variety. The kids are definitely in tune with what this band is doing and the message is spreading, rapidly. In each successive tour through the highways and byways of America every stop has seen more and more kids dancing, spinning or just listening to SOAD. With successful support slots for SLAYER, FEAR FACTORY and two successive OZZ-FEST appearances SOAD may just about be done paying any dues that are required for headline status. The term "Heavy Mental" was coined a few years ago to describe bandsthat combine intelligent lyrics and distorted guitars and nowhere will you find a better example of this combination than with SOAD. Though I couldn't get the record company's publicist to send me as much as a photo, I did manage to speak with the group after their most recent stop in Detroit. Sauntering up to the bus and asking them if they wanted to rap, they said, "Sure." Complete humility and devoid of any pretension, now, that is something different! DAVID LEE One of the things that I have found very attractive about your band is that, besides being very moving music, the lyrics are very intelligent and even profound. As I sat watching the show tonight I couldn't help but wonder if a lot of the message that is in the music doesn't just sail straight over the audiences head? SERJ TANKIAN We are like a piece of pie, some people like it because of the cherries inside, some people like the crust, others just like sweet things. When you put out a message or when you put out a piece of art you put it on the wall and if it is abstract, for example, you can't expect for them to know that it is a donkey. People will make what they want out of it and as long as they internalize it, wether it be the messages or the music, I consider it productive. DL When kids approach you and it is obvious that they have grasped onto a piece of the message do you find that it was the same message that you intended to send? ST Oh, yeah. There have been countless shows where I have met with kids and they just come up and start talking to me about stuff and it is very enlightening. I have learned a lot from these kids and I have seen that there are a lot of smart kids out there. People don't give kids enough credit for their knowledge or as to their knowledge of the truth. DL Do you think that is something that kids lose over time? Do they all get more cynical as they grow older? ST Yeah. Once the brain starts to take over, they are in trouble. Once the brain starts taking over and we have this "adult progress thing" people do become more cynical, they lose the memory of the truth. The other day I was listening to some music and it had children's voices in it and these children's voices gave me a feeling of euphoria and I though, "Why am I feeling this way?" And when I though back, I thought "When I was a kid I didn't think the same way or I didn't think at all, I just felt and it was beautiful." The feelings and excitements of being a child, you just can't experience them as an adult. I think there is a way of sorta experiencing that again but you have to start de-programming yourself in a certain way. DL You have to un-learn? ST Yeah, un-learn your way to the truth.(laughs) DL There is certainly a visual element to the band but the focus is most obviously on the music and lyrics themselves was that a conscious decision to emphasis those aspects of the rock and roll show or did it just kind of evolve into what it is? ST I don't think that we really intend to do anything. Everything that we do is just what we do and it is how we do things. We don't have any motives or intentions, other than doing something that we really enjoy without compromising and we do that and are making a living out of it so we are happy. Spreading the message is important and we are doing that as well but, like you said, not everybody gets it. Some people do and if five people got it today that is five people more than yesterday. DL You give great emphasis to telling the listener about your Armenian heritage in particular the relationship with the Turks. . . ST The genocide. DL The genocide. Is that a message that a lot of people have seemed to grasp? I mean, because of that genocidal act of the Turks there are very few Armenians who could have a personal connection to the whole thing. ST I have met a lot of people who have, through our music, learned about it and have come to me to ask me more about it. I have turned them onto some Internet sights or whatever so, yeah, we do get people that understand it. On the album as well, the last song is a dedication. DL So, these are kids who are not of Armenian descent? ST No, generally not because Armenian people know their own history anyway. DL Did you come into a understanding of your history on your own or was that something that was taught to you by your family? ST My Grandfather had told me stories about how he was able to escape and how his whole family was killed so we were told the story from a very young age, all of us. So, it is the truth to us and so it is nothing that we had to learn but it is something that we intend to teach. DL The parallel to what is going on in Kosovo is to obvious for me not to ask your feelings on that situation. ST Serbia is definitely very aggressive in their dealings with the Muslim ethnicities within Yugoslavia wether it be Kosovo or Albania or Bosnia. They definitely are the aggressors and Milosovitch has come to power with that hatred and fascism. That is how he came to power, with promises of fascism and although we are fighting against that, I am not so against this conflict, as far as what NATO is doing as much as why they are doing it. Why don't we help Tibet, for example? Because we are working with the Chinese now? We don't need Tibet financially. Why aren't we bombing China? Why are we not bombing other countries that are doing the same thing like Yugoslavia is doing? I am not saying that Yugoslavia is right in what they are doing, at all, but why are we choosing that one? Why would we risk our allied status with Russia and with China? It is getting scary for the human population in the world right now because of it. So, why are we doing that? The real reason is money, again. The fact that Kosovo has ben applying to the West for investments, it is a lucrative operation to split up those nations over there so that they will be dependant on the U.S. It is a political game and a financial game more than anything. Sure, let's go to war over this but why not Tibet and why not other places? DL Are there just wars? ST Self defense is a just war. I think that is the only just war. If someone is attacking your country and trying to take over your sovereignty, then, I think, that is a just war. If you were walking down the street, just as a person, and someone tries to attack you and harm you and you are defending yourself, your fighting against that person is just. I don't see anything else as just. The only questionable line to be drawn is when a country comes to us and asks us for help, the question should be, Why are we doing this? Generally, I would say that there are no just wars because war is not a just thing. To harm someone is not going to help you either way but self defense is the only ground that I see. DL So there is no divinity in passivity? ST Divinity is definitely having nothing to do with war. If you believe in divinity of any kind, wether it is the Bible or the Buddha or whatever you believe in, the divinity that exists between us and within us has nothing to do with war. DL Why do you choose to express such a peaceful message through such an aggressive form of music? ST It comes through our musical influences. Daron writes most of the music, Shavo writes some music, I write some music but it is a combination of musical influences. Daron and John, for example, are huge metal heads where as I was into metal and punk and then rap more later in my life and I was more into cultural and folk music and other stuff so, it is just a combination of a lot of influences. It just melts into what it is, why? I don't know! DL The thing that I like most about the band is that there is not pretension to any of it, it feels genuine. ST No pretension at all and no intent behind it. We didn't do it to make money that is for sure!(laughs) People would come up to us and say "You shouldn't growl or else you will never get signed." and all that other shit. We definitely didn't do it to be liked by everybody else. DL Was there anything about the recording of this album that was particularly hard for you to do, given the obvious emotional connection to the whole thing? ST Dealing with the guitar player!(laughs) We had a good time doing the album. This band really enjoys recording as well as playing. One thing that I did that almost made me faint was trying to sing upside down! (laughs) They had me strapped by my ankles to some of the exercise equipment at Rick (Rubin's) house and as soon as I tried to growl I passed out! DL I have been a fan of almost everything that Rick Rubin has ever done, how was it that you began your involvement with him? ST He came and saw us at a show in Hollywood at The Viper Room and from the first time that he heard us, he was into us and wanted to sign us and record us. We were very surprised and very happy that he was there. We have respected his work from the BEASTIE BOYS to THE CHILI PEPPERS to SLAYER, of course. Rick is totally into the music and he has signed bands that can be profitable but he hasn't produced them himself and when he decides to produce something he is really into it personally. He is very in touch with the music. DL You have graduated to the main stage for this years Ozz-Fest, how did you manage that? ST I think that it has a lot to do with Sharon Osbourne and what she thinks. I think that we are very lucky that we have the ability to do that. DL Other than the obvious, what else should people take away from the SOAD experience? DARON MALAKIAN Musically they should open their minds to different kinds of music and they should go look for different kinds of music. They should look for art and for things to inspire, anything that inspires you, go after it.

Ovako nesto?

Eto, o svemu sam ja ovome pricao par strana pre, ali nekima se nije svidelo... However.

Ne, za mene postoji samo pitanje da li 22 ili 24". Sto se tice dubine bass bubnja, do pre koju godinu je bio standard da je bass bubanj od 22" na standardnim kompletima 16" dubok: sad Yamaha ubacuje 17", a koliko sam upucen vecina bubnjara ili mozda i svi iz trenutno aktuelnih bendova koristi 18" dubinu. Pa, ako sviras neki funky, jazz, latino onda uzmes hip gig, neki mali bass bubanj, ako przis metal, hc, nu metal, hard rock onda minimum 22", a pozeljno je i 24". Dubina ne manje od 16". Bass bubanj malog precnika nema taj power kick i jacinu kao i groove za tu muziku... sve zavisi sta se svira, sto vazi i za izbor npr dubine dobosa, kompleta cinela, da li treba svetliji, tamniji zvuk, glasniji... naravno, i koze na drvetu se biraju na osnovu zvuka koji se zahteva. Na bass bubnju od 24" je malo zajebano postaviti timpane, jer ako su i timpani duboki, onda stoje previse visoko i nezgodno je za sviranje. Onda se postavljaju ili na rampu ili na stalak pored bass bubnja, ili pak se kupuju plici timpani...

Od Stagga je sve bolje. To je dno dna, kineski shit na nivou Tactona i Amatija, s tim da su obe ove firme iz osamdesetih, a Stagg je sad aktuelna firma na trzistu. Od tih losih firmi jedino sto se isplati kupiti je nesto sto nije vitalno na bubnju, kao npr torbe za komponente, za palice, eventualno za cinele i sl.... Sto pre se raspitaj za one gumice, pitaj Migrica iz Sky Musica, mozda on zna, posto je ranije ima PREMIER bubanj ili Ducu iz Lira Style (Orthodox Celts).

William Shakespeare?

Koliko sam provalio po tvom opisu, to je ona pedala koju je moj ortak kupio jos sredinom devedesetih, i to mozda cak i u prvoj polovini. Nije ni cudo sto je 180 EUR. Drugo, po mojim standardima to je previse tvrda pedala. Ono sto joj ne valja, to je pod a) mehanizam koji drzi bat na osovini - od loseg je materijala i kad mi je taj drugar svirao na drugoj ili trecoj svirci sa Block Out-om, to je puklo na tonskoj probi na 3 dela;pod te gumice sam ja lomio po jedan par na probi, jako brzo se trose i ako nemas punu kesu tih gumica, onda se pozdravi sa pedalom; pod c) taj direct drive mu je pukao na obe pedale, tj ispada sraf non stop... Inace, pedala je mnogo bolja od npr YAMAHA FP700 modela, ali ima dosta nedostataka zbog kojih bi ti moglo da prisedne njeno posedovanje. Iskreno se nadam da ti se sve ovo nece desiti, ali obrati paznju i budi spreman na sve to. Obavezno se raspitaj gde mozes te rezervne gumice da nabavis. Premier je malo zajeban jer nema u nasoj zemlji predstavnistava za njega (bar ja ne znam ni jedno). Da si uzeo neku TAMA, PEARL ili YAMAHA, pa i SONOR pedalu, mnogo bi lakse nabavio bat, feder i sl u slucaju da ti pukne... Dobra ti je slika generale, volimo te i cuvamo!

@ Zak - ti to tako razgovaraj sa svojim caletom i kevom! Cim spomenes srpske zrtve i genocid nad Srbima, odmah hoce da te ukinu, ubiju, posalju na Goli otok ili banuju sa foruma. Najblaza varijanta je da sam promasio temu. Nisam ni ocekivao nista drugo, samo ste potvrdili moju teoriju. Temu nisam promasio. SOAD bas peva o tome, a to sto se vama dize na neki riff ili neki muzicki aspekt, onda njihovo delo dozivljavate potpuno povrsno. Serj i Daron na svakom koncertu izmedju pesama to potenciraju i govore o tome, ali ocigledno je nekima bitno samo da se dobro iskacu i tu se zavrsava interesovanje za SOAD. Poenta je u njihovom obracanju javnosti pretocenom u oblik savrsene muzicke vokalno-instrumentalne forme, ukazivanje na pobijenih 1.500.000 Jermena u periodu 1914. - 1923. god, (eto, sasvim slucajno se brojka poklapa sa zrtvama u Jasenovcu i WWII ali je bolje ne pominjati ih jer neki ne zele da znaju za nase zrtve - vredja li to nekoga?!?!) nepravdu i genocid koji je ucinjen nad njihovim narodom, i to samo zato sto je tada Velikoj Britaniji tako odgovaralo pa Turska nije kaznjena, nepravdu koju Amerikanci vrse nad Irakom, Iranom, Vijetnamom, Severnom Korejom, Juzno Americkim zemljama, nepravdu unutar sopstvenog drustva, probleme s drogom i narko-zemljama, korupcijom u drustvu, problem s gubljenjem identiteta licnosti u neokapitalistickom savremenom drustvu na Zapadu... Sreca je pa SOAD nisu americki bend srpskog porekla. Ovde bi ih demoNkratska vlast prozvala primitivcima, personama non grata, silama mraka koje se ne odricu proslosti i koji se zalazu za rat i nestabilnost regiona stalnim iskopavanjem srpskih zrtava, jer sta nas briga za te milione pobijenih, oni bi danas 2006. god ionako svi bili mrtvi. Pitam se samo zasto se onda i Izrael i Jevreji ne odreknu svoje Svete zemlje i vrate je Palestincima, svojih zrtava iz WWII i zasto im Nemacka i dan danas placa ratnu odstetu!??! SOAD imaju stav prema svom polozaju u okviru americkog drustva, imaju stav o americkoj spoljnoj politici i o svim zbivanjima u zemlji odakle poticu. Oni ne zaboravljaju odakle su i ko su. To je provuceno kroz sve njihove textove, a ne kroz 2 ili 3. @- (4) "jer se oni kupaju u svojim milionima ushushkani u blagodetima zapadne civilizacije"... SOAD je pevao o svemu ovome i blagodetima zapadne civilizacije i pre para koje je zaradio. Ovo je tipican stav ispod prosecno intelektualne osobe iz zemlje zahvacene tranzicijom.... Da, SOAD tema primenjena na nas.

Pa, da su clanovi grupe System Of A Down bili kurtoni kao neki kod nas i zaboravili na sve pokolje i nepravde nad svojim narodom i drugima koji su danas zrtve novog svetskog poretka i odnosa velikih svetskih sila, ne znam sta bi im bila linija vodilja, inspiracija za licni rad i izrazavanje kroz muziku... Znate li vi uopste o cemu peva SOAD? Jedino Srbe boli kurac za milion pobijenih Srba samo u Jasenovcu, za stotine hiljada pobijenih po drugim jamama sirom NDH i fBiH, na Golom otoku, na Kosovu. Jedino je ovde sramota pomenuti svoje zrtve, jer ce nam uvesti sankcije, to nije u stilu savremene civilizacije i skakanja u najdublji cmar Evropske unije, nemojte da pominjete srpske zrtve jer necete moci da idete na more, necete lako dobijati vize za zemlje zapadne Evrope i mozda ce vas mimoici neko zimovanje na Kopu i standardi Evrope. To nije u trendu. Budite u fazonu, izvinjavajte se nasim neprijateljima, krvnicima i zlocincima, masite tudjim izmisljenim zrtvama sa izmisljenim brojkama i velicajte njihovu tragediju koju su sami izazvali. Genocid ne zastareva.

Mozda bi bilo pozeljno da, ako ih Boro Drljaca ikada kontaktira, spomene i paralelu izmedju genocida nad Jermenima koji su izvrsili Turci i genocida nad Srbima takodje od strane Turaka, ustasa i NATO agresora. Ne mora da ide previse u istoriju unazad, ali neka pomene sve pokolje od 1804. na ovamo. Ako ih ta prica i solidarnost prema Srbima ne dovedu, ne verujem da ce ih ista drugo dovesti u nas zavicaj, uzi i siri. Inace, svi veliki bendovi za Zapadu imaju svoju tarifu i uopste ih ne interesuje da li ce koncert biti u svinjcu, u nacinalnom parku ili na krovu neke zgrade i koliko ce kostati cena karte, kakva ce biti medijska podrska i najava koncerta i bla bla... Vojskovodja Mladic: "I napokon, dosao je trenutak da se posle bune protiv dahija osvetimo Turcima na ovim prostorima." Generale, hvala ti za sve! Volimo te i cuvamo.

Za one koji hoce jeftine, a solidne cinele za male pare... neki lik se oglasava na Halo oglasima, pa ako je neko zainteresovan neka ga pozove... dakle, oglas glasi: SET ČINELA ZILDJIAN ZBT 16, 20 I KONTRA 14, SAMO 160 EUR. 065/364-4200

Back To Basics ima 8 delova na divx, a inace to sam gledao non-stop unazad nekih 10 godina i to na vhs kaseti, sa snimkom koji je bio neka hiljadita kopija loseg pirata i koji je posle svake 5 minute na momente pokazivao da je rec o snimku u boji, ton je nestajao na svakih 8 sec po 2 sekunde i to u najbitnijim delovima... blah. Inace, da gledao sam i taj Next Step. To je cool. No sad sve je lakse kad su se pojavili compovi, divx, dvd... Dave Weckl - Back To Basics Part 1 (Solo & with Playback sound).avi Dave Weckl - Back To Basics Part 2 (Snare exercises).avi Dave Weckl - Back To Basics Part 3 (Brushes).avi Dave Weckl - Back To Basics Part 4 (Foot Technique).avi Dave Weckl - Back To Basics Part 5 (Coordination).avi Dave Weckl - Back To Basics Part 6 (Coordination & solo play).avi Dave Weckl - Back To Basics Part 7 (Tuning Drums).avi Dave Weckl - Back To Basics Part 8 (Garden Wall).avi

Pa da, slabiji model od 5000, ali zar je duplo jeftiniji? U kojoj prodavnici? Znam da je SKY imao DW pedale, ali ne znam da li jos ima.... Ako je stvarno 200 EUR ta pedala, onda tu nesto nije ok. Pa, moja single je toliko kostala. Moze se desiti da je od loseg materijala napravljena, citao sam na forumima da su pucale ljudima te pedale. Ne znam, ja nemam iskustvo s tom pedalom, te ne mogu nesto vise da kazem. Onako na oko deluje ok Ako te interesuje moje misljenje, za pedale iskljucivo TAMA Iron Cobra HP900PTW i Pearl p2002c, eventualno DW 5002AD3.

Zivo bih voleo da znam gde je to dupla pedala sa duplim lancem 250 EUR i to DW 7002?!?!?! DW 4002 je 145 EUR DW 5002AD3 je 349 EUR DW 5002TD3 je 295 EUR DW 9002 598 EUR

U jeeeeee, a gde ti zivis??!??!

Pa, sve prodavnice imaju najbolje cene, samo je pitanje sta trazis. Sky je extra povoljan sto Zildjiana tice i oni su generalni uvoznici za SCG. Paiste imas u Mitrosu, kao i Stagg. Sabian imas kod Marica. Lyra Stile od Sky-a preuzima Zildjian. Mislim da Mega music uvozi Meinl... Ostali verovatno imaju po neki usamljeni komad. Tek kad pocnes da sviras na Z Custom, A Custom, K, Avedis, Paiste 2002 i sl uocis zasto toliko kostaju i koja je njihova prednost u odnosu na Stagg, Meinl i sl sranja. Zildjian i Sabian drzi ista porodica - Zildjian, i kompatibilne su. Koliko znam, obe fabrike se nalaze u Kanadi i to jedna preko puta druge, jer valjda Kanada ima neke nize poreze za proizvodnju, onda ih bacaju u USA i distribuiraju. Sad se trude da afirmisu ponovo Sabian, jer su propali na trzistu i od kad ih je Zildjian preuzeo platili su gomili poznatih likova da ih reklamiraju. Npr, za Dave Weckl-a je specijalno napravljena HHX Evolution serija, a ranije je svirao K kontru 13", K ride, i uglavnom je to bila kombinacija K i A Custom Zildjian. PAISTE su jako dobre cinele, mada im ja nisam bas neki fan preterani. Proizvode se u Svajcarskoj i Nemackoj. Posebno Signature modeli su cool. Istambul cinele su takodje kvalitetne, to je neka struja koja se odvojila od Zildjana. Ostale cinele ne bi nikome preporucio. Radje bi se strpio jedan period, skupljao pare i kupio super ride npr i dobar crash, nego da za isti period uzmem 10 Meinl i Stagg plehova... blah Najskuplje je ipak najjeftinije!

Meni je jednom pukao REMO kljuc za bubanj, a ovaj sa Cobre uglavnom i ne koristim,posto imam Pearl-ov. Da, ja sam stvarno nesto prolupao, ne znam odakle mi ideja da je oznaka HP900PW, verovatno od Power Glide. U svakom slucaju, izvinjavam se svim pristunima na ovom forumu sto su pretrpeli psihicki bol nastao mojim sirenjem dezinformacija. Stidim se. Nadam se da cete mi oprostiti. Ne znam za falsifikat pedale, moja je stigla iz Beca iz prodavnice, ali je sasvim moguce da ovamo distribuiraju pedale za trziste zemalja treceg sveta... ko zna, kao sto ni Milka cokolade kod nas nemaju veze s onim koje se prodaju u Nemackoj. To pouzdano znam.

Pa, iskreno, to je bilo 2002. godine, ne secam se bas, osim fascinacije kad sam video cudo, ogromno kao INSTITUCIJA, znaci, da ne poverujes koliko je to ogromno bilo. Tad jos nisam imao nesto preterano iskustva sa dobrim pedalama, tako da jos narocito s ove vremenske distance, ne bih mogao dati kompetentan odgovor koliko je bila dobra ili losa. Meni je tada bila izuzetna. I svirao sam je samo na jednom koncertu. A one gume umesto federa su bile kao I profil, bas kao veliko slovo I i dobijes ih nekoliko sa pedalom u kompletu... Pitacu ortaka za sifru te pedale pa cu ti poslati info ako te zanima, a videcu i da je slikam, pa da ti bacim na mail ili tako nesto...

Uh, zaboravio sam da izvedem zakljucak... Kazem ti, Flexi Glide nisam svirao, ali sam bio kod jednog lika koji je izvadio Cobru iz kofera koja nigde nije bila ostecena ili nesto tako, a zuta flexi glide traka je bila unistena skroz, sve se cepalo, linjalo... i sad kao ocekujes da posle toga ja odem u radnju i trazim flexi glide?!!?! Isto sam licno video i svirao TAMA Hi-BEAT 6740, a sto se tice krutih veza znam da se ona hidraulicna nekoliko puta za vreme svirke blokirala, ali to je mozda do hidraulike a ne do krute veze. ALi s krutom vezom sam se poprilicno namucio na jednoj drugoj Premier pedali, kojoj je gaziste kao 2 pralelne linije. Poprilicno kruto, a mom ortaku su i srafovi ispadali, te mu je veza izmedju bata i gazista cesto bila jednostana, umesto dvostrane kako je bilo planirano fabricki... A, sta mislite o stalcima???!! Ako hocete moje misljenje, Pearl je ubedljivo najjaci i po Uni-Lock sistemu i po dizajnu - a posebno ova najjnovija garnitura, kojoj se i pecaljka lomi sa jos jednim zglobom... Yamaha ima zanimljivo resene civije...