Buddha

ne umem da ostavim link pa sam resio da stavim slike nista avantGaddnije nisam video nedeljama

mozda moze da se nadje tamo jos u antikvarnicama. The Antique > Kayo Dot su bili inspirisani Banja Lukom kad su napisali pesmu.

BRACALA!

brajko.

moo.

LAŽEŠ!!!

SunnO))) uradili pesmu sa Ulver. Jos da The Gathering snime sad pesmu sa SunnO))) i krug ce biti potpun

tebe bas mrzelo da citas prethodne postove..

pitaj olivera iz interfektora da ti objasni

slusao sam i ja taj Moon D))) Govno! pozz

jesi li iz crne gore? ako dolazis na cert 11 12 mogao bih da ti donesem par albuma.. taman cemo mi sve da ih preslusamo u vozu dok stignemo i onda opalimo neki SunnO))) meets Yakuza free jazz ambi-noise session od sat i po.

slusao. jest, podseca na sve i svasta, a kapiram te azzo sto si se navatao na onaj gothic clean vokal nije mi nesto cime bih se sad odusevljavao 24/7 ali respect sto su klinci i bubnjar '86..

javi se na pp pa cemo da se dogovorimo

obecavam i tebi. dovescemo i katatoniju, odvojeno xe xe, don't worry. cim krenu na turneju (verovatno jesen 2005.) procice i ovuda negde..

ma dovescu ih ja ovde, obecavam ti! samo da prvo dodju bar negde u blizinu.. oko 500-1000 km udaljenosti

evo ga i review jednog koncerta: Isis - 21/03/04 - Whelan's, Dublin By Paddy Walsh Isis are a band that attempt to convey emotion through music rather than words. Instead of a vocal pattern to match a mood, it is the riffs that are responsible for putting forth an emotional weight to connect with the listener. 2003's Oceanic album was the culmination of this; a vast, epic and powerful journey through mainly instrumental swaths of crushing yet strangely affecting riffs. How they would manage to capture that same feeling live had me filled with a certain degree of apprehension prior to this gig; would the songs become lifeless in the live setting, a mere collection of riffs as opposed to songs? Fortunately, my fears were swiftly allayed once the band came onstage and launched into 'The Beginning and the End', the opening track from Oceanic. It immediately became apparent that Isis were an even more unique proposition than even I had first thought. The heaviness and emotional sway of their music remained intact, only the impact was far greater. The riffs sounded huge - at times the whole venue felt like it was going to collapse under the strain from such precise noise. Yet somehow the guitars never became too entangled within each other's lines, something which could easily have happened considering the use of three guitarists for certain songs. The vocals (what little of them there were, anyway) sounded top notch, although for the first couple of numbers they were somewhat buried beneath the layered guitars. Isis played a set beyond musical pretensions. They saw no need for banter or audience interaction, without even so much as song introductions. It was as if a certain heavy momentum had formed from the moment they started to play, and the band felt that if they stopped at all before the end this would be lost. And who am I to argue? Finishing with a beautiful rendition of 'Carry', its slow and careful build-up climaxing in a crescendo of awesome riffs and pained vocals, Isis were simply stunning. prodacu bubreg da idem da ih gledam, jebes mi sve

jos jedan review, ovaj je sa ultimate metal-a. Wow, I don’t even know where to begin. Remember how Oceanic was magnificent? Do you remember thinking that Isis would have to do a whole lot to surpass their previous release? Well, suffice it to say, Panopticon clobbers the band’s entire discography. “So Did We” jumps right in with the group’s patented sound and vocals. The aforementioned song gets mellow about thirty seconds after commencement. As you know, Isis’ passages are usually winding and filled with contained intensity; furthermore, have you stumbled upon a band that builds to a climax better than these guys? I also enjoy the steady drumming, which makes it nominally easier to weld with the track’s groove(s). “Backlit” is a sullenly beautiful piece that funnels into a haggard, confident composition. “In Fiction” retains a mysterious feel to its beginning, but convincingly sprawls outward, as does “Wills Dissolve.” “Syndic Calls” is perhaps more experimental than anything else on Panopticon. Perhaps not. In any case, I fell for the guitar parts that cut in and out, circa the 2:00 mark. “Altered Course” is a bit more raw than typical, and “Grinning Mouths” is most assuredly solid. Negatives include: songs that meander a little too much at times, length of certain tracks may put you out, and that’s about it. Needless to say, Panopticon will definitely grace many top-albums-of-the-year lists, and rightfully so. Not only is the music phenomenal, but also the glossy, liner notes are cool and the artwork is worth mention. In sum, I believe Isis have let loose the best album of their meek career. So, agree or flame away. 9/10

nijesi preslusao?

znam za Levee a peace, love?

to se u pocetku (volela ti to il' ne) zvalo CaliMetal novi momenti za milenij: Isis - Panopticon pozz