MudriPanj

sto tardy nije urliknuo, odma bi se razbjezali

hocjes li recji da ti imas neke veza sa tim sto cje katatonia docji kod nas?

fear factory cesto koristi guitar pro za pisanje pjesama, i ta cinjenica se moze provjeriti u nekoliko intervjua

istina, istina...

i da je nesto vise, to nije razlog da dobar bend nestane, bruka da tako dobre pjesme vise ne budu svirane u svakoj prilici treba biti ozbiljan i pro - nema druge

towerdeath-u i sta hocjes da dokazes? da onaj koji je napisao tu tablaturu ima bolji sluh i vecju sposobnost tabovanja od Marty F-a? (ovog sa foruma ) ako je pola nota izbrljano, kako znas da je tablatura tacna? zakljucak: neko je tu solazu, proslusao, prostudirao i prepisao i taj ima sluha, nema sta. ako nekome treba tablatura jer ne moze da cuje sta ovaj svira pa neka mu, ali svakako, bilo bi bolje za njega kad bi mogao da skine pjesmu po sluhu jer bi tako vjezbao svoju muzikalnost i automatski stekao odlicno razumijevanje komada. gp moze biti koristan, dok god ljudi koji ga koriste ne degradiraju svoje muzicke sposobnosti koristecji ga. ja licno vise volim jedan drugi tabbing program - power tab.

koliko sam skapirao, vi podjebavate ovog lika jer uvijek(ili uglavnom) kad prokomentarise album koji je tek cuo, nabroji omiljene mu pjesme, ne?

pozdrav! bio sam odsutan 7 dana, sad(u toku slijedecje sedmice ili dvije, zavisi od obaveza) bih mogao da vam to uradim, pricajte sta i kako

novinar uopste ne kenja, ja bih ga pitao sve iste stvari taj sully lik je debil nevidjeni, to je sasvim jasno. u rok muzici ne postoji "nebitno za muziku"

JAY BABCOCK of Arthur Magazine: Alright let me get the tape rolling here. How you doing? SULLY ERNA of Godsmack: I’m good! JAY: How was the Jimmy Kimmel show on Friday? You were outside playing, right? SULLY: Yeah it’s always cool to do that because it’s so set up for musicians, you know. Big stage, live crowd. It’s not so like indoors with a camera rehearsals. It’s a lot easier. JAY: Yeah. So you got to be back out in front of your fans. SULLY: Yeah. It was good. It was fun. JAY: What kind of people listen to your music, do you think? SULLY: Ummm… I’ve seen em range as young as 8 and as old as 68. [chuckles] JAY: Yup. SULLY: So it’s… JAY: Well, you’ve seen a lot more of ‘em than I have, and I’m trying to get an idea of what it feels like when you’re out there—to you, on the stage. Do you think there’s a lot of teenagers in the audience? A lot of guys in their 20s? Chicks— SULLY: Ah you know… JAY: Is it a dude audience? SULLY: I would say, if I had to guess what our age group is, it’s probably between …18 and 40. JAY: Oh yeah? SULLY: I would have to say that’s kind of where we’re at, maybe more, majority would be 18-30? But I, we definitely, we recruited a lot of new fans off of that acoustic record— JAY: That did it, huh? SULLY: —an older audience. And this record seems to be drawing in a different kind of audience as well, so. You know we’re just trying to continue to expand and not have a ceiling over our heads. JAY: Right. You guys are still having a good time making music after all these years? SULLY: Of course. We’re musicians, that’s what we do. It may not always be great music, but we love making it! [laughs] JAY: Cuz music has a power…? SULLY: Mmm hmm. It’s a universal language. JAY: So what you say with it, and what you do with it, has an effect…? SULLY: Of course. JAY: Right? SULLY: [emphatically] Of course. JAY: So I notice you guys have been really involved with promoting the military. [1] SULLY: Well, they actually came to us, believe it or not. Somebody in the Navy loves this band, because they used ‘Awake’ for three years and then they came to us and re-upped the contract for another three years for ‘Sick of Life.’ So, I don’t know. They just feel like that music, [laughs] someone in that place thinks that the music is very motivating for recruit commercials I guess. And hey, I’m an American boy so it’s not… I’m proud of it. JAY: You’re proud of recruiting your fans into the military? SULLY: Well, no. [laughs, then playfully] Don’t be turning my fucking words around, you! JAY: Well, tell me what you mean. You said your music is powerful, it’s got an effect, like you said, and you’re letting the military use it. The military, who are they recruiting? 18-to-30-year-olds, right? SULLY: I guess… I don’t know what their recruit age is. I know it’s at least 18. JAY: Yeah, they do down in the high schools now. SULLY: My thing is… Listen, here’s my thing with the military. I’m not saying our government is perfect. Because I know that we make some mistakes and we do shitty things BUT, BUT. You wouldn’t have your job, and we wouldn’t have our lives, if we weren’t out there protecting this country so we could lead a free life. So there’s kind of a ying and a yang to that. Sometimes it’s not always the best choices that we make, or we stick our noses in other people’s shit, but at the same time, we protect this place enough that we’re able to like pursue careers and do what a lot of people in other countries aren’t able to do. They’re kind of picked and they’re chosen to be whatever they become… I’m, I’m, I’m proud to be an American, I’ll tell you that. JAY: So your country, right or wrong? SULLY: Uh, no. Not right or wrong. But I’m proud to be an American. I love my country. I’ve seen the depressions and how people live in other countries and how they’re told what to be, and they don’t have the choices that we have. I do love that about our country. So, you know… And I actually sympathize with a lot of the soliders, and the military in general, that are trained to go out and protect FOR us, and what they have to go through, it’s really kind of shitty in a sense that these young kids have to go over there and die, sometimes, for something that isn’t our fucking problem. And that kind of sucks. So what I have to do is at least support them, because they don’t have the choice that we do. JAY: They don’t have the choice because…? SULLY: Because they’ve decided to fight for our country. JAY: And they decided to do that because…? SULLY: [laughs]… JAY: Of your song…? SULLY: Aw, come on. It’s not like that. JAY: Well I have a quote from you here: “We’ve always been supportive of our country and our president, whereas a lot of people I thought”—and you said this in 2003, to MTV News, you said—”a lot of people I thought lashed out pretty quickly at what we did and I thought the government did everything pretty cleanly and publicly as possible.” [2] SULLY: Yeah…? JAY: Well, what are you talking about? SULLY: That was my opinion at the time. The whole war thing, and trying to keep us up to date like… If you remember, back in other wars, we didn’t have the opportunity to follow it through the media, and CNN, and the news—live updates and that kind of thing. And I thought that for the most part you know we were allowed to follow it as best we could through the media sources that were feeding us information. JAY: [incredulous] You didn’t think the media was being controlled by the military? SULLY: Well, it could be. I don’t know. JAY: You didn’t look into it? SULLY: Listen. Are you a fucking government expert? JAY: I’m not telling people to go join the military and then not knowing what the military is doing. SULLY: I don’t tell people to go join the military!! JAY: You don’t think using your songs—the POWER of your music, which you were talking about—has an effect on the people that hear it when it goes with the visuals that the best P.R. people in the world use? SULLY: Oh man, are you like one of those guys that agrees with some kid that fuckin’ tied a noose around his neck because Judas Priest lyrics told him to? JAY: You were telling me how powerful your music was, and what age the people are that listen to it, and you must have thought, ‘Well the Navy sure thought it was useful,’ so you tell me. SULLY: Hey, listen. The Navy thought…. It’s the same reason why wrestlers work out to the music, and extreme motorcross riders listen to the music and do what they do. It’s ENERGETIC music. It’s very ATHLETIC. People feel that they get an adrenaline rush out of it or whatever, so, it goes with whatever’s an extreme situation. But I doubt very seriously that a kid is going to join the Marines or the US Navy because he heard Godsmack as the underlying bed music in the commercial. They’re gonna go and join the Navy because they want to jump out of helicopters and fuckin’ shoot people! Or protect the country or whatever it is, and look at the cool infra-red goggles. JAY: You said to MTV, “We’re not a very political band but we’re supportive of the U.S. military and how they approach things.” [2] SULLY: Listen. Someone turned that around. I never said “and how they approach things.” JAY: Okay. So that’s a misquote. Or something– SULLY [interrupting]: Wow, what— JAY: What about this? In 2003 you did a show that started with video footage of Apache helicopters”honing in on a desert target interspersed with the words ‘We will prevail…Stronger than them all.” SULLY: Say that again? JAY: I’m reading from a Boston Glove review of a show you did at the Tweeter Center. SULLY: Yeah. JAY: In front of 13,000 people on May 22, 2003. SULLY: Yeah, but tell me what it said again. JAY: Yes sir. It said “Godsmack’s ferociously high energy 90-minute set started with video footage of Apache helicopters honing in on a desert target, interspersed with the words ‘We will prevail…Stronger than them all.” [3] SULLY: Yeah…? JAY: So you’re using military imagery with your music at your concerts? SULLY: First of all, it was a COMPUTER image, a computer-animated helicopter that didn’t… There was no scene of a desert in there. It was a helicopter that rose up from the screen and scanned the audience. It was an EFFECT. And then it shot out missiles that hit the stage. JAY: Uh huh… SULLY: Because the intro to ‘Straight Out of Line” has the sounds of like, a war thing going on. JAY [trying to decide if Sully is dissembling or just obtuse]: Oh I see. So it’s just sort of a concept thing. [pause] Well, you’ve done a lot to help out the guys who are in the military, who are stuck there now, whether they chose to be there or they got hoodwinked into being there. For whatever reason, they’re in the military. And they’re doing their job. You guys did a show for them at Camp Pendleton– SULLY: Yup. JAY: —called “Rockin’ the Corps.” And so you’ve been doing a lot of benefit shows— SULLY: [interrupting] Well, like I said, Listen you know, there’s a lot of young kids that die for our country, man, and they don’t have the choice once they’re in there. JAY: That’s right. SULLY: So I just feel well you know whatever we can do to say ‘thank you for protecting our country’ is what we try to do. I’m not trying to make this a big political issue. JAY: Okay. Have you done anything to prevent people from joining the military? SULLY: No. JAY: To maybe educate them as to what’s in store for them? SULLY: I don’t have enough education in the military to educate them in anything. JAY: Would you let your music be used for anti-military recruiting advertisements? SULLY: I don’t know, I ‘d have to see what that was about. JAY: But you’d be open to it? SULLY: We’re open to whatever, as long as it’s not a Maybelline commercial. JAY: [laughs] Maybelline’s more offensive than the military…? SULLY: No. That doesn’t quite go with what we do. JAY: Buth the military does. SULLY: Listen. Where are we going with this thing? Is this interview about the government— JAY: Well, I’ve never seen such a pro-military— SULLY: Sounds like this is a personal attack or whatever. JAY: Well I’ve never seen such a pro-military band as you guys. [4] SULLY: But we’re not! I think [chuckling] you’re making us out to be a little bit more. When we’re asked about something, we just answer the question. We don’t go spend 23 hours out of our day supporting the military and what they do. JAY: Um hmm. SULLY: We just simply, an opportunity came up, they wanted to use some music for a recruit commercial. What are we gonna say, no? JAY: Yeah. How hard is it to say ‘no’? SULLY: Why would we, though?!? JAY: Because— SULLY [interrupting]: Is it because you don’t feel the same way about the government that we do, makes you right and us wrong? JAY: Yeah. What do you feel about the government? Tell me what— SULLY: Aw, that’s crazy, man! That’s just an OPINION. JAY: I can back my opinion up from here to tomorrow if you would like to talk to me all day long. SULLY: Well obviously you’ve done a lot of research and you’ve— JAY [interrupting]: That’s right, because— SULLY: —got a different opinion. We don’t know that stuff that you know, so— JAY [impatient]: Why don’t you do some research before you get involved with these sorts of things? You’re talking about young kids’ lives. You’re talking about kids— SULLY: [yelling] Would you rather not have us be protected so they can come and overrun our country?!? JAY: Do you know what a “fool’s errand” is? SULLY: I’m asking you a question! JAY: No one is threatening— SULLY [interrupting]: Would you rather us not be protected?!? JAY: You know what I’d like, Sully? A Department of Defense, not a Department of Offense that attacks other countries—sovereign nations—who do things in a different way than us, who we have no right to go over and invade and change their governments. Would we want someone else to do that to us? SULLY: I’m not saying— JAY [interrupting]: How hard is that to think about? SULLY: I’m not saying that we were right on every war that we’ve created. I know that we’ve been damn wrong at times about stuff— JAY [interrupting]: When have we been wrong? SULLY: [yelling] but they have also been wrong too! JAY: When have— SULLY [interrupting]: I don’t trust someone like fuckin’ Sadaam and Osama to come in here and try to control— JAY: [interrupting, incredulous] When did Sadaam try to come in here and control our country? SULLY: Dude, [yelling] WHY DON’T YOU GO LIVE IN IRAQ THEN IF YOU HAVE SUCH A PROBLEM WITH AMERICA? Why are you here? JAY: Why am I here?!? This is the top country in the world, my friend! SULLY: Well, why do you think so? Because it’s PROTECTED. JAY: No, it’s not because it’s— SULLY [interrupting]: –ruled our country. JAY: No one is attacking us, my friend. Certainly not Iraq. Every first world nation suffers terrorist attacks. Get used to it. SULLY: I am used to it. I don’t have a problem— JAY: Get used to it.. SULLY: [laughs] Sounds like you do. JAY: You’re the one that’s saying it’s alright to not know about stuff and then to send other people to die in our name. SULLY: I never said that! Don’t put fuckin’ words in my mouth. JAY: I’ve got it on tape, bro. SULLY: You’ve got in on tape, bro?!? JAY: Yeah. SULLY: You got me saying it’s okay for us to attack other countries? JAY: I got you on tape saying they’re protecting us by attacking, by going over there and taking out people. SULLY: Listen, don’t fuckin’ turn my words around to make it to what you want it to be! That’s not what I meant and you know that. JAY: Okay I’m sorry. Then tell me what you meant. SULLY: Listen I’m not gonna get into a political fuckin’ conversation with you. This was supposed to be an interview about the band. Where is this going? JAY: We’re talking about the power of your music and what you’re using it for. SULLY: What is this for anyway? Who are you working with? JAY: I’m working for my own magazine, my friend. SULLY: What’s it called? JAY: [laughing in disbelief] What do you mean, what’s it called? Are you serious? SULLY: Yeah, what’s the magazine called? JAY: It’s called Arthur Magazine. You guys are the ones that set this up. SULLY: Hey I was just told to do press today, man. JAY: Hey man, you guys— SULLY: I got a checklist in front of me, and I don’t have time for a lot of this bullshit. JAY: Oh yeah? SULLY: So write whatever the fuck you wanna write, because your magazine obviously is that popular. JAY: It’s doing pretty good— SULLY [interrupting]: Yeah I’m sure it is. All three thousand copies of it— [5] JAY: On our own, without any corporate support. SULLY: I wish you the best of—… Why would you waste your time calling a band like us when you don’t even give a fuck?!? JAY: I certainly do give a fuck. Cuz you know what? SULLY: What is this about?!? JAY: Because listen man! You know there’s 2,800 people, my brothers and sisters, have died over in Iraq? SULLY: Yeah? JAY: You know 30,000 Iraqi humans WHO NEVER DID SHIT TO US have died because of the attacks we’ve made over there? [6] SULLY: [in disbelief] And that’s Godsmack’s fault? JAY: Did you know that 78% of women in the military report cases of sexual harassment? [7] SULLY: [sarcastic] And that’s Godsmack’s fault. JAY: No, man— SULLY [interrupting, sarcastic]: That has to do with our new record. JAY: Okay, let’s talk about your new record. SULLY: I can’t believe this. This is [inaud] JAY: Let’s talk about that new record, my friend. SULLY: Get a life. [hangs up] JAY: Let’s talk about the new album…

sta, mislis da nas je crnocmarni cijelo vrijeme vukao za nos i da nam na kraju necje uopste dati da mu sakamo? oh, to bi bilo tako surovo sa njegove strane! smiluj se, O!

kako to mislis? sad kad nam je crnocmarni konacno dozvolio da mu sakamo prilika se mora iskoristiti!

nije nesto za svirke, odlicno za probe i za kucju kvalitetno pojacalo, ali ruzan i sterilan zvuk zbog aluminijumskog cone-a, ako nadjes ovo pojacalo sa papirnim(a necjes ), odmah kupuj, jerbo ti je to vjerovatno najbolji value u istoriji bas pojacala ali i ovako je veoma upotrebljivo i povoljno onaj ultrabass hepek nis' ne valja shape filter konza eq fin isto a ima i neki kao ugradjeni kompresor a i za svojih 120w, u pitanju je neobicno glasna naprava imam ga, ja platio 280e

to agressor i pantelija i ostalim zainteresovanima: evo, evo, cekajte samo da nabavim kabl za moj profi mikrofon kakvi vokali ti trebaju? ja umijem da izvodim smijesne krkljavo-hardkoraste krike razlicite visine, a pomalo i da pjevam, ali to nista ne lici previse na thrash metal stil vokala ipak, mozda ti se svidi, a i ionako je sve zajebancija ajd, salji pjesme i tekst da miksam, ili da saljem a capella

treba da budu zategnute namjestis bas izmedju nogu i tijela tako da relativno cvrsto stoji, jednom rukom dovedes vrat u zeljeni polozaj a drugom ultralagano zatezes, znaci po circa sestinu kruga, dok ga ne zategnes ne treba zatezati vise od jednog ipo kruga u toku jednog dana(tako kazu, no sve je to relativno, ipak, ne bi trebalo da ti vrat bude toliko opusten da je potrebno vise od jednog ipo/dva kruga), jer drvetu treba vremena da se prilagodi na novi oblik sipke, i ako je vrat, recimo bio extremno opusten, pa naglo doveden u extremnu ravnocju, moze docji do deformacija vrata, kao sto se meni desilo. kad zategnes vrat, on slijedecji dan mozda necje ostati bash isti onakav kakvog si ga namjestio, nego cje vjerovatno biti malcice opusteniji, pa ga onda opet zategnes i tako malo pomalo, pogotovo kod tankih vratova kad opustas, samo slobodno odvrcji, ne moras da se bakcjes ni sa cim, samo isto pazi da previse ne odvrnes a, onda ide kotiranje, isto za zategnutim i nastimanim zicama uzmes stimer i sarafis u smjeru u kom pokazuje kazaljka, s tim da ti je vrat okrenut glavom tu nema nikakve opasnosti, trial and error, najbolje da radis to sam da naucis a ako imas neki jaci problem sa vratom, nosi majstoru

wow, fenomenalno

lijepi ste, nema sta

midi je praktican jer zauzima malo, a moze da se pusta bez problema isto kao mp3 no, kad bi dodali vokale u pjesmu(vokali dabome ne mogu biti midi ), morali bi da konvertuju midi u wav, pa da miksuju sa vokalima koji su obavezno u wav, cim su snimljeni, pa onda konacni rezultat konvertuju u mp3 jer zauzima manje prostora midi thrasherima - ako vam trebaju ultra nekvalitetni vokali i/ili malo manje nekvalitetan zivi bas, javljajte

postoji formula za "subjektivnu jacinu vuka" kod covjeka subjektivna jacina zvuka = 10 x log(objektivna jacina zvuka / prag cujnosti) subjektivna jacina zvuka se mjeri decibelima objektivna jacina zvuka je u stvari snaga zvucnih talasa tj. W / kvadratni metar

cekaj, pa to je onda najobicniji "magnet" kako smo ga i kao djeca svi znali i kakvog su nam pokazivali u osnovnoj skoli, ne?

na jedno, drugo i oboje hrmmmm sad sam se sjetio da sam to u stvari vecj radio(ciscjenje) na basu - nije pomoglo dakle, kako da vidim da li je "grafitna staza" izlizana i sta je to uopste, jerbo nkad nisam petljao oko potenciometera i bilo cega drugog uostalom, a za elektriku sam znacajan talenat

koliko kosta da se zamijeni potenciometar na nekom basu moj pot za ton preskace na prvoj cetvrtini kruga mozda mogu i ja nesto da mu radim?

hahahahaha znao sam hahahahahaha neeego. cemu tolika frka sa tim bubnjarem, to stvarno nije bog zna sta koliko je vec albuma izdao s njima, malo promjene ce dobro docji bendu meni se licno ne svidja kako zvuce bubnjevi na zadnjih par albuma(mislim samo po pitanju tona i produkcije, inace konza normalno)

haha, krang, priznaj da ti u stvari pojma nemas o bubnjanju

ma idi ti lijepo u kurac RECENICA JEBOTE, RECENICA