azal

InsideOutMusic are now proud to welcome longtime Fates Warning vocalist and frontman Ray Alder to a new deal for his solo releases. Ray Alder checked in with the following comment: “Hi everyone! I am so happy to announce that I have signed a deal with InsideOutMusic for my solo project and the debut album “What The Water Wants”. I want to thank InsideOutMusic for giving me the opportunity to record and share this album with the world. For the last year I have been writing with Mike Abdow, (Fates Warning touring guitarist), guitarist/bassist Tony Hernando (Lords Of Black) and my longtime friend Craig Anderson (Ignite) on drums. The album was mixed by Simone Mularoni (Rhapsody, Michael Romeo, DGM, etc.), who worked tirelessly with me to give this project the great sound we felt it deserved. I have had the ideas for a while but never had the time to actually sit down and write. But since Fates Warning had taken a break from writing and touring I finally had the chance to assemble the album. I hope you all enjoy it as much as we did writing and recording it!” Ray Alder’s first solo album for the label is entitled “What The Water Wants” and includes 10 melodic and versatile songs created with assistance from guitarists Mike Abdow (Fates Warning touring member) and Tony Hernando (Lords Of Black) as well as drummer Craig Anderson (Ignite, Crescent Shield). The album was mixed by Simone Mularoni (Rhapsody, Michael Romeo, DGM) and will be released worldwide on October 18th, 2019. Watch the lyric video for “What The Water Wanted” here: Ocekivao sam da ce da zvuci kao Engine manje vise, tako i zvuci.

kul kul. zapisujem pa javljam

pa uzeli bi jedan jebemliga. odemo ujutru, vratimo se posle svirke

This video is a blatant nerd-out, an animation inspired by a few classic video games, particularly Final Fantasy 2 (SNES, 1988, a.k.a. Final Fantasy 4). In the recent past when I’ve been asked to reflect on Kayo Dot’s oeuvre, I’ve found a very apt analogy in Final Fantasy overworld maps, with each of our records being able to be thought of as different lands (Coffins on Io as the moon, Hubardo as the town of Ornac, Coyote as the underworld, etc). Because of Blasphemy’s lyrical content and themes, and that I’ve always been interested in playing with animation, I thought this would be the perfect opportunity for such a video. And I was deliberately avoiding writing much music this year while I waited for the album to drop, so I had some time to try my hand at making some visual art. Mainly I did this to tickle myself. In this part of the story, our characters have finally reached their X-marked spot and haul their terrible treasure up from the depths of the sea.

kad platis spot 16 dolara

ovi su 90ih bili DT klon sad su malo tvrdji, u nekom Pyramaze fazonu recimo

http://radicalresearch.org/an-interview-with-kayo-dots-toby-driver/ http://radicalresearch.org/episode-38-fathom-by-fathom-by-fathom-kayo-dots-blasphemy/

mislim da je vise efekat sto sedi kao baba i peva bez trunke emocije u ocima/faci. generalno dobro zvuci

americka turneja sa Idle Hands, grob kupuje kartu za njujork

on je oduvek bio najnormalniji

opa https://cloudkicker.bandcamp.com/album/unending

valjano https://lavadome.bandcamp.com/album/cursed-seeds

flawless epic metal nema sta

idemo

valjda ce da ohrabri promotere da dovode novije bendove, da se skapira konacno da je bolje dovesti novije bendova u hajpu nego neku raspalu verziju benda koji je dobar bio pre 20 god.

Solstafir/Myrkur se isto ovako rasprodalo

glupost

bukvalno nose zenske carape na glavama

bukvalno troluju

Meshuggah svirka je 90 posto u zglobovima 10 posto u prstima ako cemo realno

fini rad

zatvaraju koncert sa najgorom pesmom