azal

To ease the pain of having to wait over three full months (!) to hear the new album from Swedish progressive metallers OPETH called Heritage (due out on September 20th via Roadrunner Records), BraveWords.com caught up with leader/prog-metal visionary Mikael Åkerfeldt this week for a quick overview of the band's next magnum opus! "We recorded 12 songs, where ten are on the album," says the frontman. "Two songs are being saved for the special edition. So there's ten songs and Per (Wiberg; former keyboardist) is still on the album even though he isn't in the band anymore. He's playing keyboards on the entire album. I'm plating keyboards too. We also have new keyboardist Joakim Svalberg (YNGWIE MALMSTEEN, GLENN HUGHES) who is going to tour with us. He's not a member yet. We just did the first show with him (at the Bonnaroo Music And Arts Festival in Manchester, Tennessee) a few days ago. He's also on the album playing the opening number ('Heritage'). The songs are all over the place. I'd like to think that all of the songs have their own identity so to speak. One song is a little tribute to RONNIE JAMES DIO (called 'Slither') and it's a kind of gimmicky sounding song, tongue-in-cheek. The working title of that song was called 'Kill The Queen'. It's done as a tribute to him because we love him so much. The other songs move from folk music to prog-rock to jazz, crossed with PINK FLOYD and fusion like HERBIE HANCOCK or WEATHER REPORT. We actually have the (former) drummer/percussion player from Weather Report on the album - Alex Acuña (ELVIS PRESLEY, PETER GABRIEL, CARLOS SANTANA). We also have a Swedish fusion flutist who is playing a flute solo to a doomy riff. It's all over the place and a fun listen. It's really challenging and I don't think it's boring. It's very complex with a beautiful mix and a beautiful master. It was mixed by Steven Wilson (PORCUPINE TREE) and myself and mastered by a guy by the name of Peter MEW at Abbey Road Studios in London who has engineered many, many obscure records that I've collected over the years. It was recorded at an old, vintage studio in Stockholm called Atlantis studios, which used to be a record label called Metronome. It's where ABBA did all their albums pretty much. So back to these songs, I don't know how to explain what they sound like. They are all over the place. And one song is not representative of the whole album."

ne razumem kako mogu da vam budu toliko niska ocekivanja za omiljene bendove. ja se vazda smorim ako teki moj omiljeni bend ne izda album u rangu svojih najboljih. Ne znam da li sam ikad rekao "fino je, prosecno, slusace se dosta"

If this is as good on record as it sounds on paper, then WHAM BAM THANK YOU MA'AM. Being a big Stuck Mojo fan (duh on the DT/S-X bands) this should kick ass! MIKE PORTNOY, RUSSELL ALLEN, RICH WARD, MIKE ORLANDO Join Forces In ADRENALINE MOB - June 15, 2011 ADRENALINE MOB, the new band featuring former DREAM THEATER/AVENGED SEVENFOLD drummer Mike Portnoy, SYMPHONY X frontman Russell Allen, guitar virtuoso Mike Orlando (SONIC STOMP), bassist Paul DiLeo and STUCK MOJO/FOZZY axeman Rich Ward, will make its live debut on Friday, June 24 at The Hiro Ballroom (16th Street and 9th Avenue) in New York City. The group will play songs from its upcoming debut album as well as a few classic covers. Very limited tickets are available now at Ticketweb.com. In a March 2011 interview, Russell described ADRENALINE MOB as "a straight-up rock band with just rock songs — kind of like an edgy, modern kind of sound. It's not progressive or trying to be too metal or anything — it's just good, old crunchy rock stuff." He added, "I think it will be really well received by people who like to hear that kind of stuff. This is a new thing for Portnoy and myself, too. I've always done kind of done stuff with AYREON, but that's more of a vintage-y vibe, but nothing like this, which is kind of modern-sounding, almost like ROB ZOMBIE meets BLACK LABEL SOCIETY meets DISTURBED, [but] with [Ronnie James] Dio singing. It's all this kind of craziness. So it's definitely different and it's cool." Speaking to MetalSymphony.com, Orlando stated about ADRENALINE MOB, "This band is not in the vein of SYMPHONY X or DREAM THEATER. It's more along the lines of, say, ROB ZOMBIE, GODSMACK, DISTURBED, BLACK LABEL SOCIETY, SHINEDOWN… with Russell's absolute pipes from hell and Mike just outright killing it on the kit. The guitar is really rocking and has some pretty insane moments, but it's a song-oriented band and that's the most important aspect before anything." He continued, "Russell and I have an amazing writing chemistry together and he is one of my closest and dearest friends. It's an absolute pleasure to work with such a great talent as Russell on every level.' He added, "Mike is just unbelievable. His playing is beyond words at times. He's the utmost professional musician but also one of the nicest and coolest guys I have ever met and played with. It's an honor to call him my bandmate, to say the least, and I look forward to ripping it up every night out there with Mike and Russ and the guys!" lol ovo ce biti ocajno.

najbolja opeth doomacina ikad je onaj riff na kraju A Fair Judgment. http://www.youtube.com/watch?v=HFFWDUhuMDg

http://pastebin.com/PNknSekg

kliknuo sam na temu samo zato sto sam video da je grob postovao

u sredu 22 juna krece snimanje pesme.

ja cu biti u americi u septembru na svu srecu

The autumn will also bring you British doomsters ESOTERIC's new offering. The British doomsters are currently hard at work on their sixth full-length, which should hit the stores in November. Vocalist Greg Chandlers presents the yet-untitled album as a "varied and diverse mix of emotions and soundscapes"...

album godine meni za sad.

nema klanja zato sto nije film i nema bog zna kakav budzet, narocito ne za prvu sezonu gde nisu ni znali da li ce biti uspesna serija ili ne.

i drogo dok je bio u baywatchu

Thomas Pridgen takodje zverina

bonus pesma na novom albumu ce biti Surprise, You're Dead obrada

Maloprstic je meni idalje Carcetti iz Wire-a najbolji kasting je onaj mali plavi, stvarno odvratna njuska, nisu mogli da izaberu iritantnijeg decka.

odakle su ovi zmajevi i khalovi?

dobar

mogli su malo bitku da pokazu da su skratili deo gde kepec i kurva cirkaju.

da je bar komercijalno

nisam jedino skapirao kako su tacno dosli do jamie-a. jel se njegovi ljudi i ljudi njegovog caleta bili na razlicitim mestima?

svaka cast!

http://www.youtube.com/watch?v=1SSkG_Fixco http://www.youtube.com/watch?v=dumQBnsI3-o

pevusim i ja jer sam preslusao album desetak puta kao sto pevusim bilo sta sto cujem na radiju svakog dana, ne znaci da su dobri refreni

problem sa tvojom logikom je da su oni oduvek metalisu, razlika je da su znali ranije da pomesaju to sa drugim stvarima. Of Sins and Shadows, In The Dragon's Den Unleash the Fire, Grand Design, King of Terrors su svi isto agresivni koliko i ove pesme, samo su znali tad i da pomesaju sa nekim frugim stvarima. Ako pogeldas TWDOT...imas metalisanje za pocetak, pa se ode malo u agresivnu i brzu neoklasiku, pa onda u epiku, pa onda opet na metalisanje, narocito Eyes of Medusa koja je isto toliko agresivna koliko bila sta na PL i Iconoclast, pa onda jos malo opletu klasiku..pa onda stize najveci epic...pa u sred epic pesme zadrma onaj The Prophet's Cry, isto mnogo agresivno, pa se album zavrsi sa baladom. od TSDOT do TO, maltene svaka pesma je imala neku svoju pricu, neka stilska izmena, malo Malmsteen, malo Dream, malo Pantera, malo Kansas, pa sa nekako setis svake pesme individualno. Ovde su skoro sve na isti fazon, samo sto par njih imaju duzi deo za soliranje i instrumentalisanje. Meni nije toliko ni do tekstova koliko su melodija dosadne, kao sto kaze Djeda, jedva sta zapamtis. Zvuci kao da se nije nimalo potrudio, bukvalno zvuci kao sto Yngwie zvuci u poslednjih 10 i kusur godina. Napisi melodiju koja ti prva padne na pamet pa napisi tekst po istom principu. Rimuj messiah, desire, higher i sve ce biti ok. can't you see, what they're doing to you and me we rule, we fly, above the lights of the neon sky we fight, we cry, the lords of chaos will never die zvuci kao da je neki bugarski Dio tribute bend pisao tekstove.