Grogi

MP4 je da se zadovolji radoznalost. Je necu ni skidati DVD, ocekvao sam vise novog materijala.

Dream Theater - The Spirit Carries On - Full Doc.mp4 http://www.megaupload.com/?d=FEPD2MZZ

Ja mislim da su hteli baš takav, zamućen, zvuk, da ne liči ni na šta što su do sada radili. Bubanj mi je bašš dobar, nije u prvom planu (poslušaj novi DT pa da viš), čuje se sve al ne trešti. Meni se lično najviše svidela "Believe me" ali ni ostale stvari nisu neke bzvz pesmice.

Eeeee, pa to je gajba Lava, ne volimo baš toliko DT

Ha ha, pa zbog ovog poslednjeg i snimaju k'o ludi i idu po celu godinu od kuće. Viš da se Mangini usro od sreće kad je dobio posao, najzad dobio luft.

Valja ujutru poraniti na posao, nemoj ti tako. I šta, samo 3 sata za POS....pih.

Mislim da će da zakuvaju i "rekindle the flame" ovim intervjuima, što i nije tako loše. Kad se pojavi nekad LTE3 znamo da se nešto valja iza brda i da su se izmirili.

Ha ha, kakvi ste vi likovi, kad DT budu originalni "što nije kao I&W" a kad je u tom stilu "jbg, ovo je kao I%W". Mislim da treba da uvedu usnu harmoniku, gusle, frulu i medveđi growl i preslikaju I&W da bi svi bili srećni. Elem, Breaking all illusions koja se mnogima sviđa je klasična DT pesma, kao iz starih dana, onaj otrcani zvuk klavijatura, super solo koji se vraća na temu kao u Learning to live. Mene se najviše sviđa Jethro Tull deo negde na 5.30. Album je dobar, niko ne može da istovari toliko različitih tema posle x albuma i 25 godina kao DT. Slušam ga isključivo na slušalice i ima se šta čuti. Jedino je, kao što sam očekivao, bubanj preglasan, činela kao da je preglasna. Ostali su nekako u senci. Malo su pojačali i Myoung-a, čini mi se.

Ha ha, ne može čovek da prevaaari sranje. Treba ga pozvati malo na Pink da se razmrda.

Ko bude išao na koncert u februaru će sigurno promeniti mišljenje o albumu nabolje. Uvek posle žive svirke, bar meni, album postane bolji i onda kreće pravo slušanje koje traje godinama. Iako kaljate Systematic i dan danas ga često okrećem, mnogo češće nego stare albume. Fali mi Portnoy na albumu, suviše mi je ovo precizno, produkcijski prepucano. I najzad balada kakvu nisu imali duuugo, 4. stvar This is the life. LaBrie mi je ok, dobro su ga uklopili u ceo album. Grejaću se manje ove zime, pa u februaru idem na konc

Oće biti karata direkt na ulazu i pošto? Do sada sam na sve koncerte išao naplanski, u kola pa bum, tu smo. Ima nas par koji bi došli a posao, žena sitna deca, sve to uplanirati ranije nije moguće

Ha ha, super! Smejaćemo se za koju godinu kad bude pevao u DT

Хвала за линк. Ово ми звучи скроз добро, баш оно што ми треба у колима

Evo ga i Mangini se prokurcio...tompus.

Ha ha, koliko mi se čini, desna ruka je odsečena i savljena kao leva, uz manju rotaciju. Kakvi likovi, kao neki šuster da im je radio cover. Pa mogli su uzeti bilo koje rešenje od fanova za dz i neko bi se usrao od sreće. Ovako...tuga.

Možda je Myung ovakvo nešto smislio:

Meni ovo novo liči na komercijalu. Ima tragova onih starih melodija ali su sasekli, nema izdrkavanja, sve za nove fanove koji će odslušati album 3 puta i kupiti neki drugi itd. Jbt, ovaj Rudess se stalno igra sa Nintendo zvucima i glupostima, deonice koje mogu da izvuku stvar nabolje on izdrka neke bzvz zvuke, ne znam, možda neko to i voli ali vidim da je svima dobro došao LTE klasičan klavir. LaBrie je ok, ipak on ima tu DT boju glasa, ne plazi kao ranije i to je to. Sigurno ne bih pevao ovu stvar jer je kao žvaka. Solaža mi umnogome slična jednoj njihovoj ranijoj stvari sa systematic-a čini mi se moram malo da prevrnem kolekciju, noviji je album u pitanju. E mislim da je The Shattered Fortress sa BCSL, tamo je ubio a ovo je suviše kratko ali mi je tema slična.

11 EST mu nesto dodje 17h kod nas. Ma jebo to, igra Djokovic tad. Samo bih na pocetak naslova albuma dodao "Lemony Snicket - "

Najzad bi mogla nova tema po ovom pitanju da ne turamo Portnoya i dalje u DT Skroz mi ovo oko grupe pozitivno zvuči.

http://www.bravewords.com/news/163672 “It all comes down to what the listener interprets. To me it’s a classic album of great progressive moments. I think we’ve really gone back to some of our classic glory, and at the same tine there’s still some of that progressive metal Dream Theater in there, but in a more controlled and less bombastic sense. It’s harnessed in a more complimentary direction that maybe Scenes From A Memory or Images And Words was. Progressive, but with those heavy elements in there, and not having one side overshadow the other. Melodically, the new album has come up to a whole new level; I was involved from beginning to end with the melodies. It’s extremely well balanced, and there’s some unbelievable interaction going on instrumentally on this album.” “John Petrucci (guitars) produced the album and he’s been unbelievably committed to this. He’s put so much time into the album and he’s had a pretty clear vision of how he wanted it to unfold. When we were recording he did the drum programming, and some of the stuff he was coming up with was insane (laughs). It was great. We’d send the songs in completed form with the drum programming to Mike Mangini, he would take it and figure out what worked for him and where he wanted to put in some of himself. When he was laying down the drums, trust me, Mangini is all over this album. He was absolutely phenomenal.” “I’ve worked with him on three albums already, so my jaw had already hit the floor several times before he came in to do this one (laughs). And the other guys were doing the exact same thing when they saw him play for this album.” As for Mangini putting his signature on the band’s older material – the biggest concern amongst diehard Portnoy supporters – LaBrie admits it’s still a question mark. Chances that the fans will be disappointed are slim to none. “Aside from the auditions, where we did three songs, I haven’t heard him do any of the old stuff,” LaBrie reveals. “He knows there are certain sections of various songs when he has to stick to the mold, and he knows when he can be himself. Mike Mangini is very intuitive and incredibly musical, and he’s made it clear that he’s going to be putting some of himself into the old songs, but when the sections or the pieces really call for him to stay on the MP train, he’ll do so. That’s admirable and that’s professional.”

Ma meni je najviše pukao kad je ponovo pustio kosu, počeo da se kezeči, počeo da trza kao Janika pokojni...ima tu još. Najbolje je što se Portnoy verovatno kida od smeha na sve ove gluposti i misli se "Dobro je što sam ostavio ove dijabole"

A stvarno su postali debilni. Audicija za najboljeg bubnjara, kurac-palac, a na kraju prof. dr Petrucci na nekoj Segi napravi bubnjeve i daa na sviranje. Da ima bar malo mozga rekao bi Mike-u da uradi to kako misli, jer je najbolji i u materiji vec 20+ godina, pa onda ko sta ima od ostalih da prokomentarise. Ovako mu je rekao "Sedi! Jedinica!"

Hvala za link. Jedino mi nije jasno što bubnjar, koji teži da bude što prepoznatljiviji i da ostavi neki trag u muzici, dozvoli da bude fizikalac. Mislim da je Mangini predugo bio studijski muzičar, na'rani svinje i ne diraj ništa fazon.

Ha, ha, kakav car! Trebao ih je još sve poslati u kurac Derek Roddy DRUMMERWORLD PRO DRUMMER Join Date: Feb 2007 Posts: 333 Default Re: Dream Theater's new drummer Quote: Originally Posted by sticks4drums View Post Hey Derek. My wife and I watched todays episode together, and we both thought you came off a little bit unsure and shy. Were you intimidated, or nervous? I know I would of been, but then again I am not in the same league as you guys. Not at all....actually it was quite the opposite. I was really comfortable around them and with the "process". The whole thing with all us guys audition footage is....you're seeing 5 minutes (of what some editor thinks.... is creating "drama" for reality TV) What you didn't see are the 2 hours and 55 minutes of kick ass jams, tunes played exact, etc...... Another thing that needs to be considered in my case is..... I auditioned for DT because I was asked.......not because I wanted to be the new DT drummer. Too much commitment for me to stop what I have going on in my life. I have a snake collection (over 100 animals) that has generated more income than DT would be able to pay me. This drum thing is fun and all but, it doesn't make up even half of my yearly income. For me to consider that gig....meant I had to move out of a really big passion (and security) to do something......I've done already (touring) and am doing still through education and my own projects. One of the questioned asked by RR was "how would getting this gig change your life" My answer was....."I'm not looking to change my life." Cheers, D

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