azal

ohrid

nova godina, sve brte.

vratio sam se sa odmora, tako da, draconic ponovo radi

skinem gace sa bulje.

crno prase, crna muzika.

ako kupis lozu, dobijes popust 150 dinara i kuvani kukuruz.

aupich.

sabre, okaci mi poslednji trek bongrippera, nije se dobro skinulo.

150 din popust, ne seri

ovaj bongripper kapiram ne moze da ne valja

lep je ovaj ghastly city sleep, dosta lici na sigur ros.

gledao spot, ne znam sta je ovo novo. thrash deonice, ocekivani mlitavi breakdown, polu pevljiv refren, standardni AILD.

pijemo sutra pre cynic-a, perice?

jeste.

ovo vec imamo svi. YOU'RE WORTHLESS

daj kaci pedercino.

hahaha super slike koji derpe ovaj dronjak

tebi bese XXL treba?

pozdrav i tebi.

cuvam.

years later idalje najdosadniji album svih vremena

Soothing electronics and natural percussion provide the basis for Garm's warm vocals, singing songs of loss and disillusion. While the lyrics provide little hope, the music carries a note of quiet faith. It sees Ulver abandon many of their grand concepts, to focus on music and human emotion. Contributions by world-renowned thereminist Pamelia Kurstin help make SHADOWS OF THE SUN a piece of rare beauty. You want comparisons? SH ADOWS OF THE SUN sees Ulver borrow some pigments from David Sylvian's palette, using it to transport their own visions onto the canvas. Incidentally, Austrian audio abstracter Christian Fennesz, an associate of Sylvian, also help make this album what it is. Other comparisons could be made. The band are avowed fans of Coil. Nick Cave, maybe. But such comparisons only cheapen, because Ulver really don't sound like anybody you already know. They are the perfect strangers.