azal

prvi sybreed je recimo bolji u tom volimo i meshuggu i elektroniku fazonu.

bar ces da uzivas za vreme Mastic Scuma

marduk na morbidima je realno u top 5 najdosadnijih svirki mog zivota.

cuo sam da ce dimitri valjda da radi artwork, ne znam dal je to to

nisam stigao do kraja albuma. uglavnom sve sto grob kaze. a oni su sami sebe gurali, mislim da su u teskim finacijskim sranjima sto su pozajmljivali pare da bih platili da idu na americke turneje sa velikim bendovima. uglavnom se slazem da raunchy ima mnogo vise potencijala da se probije u mejnstrim od mnemica, i to oduvek, ali jbg, oni slabo sviraju uzivo, rade svi, takav part-time metal zivot im vise odgovara

http://www.mediafire.com/?admw2oawouc http://www.mediafire.com/?u02zojgmlm3 http://www.multiupload.com/I7OKF0KE4A http://rapidshare.com/files/337614580/COULD_THIS_BE_REAL-JOKER_RMX.mp3 Drake - Forever (Nero Remix) http://www.zshare.net/audio/71264131b552ec40/ mp3?

isao sam da kupim kartu danas i living room nije radio. totalni fail.

muzika je neki lo-fi analogni noise rock, kao aids wolf meets rhapsody

http://www.metaltonyraggetti.com/

bez tebe propada zurka realno

buraz posalji mi mejl [email protected]

vrhunski

previse su gothic za ovo ball narocito ufff razmisljam kako potpuno raspushen slusam akusticnu verziju Northern Lights uzivo.

devon graves necemo nista zvanicno reci dok nismo 100 sigurni, tj dok ne budemo imali demo snimak sa tim pevacem, ali postoji kandidata, da. bice sve jasno do proleca, sto je takodje period za koji planiram ovo sa devonom da odradim. pokusao bih i da mu zavrsim banja luku, zagreb, pestu i mozda sloveniju neku.

ako se dogovorim za ovo, uradicemo akusticne verzije draconic pesama i zvacu organized chaos da isto sviraju akusticni set. prog zurka decenije.

gadjacu

da citao sam i ja. i logistika je sjebana, mislim da ne zive vise svi u bay area, a i on je u austriji i mnogo bi kostalo samo da probe urade. dobio sam odgovor. vrlo verovatno da ce moci.

ustupio sam u kontakt sa njim pa cu da vidim kakve su mogucnosti da se dovede u ovom izdanju, on i akustara. samo kako da mi se isplati, to je pitanje koliko bi ljudi doslo 30?

figure number five je najbolji za gejstine. tu se uopste ni ne trude da prekriju gejstinu metalom, sve su pop aranzmani i svaka pesma je hitic.

uspeli su da snime nesto sto je u isto vreme manje komplikovano i manje pamtljivo. svaka im cast.

http://www.youtube.com/watch?v=pRJ9jNyJFg0 ovo je neverovatno. suze

nelose. eminem nenormalan ovde, kad bi mogao da repuje na svojim stvarima ovako.

Coyote, Kayo Dot's fourth studio album, is a single, narrative-driven, long-form composition written with story and text provided by a close, terminally-ill friend of the band, Yuko Sueta, in the final stage of her life. Coyote was once again engineered by Randall Dunn (Sunn 0)), Earth, Six Organs of Admittance) in Seattle, Washington, forging a new genre of "goth fusion" which combines elements of early Cure, Faith And The Muse, and Bauhaus with Herbie Hancock's psychedelic album, Sextant, and Scott Walker's recent masterpiece, The Drift. The lyrics and story were constructed with deliberate melodrama to pay homage as well to the intended gothic vibe, expressing the protagonist's loneliness and longing to be in a better place, and her journey through her own personal looking-glass through a hallucinatory world of fear and wonder. The musical objective this time around was to create a piece of music that uses the sonic aesthetic of this specific era of gothic art-rock integrated with a more modern-classical approach to form and architecture. To achieve this, Kayo Dot has put together a new instrumentation, which features trumpet (provided by former Candiria and Friendly Bears trumpet player Tim Byrnes) and alto saxophone at the lead, backed up by violin, keyboards, piano, organ, bass guitar, percussion, and a pronounced lack of guitar across the album. This album also marks the return of former Kayo Dot member, Terran Olson, whose contributions were heard on the band's 2003 debut, Choirs of the Eye, as well as with Kayo Dot's alter-ego, maudlin of the Well. The music is also more rhythmically-driven than any previous Kayo Dot work, and being a performance-oriented composition, it was recorded mostly live (similar to 2006's Dowsing Anemone With Copper Tongue). Coyote also brings back some of the aggression absent from 2008's Blue Lambency Downward. Coyote will be released by Hydra Head in early 2010. There is a sample of a track and write-up at Time Out New York: http://www3.timeoutny.com/newyork/thevolume/2009/10/listen-now-new-music-from-kayo-dot-exclusively-on-the-volume/