I'm Calmer Than You Are

http://towardstheinevitable.com/1349-massive-cauldron-of-chaos/

Aj molim te reci sta mu to fali?

Kapiram da je ovo tema na kojoj bih mogao da spomenem da izlazi novi Decaying uskoro.

Slusao si preko kurca Dva pre ovoga, a narocito split sa Dodsengel su na relaciji natprosecno dobro-potpuna fantazija. A ovaj novi je objasnio. Poslednjih 10 dana samo slusam to i ovu zadnju 1349.

POCELI SU KRAST

Dead Congregation je super, nema spora, ali najbolji album iz tog kazana je poslednja Grave Miasma. Cak je i ovaj iz DC-a to rekao u nekom intervjuu cini mi se...

o jadu ćeš se zabaviti s tim

Ladno jeste Electric Crown lead

Nije bas da su zajebali Carcass sa ovim comeback albumom, ali su pretty damn close. 13 pesama ujednacenog kvaliteta, nema himni ala TSD ili SOTS, ali nema ni fillera, druga polovina albuma mozda i bolja.

Preslusao sam kad je leakovalo, nisam pao na teme, iako su na Dark Descent i iako su jako pedigrirani...

Ja sam to napisao, a evo šta se desilo. Ulogovao sam se na svoj (ovaj) nalog, kao i uvek, i otišao na temu jazz da postujem. Kada sam napisao post i hteo da ga okačim, krenuo je da mi se javlja neki error, post nije hteo da se pojavi. Posle pet minuta pokušavanja, slučajno sam pogledao u gornji levi ugao i video da sam u tuđem (tvom) nalogu. Otišao sam na random temu (Decapitated) i napisao novi random post da vidim šta će se desiti, i post se pojavio kao da si ga ti napisao. Naravno, odmah sam se izlogovao, ponovo ulogovao, i tada je sve bilo ok. Verovatno je nešto prezupčilo na forumu, neki bag. Ne brini, nisam ti čačkao profil, niti čitao/gledao privatne stvari (osim onih sadomazo porno slika).

Ko je uzivao u njegovom zvuku na poslednjem Bolaniju, Ravi ili Biliju Higinsu, neka skine Tarnerov prvi solo album za ECM. Album je fenomenalan. http://avaxhm.com/mu...rquartet14.html Inace Avisaiu Koenu, koji svira trubu ovde, izlazi Triveni trojka za koji dan.

Vidim da je neki Nefas šerovao ovaj link. Ako je to onaj isti Nefas koji je napisao ovaj tekst, i ako slučajno navrati ponovo na temu da vidi reakcije na pesmu, poručujem mu sledeće - otišao sam na YouTube da čujem ovo čitajući simultano tekst i želim da ti kažem da je od svih dobrih tekstova koje si ikada napisao ovaj bez premca najbolji. Ovo je poezija visokog kalibra, pokazuje koliko si talentovan i inteligentan, svaka ti čast. Stihovi su toliko moćni da im ne treba muzika, ali pošto je i ona tu, srećna okolnost je da je i Marko isporučio jedan od najboljih rifova/aranžmana koje je do sada napisao za ovaj bend. Svaka vam čast obojici. Posle Kamenoloma koji me je ostavio relativno ravnodušnim, ova pesma me je potpuno oborila i, što se mene tiče, The Stone nikada nije napisao boljih sedam i po minuta muzike. Ni sam đavo ne bi mogao bolje.

Evo jedne fenomenalne recenzije poslednjeg albuma: It's never easy when listening to an aberration like Siren Charms to admit to oneself: 'This band meant something to me once'. But I'd be lying to say they didn't, because for at least the first half of their career they were churning out a very strong case for the melodic death metal archetype as a whole, and in particular The Jester Race remains for me an obvious go-to album whenever I'm craving some guitar-driven, melodic, inspirational bliss. And, to some degree, they have morphed into one of those bands I have so much history with that I probably will never 'ignore' one of their new records outright, clinging to the faint hope that they might one day rekindle the strength and momentum of the songwriting that used to define them. Once in awhile, they will still surprise me, as they did on A Sense of Purpose in 2008, the one album they've released past the turn of the century which I have actually enjoyed. Modern and 'emo', with a little groove, sure...but packed with great In Flames riffs and a few tunes (like "Alias") that I daresay were unique enough that you're likely never going to hear them anywhere else. But since that point...six years of steady declination, first with Sounds of a Playground Fading, a watered down and 'safer' alternative to A Sense of Purpose (which was already plenty accessible and kid friendly with the Korn-like artwork), and now with Siren Charms, as structured a squamous midlife crisis turd as they've ever escorted out the studio doors, and I'd be hard pressed to think of a past album I enjoyed less...maybe Soundtrack to Your Escape, or Come Clarity, but I'd have to go back and re-listen to them, and after forcing myself through THIS a requisite third time (with alcohol stirred into my coffee), the mood does not strike me to do so. Siren Charms is a record that not only gives credibility to the voices that have been shouting down this band for whatever reason (changes in sound, general visibility and appeal), but compounds their complaints by channeling some of the most shallow, redundant grooves and banal plastic pop-rock oriented songwriting you've ever heard outside fucking Abba (who are exponentially better than this on a bad day). Disclaimer: I have no problem with a band evolving or devolving its sound in whatever direction. If In Flames put out a record that sounded like Seven and the Ragged Tiger, or Thriller, and it was GOOD, then I would be the first on board and let the naysayers choke on my exhaust. This is not good. UN-good. You keep waiting for the money shot and it stays softcore, with your eyes affixed on its shaved bottom as it thrusts halfheartedly for the camera crew. Let me slightly abridge that...there are two, possibly three minor 'positives' to the experience. The electronics used throughout the disc, like in the intro to opener "In Plain View", gave me the false impression that the album might explore the sort of retro future synth stuff that I've been heavily into lately, which I admit might be a pretty cool blend with some solid melodeath riffing (bands have done synth stuff in this niche before, but not quite in the way I'm picturing). Where these lines appear, they're sort of cool, but there just aren't enough of them to feel like it's a fully realized idea, they are simply intros or distractions. Secondly, as much as I'm not interested in hearing Anders' whining, cleaner vocals, he has actually succeeded here in smoothing over his pitch and delivery so they don't feel quite so ragged and screamy as they have since Reroute to Remain where he started leaning in this direction. I'm just saying, if N'Flames was truly to become N'Sync, now he just needs the dance moves, because he could get by on his voice with the support of another four boys. Finally, there are a handful (less than a handful) of riff passages on the disc that don't deserve my complete loathing, because they approach A Sense of Purpose levels of memorability at the very least, with that same style of processed nu-thrash. Otherwise, the album is one for the dogs. The band spends so much time trying to build a strong chorus that they can barely stick one...even on a tune like "Through Oblivion" where it does carry some emotional poignancy but it always feels half-formed, like they were going to induce another melody or twist in there and it just doesn't happen. There is far, far too much fucking restraint on this album, to the extent that I almost found myself pleading for Anders to RETURN to that dirty and whiny voice, only because it felt more passionate. This just feels heavily overdubbed, punched in laconically in-studio and generally scrapped together, whether it's the vocal placement or the riffs, a few of which have nice, gently layered harmonies in a cubicle, corporate pop metal sens. There are some tracks like "With Eyes Wide Open" which are downright embarrassing, like they were trying to write material for a long lost Boston album for the ladies and the lighters. And without exception the groove/nu metal riffing substrate is lamentably bad, without even an inkling of a stylish idea or a pattern of chords that at least makes you want to genuinely shake your ass. Some will take exception as always to the tidy, mechanized production values, but that is the least of the issues with this disc. The cover artwork: bland. The female guest vocals on "When the World Explodes": ridiculous, making it sound like a throwaway Epica/Nightwish/Within Temptation crossover. Who-cares bass-lines and paint-by-numbers metalcore chug-downs. The lyrics are generally very ambiguous accessible emotional crap like 'In the darkest of nights/you are my endless fire inside' or 'Where I have nothing/there's no hate/room to breathe/no envy and nothing to lose'...a bunch of nonsense that the guy will claim is very 'personal' and 'self-affirmation' oriented but was probably written lazily on a napkin at some restaurant on tour. Song titles are almost unanimously cliches that have been done so many times before (with the exception of "Siren Charms" itself), and at its very best, they've only got tunes on this that are 1/4th of what a good modern In Flames track should incorporate. Even if we ignore the band they used to be, when they were constantly on the upswing career-wise, and pretend they formed up in 2001, there are infinitely better songs on Reroute to Remain or A Sense of Purpose. Even the last full-length was an order of magnitude superior and I struggled to remember many of the specifics 15 minutes of hearing them... I understand Fridén is probably venting his anger that he's not in Killswitch Engage or Ariana Grande's dance partner or something, but I just can't understand how members like Gelotte and Iwers let themselves be continuously booked a berth on this sinking ship. Are the paychecks really all that fat? Perhaps at the next 'minutes in the meeting of the hiveminds of In Flames' the two of you can just get up and each kick Anders in one of his balls, though I have my doubts they are still in place, and put out a proper fucking metal album again with blazing, inspirational harmonies, savage words and riffs that get the heads banging. This album has no heads banging, in any sense of the phrase... impotent, joyless major label tripe that deserves all the excrement foisted upon it. Despite what I said in the opening paragraph, I'm going to have a hard time justifying any curiosity for what comes next. Verdict: Fail [2.75/10]

Bravo Čaba!

The Deathtrip Deep Drone Master Svart Records 14 November 2014 The cosmic voice of Aldrahn from Dœdheimsgard and Zyklon B has been set free to echo once again! Those riffs! That voice! A frozen chill we have all been missing! Early 90s-era cold Norwegian style minimalist black metal mixed and brought back from the dead by scene originator Snorre Ruch, from the legendary Thorns. Take a Lynchian nightmare journey through bleak landscapes via abysmally grim interior reflection. Philosophical brooding and animalistic roars over discordant, jarring, familiar riffs of Celtic Frost/Bathory stature where notes bend evermore into deeper caverns. In light of the current state of black metal, it's refreshingly dark to hear the real thing again, served up by titans of the old scene. Couldrons full of foggy riffs, ritualistically stirred with an unhealthy dose of modern paranoia, and monstrously bizarre, spirited vocals. All of the tormented, surreal and enlightening lyrics we have come to expect and love from the founder of Dodheimsgard and more. The man whose voice made Kronet Til Konge, Monumental Possession, Satanic Art and 666 International so game-changing, enigmatic and unforgettable is a gigantic vocal presence here. A brilliantly defined and realised masterpiece that's missing from your shelf of beloved and most treasured records. A brand new ancient and antique classic. File under "True Black Metal". The origins of The Deathtrip began around 2003 with UK-based guitarist Host’s early compositions evoking a feeling beyond what was generally circulating in the scene at the time - namely, a propensity for technicality and overly convoluted composition over atmosphere. Initial recordings consisted of distinctive riffing on top of intentionally stripped down, monotonous drums, combined with a raw-as-can-be ‘production’. The aim was for something hypnotic & primitive through repetitive structure. Upon hearing, Aldrahn (DHG/Thorns) instantly felt a wish to become part of the beast - the essence of the music itself being an extension of his early work with Dødheimsgard - & so took on vocal duties, as well as becoming chief lyricist. This resulted in what became the rare cassette release ‘Demo 08’. Songs were sent around to a few close associates, including Snorre Ruch of Thorns who, having been impressed by the tracks, expressed a great interest in helping to develop a full-length album with the band and becoming a part of The Deathtrip’s machinery. The full album debut, long ago established to be titled ‘Deep Drone Master’ was finally recorded, re-recorded & mixed across a span of several years. With a lyrical exploration of twisted darkness & death truly befitting of the band’s moniker, mixed with the supreme vocal delivery of Aldrahn, ‘Deep Drone Master’ looks to tread new territory in the black metal genre. The recording line-up was completed by Storm on drums and Jon Wesseltoft on bass. “As The Deathtrip is the most interesting and the best black metal I've come across in many many years it was an honour to be asked to mix their debut album”. -Snorre Ruch

Evo pre 15 minuta sam opet smlatio pilecu, pa krem, visnja, plazma palacinku na Trgu. Sad malo sklekova i trbusnjaka pa nekoliko epizoda "Treceg kamena od sunca" pred spavanjac. Zivot je lep.

Pa zamisli ne daj boze da ti se svidi, pa da ti prorade pundravci u dupetu da i to kupujes? Samo ti jos treba

Samo ti jos to u zivotu treba

Srednjebanatski Merciless Style

Jutrošnja akvizicija.

Odo' aj zrao i fala

Evo Voivode, sad sam upravo ogladneo i da znas da cu da odem da smazem tu kobaju pilecu, nije mi daleko od gajbe. Ima da je pocepam ko svinja masan dzak. Posto je?

Ovaj novi Horrendous je album na duge staze

http://www.metal-archives.com/albums/Ghast/Dread_Doom_Ruin/447483 Upravo slusam ovo. Ko je slusao ranije radove, nece ni sad da se razocara. Vidim da je odavno leak-ovalo.