Hell on Earth

Vec sam rekao, uz takve rifove ide takav bubanj. I ja nisam sebe terao ni na sta na silu. Sta vise, kada sam prvi put cuo Beyond the horizon na brzinu, bio sam skeptican kao i vecina ljudi koji pljuju Reinkaos. Ali kada sam nabavio ceo album i preslusao ga polako i pazljivo to je bila druga prica. Pesme jesu spore, ali su duboke i imaju dusu. Meni je ovaj album kult i to je to.

Will Rahmer je najveci horor fanatik na zapadnoj hemisferi. Ja sam na istocnoj

Ovo vise ne zvuci kao kriticko misljenje vec kao neka mrznja. Rifovi govno? Ako si ti fan Dissectiona, bar iz postovanja ne bi trebao da kazes tako nesto. Tomas Asklund je fenomenalan bubnjar. Jel si ti slusao Vobiscum Satanas od Dark funerala? Taj covek KIDA bubanj. I ima fenomenalnu tehniku. To sto koristi triger uopste nije minus, jer opet, covek treba da zna sve to da odsvira. Ako ne zna dzaba mu triger. Pa jel ti mislis da bi Jon uzeo nekoga ko nema pojma da mu svira? I on uopste nije duzan da skida Ohmana. Otkud znas da namerno nije odsvirao nesto u svom stilu.

Film se zove When a stranger calls. Intro je uzet iz stare verzije, inace ima i remake. Dobar film, ima jaku atmosferu.

Za takve rifove ide takav bubanj. Tomas Asklund je vrhunski bubnjar.

E sad vise nije samo da Reinkaos ne valja, nego ne valja ni postava? Jon je veoma pazljivo birao ljude sa kojima ce da radi. U muzici moze da se uziva i bez mlacenja. Svaki bubnjar Dissectiona je vrhunski.

Jel zna neko ko su ovi carevi i odakle su? Prvo bih im uzeo autograme a onda bih ih unakazio od batina.

Da li bih negde mogao da nabavim majcu Perunka? Jel planiras neku turneju?

Imam ja Creep. Odlican film. Ima do jaja atmosferu.

Evo jednog jako zanimljivog intervjua: Deicide's Glen Benton Hates Hoffman Brothers "More Than Anything In This World" posted Thursday, March 2, 2006 at 10:49:44 PM by deathbringer. (thanks Blabbermouth) J. Bennett of Decibel magazine (web site) recently conducted an interview with DEICIDE frontman Glen Benton. An excerpt from the chat follows: Decibel: Has it been weird writing songs without the Hoffman brothers [Eric and Brian, former DEICIDE guitarists]? Benton: "It's been the fucking greatest thing in the world. Those two are a couple of idiots, man. I hate Eric and Brian Hoffman more than anything in this world, and I will not rest until I put shit straight with the fans. Up 'til now, everybody thinks I kicked them out of the band, but nobody kicked anybody out. They quit on their own, and I wanna set the record straight in regard to those two fuckin' pricks." Decibel: What happened exactly? Benton: "It's real simple: Eric Hoffman has a fucking steroid problem, and he's bi-polar. Brian married some young broad who's running his life for him. What initially happened is that when our publishing deal ended with Roadrunner, and our new deal started with Earache, we put them on notice that our publishing was no longer gonan be split four ways — it's gonna be based on who writes what. That's the industry standard. Brian writes one song for the album, Eric writes two songs and they wanna get paid for all the songs Steve [Asheim, drums] wrote. That's not fuckin' fair. And I wrote all the lyrics, so I'm entitled to 50% of the publishing. Why should I give those two money? They've been losing thousands of dollars for me and Steve for ten years now. If it was one of those things where they showed up and did their jobs, we wouldn't have a fucking problem. That's why the deal we signed [with Roadrunner] in '90 was set up like that. Back then, everybody wrote and contributed and it was a fuckin' group effort. But now me and Steve are the Lennon and McCartney of the band, doing all the writing, and those two wanna get paid for our hard work. Fuck that." Decibel: So they quit? Benton: "When they got their first publishing checks and didn't get paid for all the songs me and Steve wrote, they fucking quit. And now we gotta deal with Eric threatening Steve, driving to his house and screaming outside his window at 10:30 at night, making threatening phone calls, talking shit on Blabbermouth about Steve's dad dying, and all this other bullshit. Eric knows better than to come over here, though — he knows I shoot first and ask questions later." Decibel: Didn't he get busted for steroids? Benton: Yeah, Eric got busted, and when it happened, he put the drugs in his brother's bag and then his brother got busted. [Laughs]" Decibel: Amazing. Benton: "Yeah, they're real nice guys. We're in the process of suing them right now — for slander and everything else, dude. They're going around telling people I'm addicted to methamphetamine. You know what? Who hasn't experimented with a few things in their life? Big deal. So what if I experimented? They did, too! But, look, I don't even drink anymore, man. I mean, I'll have a Heineken every once in a while, but I was drinking a bottle of Jack Daniel's every night before I went onstage and another bottle while I was playing. That starts catching up with you real quick, and I started going blind in my right eye. So after a nice scare at the doctor's office about four years ago, I stopped." Decibel: Aren't the Hoffmans suing you for the rights to the band name? Benton: "They can't do a goddamned thing to me, dude. I own the fucking name. They went behind my back and filed on my trademark, so I'm in the process of suing them to get their names off it. And I will win. They abandoned their jobs, and now they wanna come back. Well, there's no coming back, man. Sorry. It's a better band now because they're gone. They're just a couple of losers, and they rode on me and Steve's coattails for all these years." Decibel's entire interview with Glen Benton can be found in the magazine's April 2006 issue, available on the newsstands right now.

Bedak

Posto vidim da ovaj projekat ima izrazito ideoloski karakter mozda bih ja mogao da vam napisem neki ''program'' ali samo pod uslovom da me prihvatite kao neprikosnovenog vodju. Kada se oslobodimo neokolonijalnog uticaja, uspostavicemo totalitarnu vlast koja ce slaviti kult moje licnosti. Zavescemo komandnu ekonomiju i vojnu diktaturu. Uvescemo vanredno stanje kome nikad nece doci kraj. Etatizam i militarizam bice glavne crte naseg sistema. Zalazem se za restauraciju telesnih kazni, kao i za kaznu ukidanja gradjanskih prava. Unistenje politickog pluralizma i zavodjenje jednopartijskog sistema u kome ce jedna partija slaviti kult moje licnosti. To bi bile osnovne crte moje ideologije. Ako ste zainteresovani javite se. Slava totalitarizmu

Dobar je album ali nije nista za klanjanje. Mogli su sigurno i bolje.

Uopste se ne slazem. I nije isto poredjenje sa Morbid angelom. Glen Benton i Steve Asheim su radili ogroman deo posla. Ti ne bi trebalo da mesas svoje licne stavove sa onim cime se bavis. Ako vec organizjes te koncerte, bio bi red da orgaizujes i Deicide. Sad treba to da bude uskraceno gomili ljudi koja bi volela da ih vidi samo zato sto se tebi ne svidja The stench of redemption. Koji ti je to fazon? U ostalom oni bi na koncertu svirali i gomilu starih pesama. Ja licno se ne bavim tim stvarima kojima se ti bavis, ali da se bavim, ne bi se toliko rukovodio svojim licnim ukusom. Sto ne stavite na sajt legacyja glasanje za Deicide, pa ako bi ljudi to podrzali ne bi bilo razloga da se ne organizuje.

Kako to mislis kako zvuce? The stench of redemption JEBE KEVE! Bolji je od prethodna tri albuma. Duplo je brzi od svih prethodnih. Znaci remek delo. Jos je i melodicniji dosta. Savrsenstvo. Nista oni nisu losiji nego sto su bili. Svaka cast braci Hoffmanima, ali i nova postava je vrh. Krivo mi je sto je Santola napustio jer njegove solaze su zakon. Ne znam kako ce zvucati sada ovaj novi, nesto mi deluje kao da su pozurili dosta al videcemo. I braca Hoffmani nece da se vrate, sto se moze zakljuciti iz brojnih intervjua kako sa njima tako i sa Bentonom. Oni se organski ne podnose. Necu da ulazim u to ko je kriv, ali ne verujem da ce oni ikada da se vrate.

Nebitno, valjda me kapiras sta sam hteo da kazem.

Ne slazem se u vezi The grief prophecy. Takodje ni u vezi Where dead angels lie. A sto se tice bubnjeva, ako neko sedne za bubanj sam, i pocne da kuca blastove i da delje po duploj bas pedali, kako ces ti da znas dal on svira death ili black, ako ne cujes i ostale instrumente?

The grief prophecy nije brutal death vec totalni old school death. Bubnjevi ne mogu da se tako kvalifikuju. Sto se tice gitara, uopste se ne slazem da su death. Unhallowed, Soulreaper, Where dead angels lie, The somberlain i jos gomila pesama obiluju vecinom cistih black rifova. Istina, neke pesme imaju primesa death metala, ali nikako nemaju sve.

Bilo bi krajnje vreme da dodje Deicide.

To je vecna rasprava koji bend sta svira. Svaki bend ima uticaja i ovoga i onoga, i moze se voditi polemika do sutra. Ako cemo da cepidlacimo, Dissection je black/death metal do Reinkaosa, a Reinkaos je melodicni death metal. Ja licno slusam i black i death metal. Osecanja koja mi Dissection stvara su mnogo vise black, tako da ih ja dozivljavam kao black metal, a to sta su oni po nekim pravilima uopste nije bitno. Mislim da bi ovaj topic trebalo da bude na black metalu.

Dobre pesme. Support.

Imam ja Final Bloodbath ali ovo nije ta stvar. Ovo je neka deseta verzija. Od Morticiana nemam jedino taj Zombie massacre live, ali ovo ne zvuci kao da je uzivo, tako da ne verujem ni da je odatle.

Ovo jeste Mortician samo sto se ova pesma zove Blown to pieces. Tekstove mozes naci na Dark lyrics. Nego ovo mi nesto cudno zvuci. Ova verzija definitvno nije sa Hacked up for barbeque. A meni nije poznato da se ona jos negde pojavila osim na tom albumu. Jedino ako nije neki promo, nesto neobjavljeno jebem li ga, gde si ti ovo nasla? Pade mi napamet da nije mozda obrada, mada nema sanse ovo je 100% Mortician.

Slazem se

E znate sta bi bila jaka fora. Istetoviras na dupetu macka juri misa a mis bezi u rupu. Takodje bi ispao car onaj koji bi se usudio da na glavicu istetovira muvu. Inace, u istoriji ce ostati upamcen lik koji je pokusao da istetovira mornarsku majcu, ali na zalost nije uspeo, zato sto je umro.