Grobodan

Toliko je pošten taj Manowar tribute da Wendi Dio sprema tužbu zbog Magic circle tribute albuma. Lazo da kažem u svoju odbranu da sam u busu za Bugarsku 2 sata pevao Manowar i dizao elan

Nije loše, vuče malo na ANATO. Čini se da će album biti bolji od prošlog.

A šta da rade, da čitaju njegovu biografiju? Čujem da je u Bugarskoj za vreme kenjanja između pesama moglo još 3 pesme biti odsvirano, pored samo 7 koje su odradili.

U stvari, bolje reći da mi je najmanje dobar

Khronos je najgori. Thy mighty contract, Non serviam i Triarchy ftw!

Poison

Još mi reci da si ga uzeo kad si bio prošli put u Bugarskoj i uvrtaću kitu dok ne poplavi.

Mrzim te. Reci samo koji, da li je među njima... znaš već.

http://www.youtube.com/watch?v=aFTvdK6v9bc&feature=related Jeste videli ovaj mega kult?

Noctiferia je muzička komedija, a Emperor je to bio na par fotki. Jasno je šta je bolje.

I ja sam se navadio posle epskog uspeha u Bugarskoj da odem na ovo, ali teško ću uspeti...

Cmaron - Nova kompilacija

Florida-based death metal veterans MORBID ANGEL entered Mana Recording Studios in St. Petersburg, Florida on June 22 with engineer Erik Rutan (former MORBID ANGEL guitarist and producer for such bands as CANNIBAL CORPSE, MISERY INDEX and GOATWHORE) to begin recording their ninth full-length album. Due late 2010/early 2011 via Season Of Mist, the new CD will be the band's first to be recorded without longtime drummer Pedro "Pete" Sandoval, who recently underwent back surgery for a deteriorating disc problem. Filling in for him on a temporary basis is Tim Yeung, who has previously played with DIVINE HERESY, ALL THAT REMAINS, NILE, HATE ETERNAL and VITAL REMAINS). Fala kurcu.

SLAYER - Decade of aggression Najbolji live album ikad.

Evo vam dobrih fotki malo: http://dnevnik.bg/bigpicture/2010/06/23/921620_sonisphere_dovede_goliamata_chetvorka_v_sofiia/

Annihilator jeste bio predgrupa Triviumu, jadno ali istinito.

Pomešao je sa Annihilatorom očigledno.

Haha, ima posebna priča vezana za No more colors, moram ga kupiti da zatvorim neke kosmičke krugove mada je kao što rekoh gore meni Punishment naj.

Ladno se i oni slikali iz zajebancije sa Guruom (iako su i oni komedija svoje vrste)

Već sam ujurio neke mailordere, ali pokušaću, hvala

You can say that again. Nestvarno je bilo.

I EPovi i demo Voodoo dust!

Ju, vidi odobrili temu, ja i zaboravio da sam pokušao ajmo fanovi, gde ste

Hot stuff on the horizon! Here I present to you one hotly anticipated album, the debut of Norwegian punk fuckers Kvelertak and I should say at the very beginning that they deliver in spades indeed, it’s just that their craft makes it very hard for the reviewer but let us go one step at the time. Kvelertak was founded in 2007 and things developed fast for them – slew of warmly received demos in their homeland got them national airplay and gigs started to roll climaxing on gigantic Roskilde festival in 2009 where they played in front of 3000 people, still being an unsigned band! Underground buzz was created and Indie was the chosen label for unleashing their debut. Now we have reached the hard part, and that is describing "Kvelertak" properly... I must say that the basis of Kvelertak’s sound is undoubtfully punk rock and this album is filled to the brim with fuck off attitude shown in hymn-like gang songs which are underlined with melodic guitar passages that can sound very rockish from time to time so the album is catchy like AIDS. But Kvelertak did not stay immune to Norway’s biggest export – Black Metal so one can spot occasional blasting outbursts that gave their music loads of metal energy; I have seen that some guy called them the crossing between Turbonegro and Darkthrone and I think that it is very good description. One very important feature of Kvelertak is that they enlist 3 guitar players in their ranks that build quite huge wall of sound; add to that nervous screaming vocal of Erlend that wouldn’t be out of place on Converge album as equal as on some primitive BM stuff so you got one very interesting mish-mash of styles that works just fine. While we’re at Converge, their guitar player Kurt Ballou did the production of „Kvelertak“ and he blessed the album with his characteristic sound – banging guitars which carry the garage atmosphere and live sounding drums whichs gave the album totally natural feel. One more famous dude was responsible for the artwork, and that is John Baizley (Baroness); I think that you can recognize his style just by sole glimpse at cover (remember his ingenious work on “Phantom Limb”?). And the list of people involved doesn’t end here as “Kvelertak” features guest appearances from Hoest (Taake), Ryan McKenney (Trap Them), Andreas Tylden (JR Ewing, Altaar) and Ivar Nikolaisen (Silver)! All in all, there are loads of facts and influences involved here but at the very end everything works like a dream; Kvelertak are about to head on European tour with Converge and Kylesa which will coincide with release of the album and I hope that it will help in spreading their name even further. Pay attention on this name as I feel that their time is coming and make sure to check out the album as soon as it is available! Strava je Kvelertak, imam ga već duže vreme