Grobodan

Nikad jači provod bejaše stvarno! Preko dana satanikkk roštilj sa invertovanjem hrane a uveče Impaled Nazarene kidanje

Koja blasfemija, prošli album je remek delo ignorantnog aristokratskog nihilizma.

Sad mi žalije što nisam bio zbog ovoga Destruction? Witchunter!!!

"Silver Bride", the new single from Finnish metallers AMORPHIS, has topped the national chart in the band's home country.

Slušao sam jedan njihov album, i pamtim da mi je bio užasno loš. Ajd probaću. A šta fali ovom splitu, ja poslušah Leviathan deo, standardno za Wresta.

I ja sam tražio, nema još. Evo ovo da te zabavi Leviathan & Acherontas - Sic Luceat Lux [split] (2009) http://rapidshare.com/files/227413827/2009...tal.ru.rar.html

Hteo sam da dođem ipak i da trešinarim na koncertu sa Cotohom, ali nažalost, neću biti u BGu ovaj dan... Nego, Imperious Rex, predgrupa, nam poslali njihov album, evo recenzije čisto da znate šta vas čeka, da malo promovišem bend, fini su. IMPERIOUS REX Speed Demon Self Released CD Imperious Rex sent us the copy of their second album in order to promote their name around here since they are on tour with Teutonic gods Destruction, with whom they will play in Belgrade on May the 4th. Quite a formidable move, so let’s see with what are we dealing here, shall we? These guys from L.A. are playing straight ahead no-bullshit Thrash Metal (you could have guessed it since they are opening for those Germans...). „Speed Demon“ is only 23 minutes long so there are no time for taking the prisoners here – Imperious Rex are killing them along the way! Tempo is very fast and the whole material is headbangable to the max, Rex is indeed aggressive band but not to the point of being overly primitive. You can find tempo changes and nice arrangement twists but that is done in order to keep everything interesting and the steam is not lost in that process. That is basically how is should be done – fuck those Thrash albums that last long! I could compare them to their tour mates (and other German hordes) since they share the same spirit, but you can also drop the names like Slayer (who aren’t inspired by them anyway?) or speed merchants such as Razor and Exciter. Lyrics are also standard Thrash affair with themes about the war, madness and killing so nothing new on that department. Basically, Imperious Rex are not reinventing the wheel but when they are playing from the heart it naturally shows in their craft and the result is easily appealing to every average banger out there. „Speed Demon“ was recorded by the band members, so the production carries the raw garage feeling, maybe someone will be bothered by that fact but the debuts from the eighties did not sound that much better, right? Unfortunately, I am forced to miss out the gig due to some obligations but I have one advice for our metal gang – instead of drinking beer or chatting with some fat chicks in front of the venue, come on in earlier and check out the Imperious Rex’ gig, judging from this CD they will easily give you some worthwhile time and pain in the neck. Eto, lep provod svima

To! A jeste videli ovo: “Engangsgrill” is a split album from two icons of Black Metal - Fenriz and Nattefrost. Together they have teamed up for a rock..n roll experience, exploring the borderline between black metal, doom and classic rock. It’s dark, gloomy and very back to basic. Even the fact that it is a split album takes us back to where it all begun. Fenriz is best known as the drummer and lyricist of the mighty Darkthrone, and together with Nocturno Culto they’ve been a driving force in the global metal underground for over 20 years! As well as releasing albums with Darkthrone, Fenriz has performed solo and been involved with a number of bands spanning a variety of musical genres the last years, and on the “Engangsgrill” album Fenriz reveals his passion for classic doom. Fenriz recorded these tracks in 1993 as he started working on a 70/80..s doom album – reflecting his current inspiration from Black Sabbath, Candlemass and Trouble (USA) These three tracks where the only ones he finished for the album, and they have been lying there ever since. Now – teaming up with Nattefrost the time has finally come for them to see the light of day. These three tracks, that Nattefrost actually had to rip off a cassette tape make out “Side Nebulah” of the “Engangsgrill” album. "Engangsgrill" track listing: Side Nebulah – FENRIZ' RED PLANET 01. My Ship Sailed Without Me 02. Jon Carter, Man On Mars 03. Temple Of The Red Dawn Rising Side Lustmord - NATTEFROST 04. Nekronaut II Nekro Spirituals 05. Uskyldighet 06. Sin Goddammit 07. Lustmord 08. Humiliated And Pissed Upon

Misliš da će te ubiti na samom početku?

Ne vidim sto Manowar moze, a ostali ne. Poslusaj muziku pa onda sudi.

A kad ti baljezgas o tome po forumu? Gezol je pravio vrhunski metal dok si ti srao u pelene, tako da... ajd setaj polako odavde.

Pa to, slušam ga aktivno ali sve mi nešto malo fali, neka ludnica kao Warriors ili My way is HM.

Steta samo sto im nije doslo do znanja da imaju die hard fanove ovde dok su postojali...

Haha, extra

Imam ovo, odlicno je ali fali njegova najbolja pesma, "Klinka"

Nije, neki nas ortak.

Najjace da ti album upada u top 10 ikad posle jednog slusanja

U recenziji Black Witchery - Upheaval of satanic might, gospodin Bogdan ex-metalac je za war metal upotrebio termin "usisivaci" i tako je uslo to u narod. Zato molim da se ne mesaju pojmovi, zna se sta je usisivac metal - Blasphemy, BW, Archgoat, Conqueror, Revenge, Teitanblood...

Realno, rekao sam za CoF da su mega omrazeni i da ce svako da ih napljuje bez realnog osnova. Npr Angelistor mrzi Danijev vokal i rekao mi je posle svirke da mu je to smetalo, neki misle da su gej... bla bla. Ono ni u kom slucaju nije bio los koncert. Sto Dimmu rece, Dani oduvek ima takvu komunikaciju, a meni je ova setlista s par pikanterija kao fanu draza nego da su svirali spotovane hitove. Prema tome - smorili ste, znamo da ne volite CoF, ajd sad odjebite polako.

Zanimljivo, meni je Destroys Wacken jedan od naj live albuma ikada, baš ga slušah pre neki dan

Jebem im mater lihvarsku.

Da, nekoliko puta.

(In anticipation of the EP "Testament: Live At Eindhoven" being rereleased, I've written the following memoir. Enjoy! - Alex S.) Playing in Europe for the first time is like losing your virginity. You get nervous with anticipation. You imagine it vividly, but no matter what you do, nothing can fully prepare you for it. Eventually, when that moment arrives, you just have to overcome your fears and do it. Such was the case when we flew to Eindhoven in 1987 to perform in front of 30,000 metalheads at the annual Dynamo Open Air Festival. I'd been to Europe seven years earlier with my family. But here I was, eighteen, out of the house and no longer the little boy under the watchful eye of mom and dad. As the van shuttled us in from Amsterdam International Airport, I looked out upon the peaceful serenity of The Netherlands, better known by it's unofficial nickname "Holland." It was a lot like I'd remembered it: life size gingerbread houses, rolling green hills, windmills, tiny cars and people on bicycles. Could this fairy tale like country really be into metal? All doubts were quickly cast aside when, the night before the festival, we performed a warm up gig at the Dynamo Club to hundreds of sweaty fans. The intensity of the mosh pits and stage diving rivaled that of any crowd we'd scene before. Already, it felt like we'd reached a new level. We weren't playing for the local metal scene back home. These were total strangers across the ocean who who spoke a different language and asked us for our autographs. Tonight there were hundreds, tomorrow there would be thousands. After the warm up show, several of our new fans became gracious hosts, buying us drinks and showing us around the town. With it's endless array of nightclubs, sex shops and hashish houses, Eindhoven was like an adult playground. We bounced from bar to bar in a beer and hash induced haze. Soon it was 3am and the bars were still open. I'm not sure how I got back to the hotel, but I made it. Eventually everyone else did as well. At around noon the next day, we were driven to the festival site, a giant airfield with a stage and PA system. The crowd was a sea of leather and denim. Everywhere you looked there were people with band logos on their patches and t-shirts. "Motorhead," "Venom,""Iron Maiden," "Slayer" etc... I'd never known this many metal fans existed let alone seen them in one place. Headlining the festival was Stryper, a Christian rock band from LA, who had developed a big presence on American radio and MTV. They wore black and yellow stripes, had huge eighties hair and sang commercial hard rock songs for Jesus. We didn't know Stryper, and had nothing against them, but it seemed especially weird to have us and them on the same bill, for several reasons: 1. Our music was fast, intense speed metal. Theirs was 'easy listening' by comparison. 2. Our songs were about darkness and violence. Theirs were about the virtues of Christianity. 3. We indulged in alcohol and other vices. They indulged in the Holy Bible. How ironic that the name of our band was "Testament." In keeping with their pious lifestyle, Stryper had imposed three rules for backstage etiquette: No drinking, no smoking and no cursing. All the other bands were instructed to observe these rules while in their presence. When the time came for us to walk out and perform, the guys from Stryper were just arriving backstage. Our vocalist, Chuck, decided to greet them by letting them know just what he thought of their rules. "Where's my pot?" he yelled. "Let's smoke some pot! I cant go on without my god damn pot!" The members of Stryper turned their heads and looked perplexed. They didn't know what to say. Chuck looked straight at them and didn't miss a beat. "You guys got any fucking beer?" he asked. We all started giggling like naughty school children and headed outside into the damp cloudy air to take the stage. The show was a total rush. It was cold out there. My hands felt frozen. It started raining. The sound onstage was terrible. But we were pulling it off. The crowd went wild. For the first time, we were playing in front of thousands of people. And in the blink of an eye, it was done. I don't remember much else except that it was followed by a lot of celebrating and another night on the town in Eindhoven. The next day, as we were driven back across the Dutch landscape towards the Amsterdam airport, we awaited our flight back home to the USA. Mixed in with our hangovers was an overwhelming sensatiion of relief that it was over. We had done our first big European gig. Like a first time sexual encounter, it was far from perfect, but with repeated experience, it would get better. For now, we had done it. We had lost our virginity and were no longer a "local" band. We had just stepped out of the Bay Area and onto the world stage.

Šta smo radili u snu, spamovali do smrti ceo forum?

Opet se primas na moju zajebanciju. Iskuliraj malo, na BM forumu smo, ovde je sve dozvoljeno. Sodomy and lust @Gojko: F.MIST nije usisivac, previse je prefinjen za to. Zna se sta je usisivac metal.