Grobodan

Suština metala je kad te znojavi Starshooter zagrli na koncertu.

Za koga je to izašlo, Ketzer?

Glupača.

Druga 2 iz osamdesetih Ne piše mi se na ovu temu, jer što se mene tiče metal je živ i zdrav i stalno nešto novo dospeva u centar pažnje sa kvalitetom. Da slušam dva i po benda kao neki brinuo bih se, ovako mi opušteno

It seems to me that „Ape uprising“ has just been released, I’m still spinning it quite regularly and we already have the new release by The Lord Weird Slough Feg (only this name is real) for all their fans to enjoy again in their inimitable brand of truest fucking Metal this side of the underground. This band is unfortunately still criminally underrated in global Metal circles but they have garnered the cult following and glorious reviews all around and those in the know are aware that TLWSF belongs to the very top of contemporary metal scene with their Thin Lizzy / Irish Heavy metal full of guitar bravures that is firmly rooted in the past glories but timeless in its execution just like any good metal should be. And although there wasn’t big amount of time between the two albums, luckily the quality didn’t fall one bit and „The animal spirits“ follows down the same route that „Ape uprising" has taken, and now let me elaborate on this... TLWSF's latest two releases are not as progressive and ambitious as, say, „Hardworlder“ but instead they have taken the more song oriented approach and trimmed down the album length in that process. Songs are more concrete and catchy, also the overall tempo of „The animal spirits“ is closer to the mid waters but fear not, you will find some fast numbers like the opening two minute punch „Trick the vicar“. While keeping in mind that, I must still notice that mr Scalzi and his cohort have packed bulk of trademark details into the music so closer inspection will reveal their standard melodic Maiden / Lizzy / old rock / God knows what fretboard wizardry, unpredictable songs stuctures and above all comes Scalzi’s soaring tenor. So on the first couple of listenings "The animal spirits" will caught you immediately with some infectuous moments that will garner your return to it so as you give yourself further away to it you will slowly unwrap the layers and enjoy – an all of it in freaking 38:40 minutes... Masterfully done. The material is very versatile so you will face standard Feg hymn "The 95 thesis“, galloping guitar instrumental „Materia prima“, mellow „Second coming“ driven by soulful soloing, intense „Tactical air-war“ (with guest vocals of Bob Wright of Brocas Helm) and lots of things in between, I will not spoil your fun anymore. From the earliest inceptions of Rock all the way to forward thinking song arranagements, heavily based in golden times of Metal but not sounding retro or cheap just for the sake of it... Yes, The Lord Weird Slough Feg still has it and continues with „The animal spirits“ one of the most exciting travels in nowadays’ metal. Why aren’t these guys huge?

Mislim da je više do tebe nego do albuma, tako će ti i novi IF biti loš jer nisi više u tim vodama.

Tek taj ne treba.

O bože jebem ti sve ti jebem, re-record Under the sign of hell?

Leave the hall. Nije loša ova nova.

I meni se svideo Paradise lost, ali definitivno jeste jedan od slabijih SyX radova.

Evo vam ga album: Vine

http://www.youtube.com/watch?v=8sF1jUWMwsU&feature=player_embedded

Šta ima tu, neke retke pesme ili sa albuma?

Finally! After not very satisfying full length "Sodom" and „The final sign of evil“, very controversial remake of cult record „In the sign of evil“, German wartank Sodom returns to form with the new release "In war and pieces" to remind us that they aren't considered one of the most consistent Thrash acts ever and part of German Big Three for nothing. This album was really carefully done to the detail and it seems to me that Sodom really had something to prove here; the first thing that will caught your eye when you face up „In war and pieces“ is beautifully done artwork (courtesy of Eliran Kantor) which shows Sodom’s mascot Knarrenheinz in war environment standard for the band, but the whole work is masterfully done and rightfully competes for one of the best Sodom cover arts ever. While we’re talking about the technical details one more thing is very good for sure and that is the production work of Waldemar Sorychta. Some of you perhaps know him for his work in Grip Inc but he is mostly familiar as producer for tons of great atmospheric metal bands such as Moonspell, Tiamat or Tristania, to name a few. I was a bit worried how will he handle Sodom’s sound but his Thrash roots shine through in all its glory as the album has just the right sound – heavy as hell, everything is comprehensable but not to the point of being overpolished and the guitars are simply ripping; the only comlaint could be pointed out to a bit clicky drum sound but that is just in nuances, final mark is truly good! Now we finally got to the point of actual music, the most important part after all... As I have said, Sodom did have a few missteps in the recent past but they have decided to get back on track obviously as "In war and pieces" manifests all the facets of Sodom's sound done in the way only they could. The album starts in always welcomed fast pace with title track which sets the tone for what's about to come in proper way and it is quickly followed by headbanging numbers such as "Hellfire" and "Nothing counts more than blood"; to be honest, I felt that speed was the part that largely missed on „Sodom“ and I guess that the guys agreed with me as they have provided here their standard hymns in that vein. As we go on, the album flows into more mid tempo waters but luckily those songs don’t drag that much, actually they are good enough not to drag the album down into the mud of boredom. I would prefer the bigger number of overall fast tracks as that’s where the Sodom reign supreme in my opinion and that would make the album even better, but that’s all about the personal preferences I guess... At the end of "In war and pieces" you will be treated with "Knarrenheinz“, thrashy punk Motorhead-alike track sung in German which is in tradition of Sodom classics like „Bombenhagel“ or „Stalinorgel“. So I guess that it is clear to you that „In war and pieces“ shows all the faces of Sodom and it is the album done by old dogs who still have enough fire under their assess to thrash for a long time coming. Welcome back to form, Sodom - you have been missed!

U, fino. Nema još linkova. Kent vejt. A treba prvo da isproveravam ono što si pokačio.

Perfect strangers, Deep Purple cover.

Mailorder edition 2 bonus pesme koje nemamo.

KLASA...

Nova pesma: http://www.metalblade.com/theocean/

Ne daju nam hrišćani. A i ja ne bih, ko god postane mod ovde umre. Mod je umro.

Uf, baš sam se navadio na novi album, ne prođe dan da ga ne obrnem. Malo ga moram izbaciti iz liste, smoriće me jbt realno, ne pripada baš vrhu Therion diskografije, svirka je totalno opuštena i baš za fanove.

Ne, Garm. Slušao sam dosta novi ovih dana i došao sam do zaključka da je album dobar... sranje je sve oko njega