VoivodBG

YOBO i Alice in Chains Tribute bend, 30. decembra u livin room-u.

Mozda ponovo dodje Dalek u Beograd sledece godine, nemojte me drzati za rec, ali neki ljudi "navodno" rade na tome.

@Lunar, ne prica o hc bendovima... vec o lirikama i momentima, i mafiozama koje gistro poznaje licno...

Juice intervju... http://www.popboks.com/tekst.php?ID=6980

april ethereal imas ga na best of albumu 120%. Mada videcu da ti za veceras uploaujem pesmu.

Daleko od toga da je govno, ima sve sto i ostali Coen-ovi filmovi imaju, dijaloge, nasilje, zelju za novcem (koga nikada nema u njihovim filmovima), ovaj film nema zlatnu sredinu, ljudi ce ga ili gotiviti ili ce ga mrzeti... I ne slazem se da im je to najlosiji film, kada se zna Intolerable Cruelty i Lady killers njihova dva najveca promasaja, definitivno. P.S. Da li je neko provalio glumca koji je glumio Sledge Hammer-a u Burn-u?

Burn After Reading (2008) Burn After Reading (2008) režija: Joel and Ethan Coen glumci: George Clooney, Frances Mcdormand, John Malkovich, Tilda Swinton, Brad Pitt Braća Coen posle nepunih godinu dana posle oskarima nagrađivanog No Country For Old Men, odlučiše da nas počaste lucidnom crnohumornom komedijom. Na dosta foruma, širom interneta se vode debate da li je ovaj film još jedan dobar doprinos obimnoj kolekciji braće ili veliki promašaj. (npr. Intolerable Cruelty i Lady Killers rimejk) Mislim da je veoma bitno, da se gleodaoci pre svega upoznaju sa njihovom filmografijom, jer tek onda mogu da uživaju u svakom njihovom filmu posebno. I ovaj put mi nije izbegao njihov famozni šablon, da prvo urade krimi triler “Blood Simple”, koga je sledila blesava komedija “Raising Arizona”, pa triler “Fargo” koga sledi kome(n)dija “The Big Lebowski”, i za kraj “No country for old men” koga pogađate sledi “Burn After Reading”. Ono što je mene naravno kopkalo, a verovatno i ostale poštovaoce njihovih filmova, je taj da li će ovo biti još jedan (komercijalno pristupačniji od većine njihovih filmova široj publici) “Intolerable Cruelty” ili komedija u stilu “The Big Lebowski”. Za mene je krajnji rezultat (posle dva gledanja) sasvim solidno izdanje, koje će: 1) Da razveseli i nasmeje neke ljude sa svojim vickastim dijalozima i klasičnim opičenim situacijama u svetu Coen-ovskih filmova; 2)najverovatnije će odbiti većinu, zbog “besmislene priče” koja ne vodi nikuda, i poprilično mračnog humora i osećaja mizantropije koji likovi osećaju na svojoj koži tokom filma; Sebe sam pronašao u prvoj stavci i drago mi je zbog toga, jer mi je svaki njihov film drag na sopstveni način. Nego da se vratim na samu fabulu filma, na prvi pogled bi ovo trebao da bude parodija na špijunske trilere, koja se dešava i Washington DC. Priča počinje sa otpuštanjem sredovečnog CIA analitičara Osbourne Cox-a (John Malkovich), koga dva trenera iz teretane (Linda Litzke, pokušava da skupi novac za 4 operacije na svom telu(Frances Mcdormand, glumila u većini njihovih filmova) i Chad Feldheimer (Brad Pitt, prva uloga u filmu braće, koja je i napisana za njega) priglupi i poprilično energičan, fitnes trener koji se uvali u mnogo veću nevolju) na presmešan način pokušavaju da iznude novac, preko diska koji sadrži gomilu informacija o samoj agenciji, a na koji su nabasali igrom slučaja. Dijalozi između likova su prava poslastica. Scena u kojoj otpuštaju Cox-a, kolega mu navodi da je to zbog njegovog problema sa alkoholom, na šta mu ovaj veoma nadrndano odgovara: „Pa ti si čoveče mormon. Pored tebe smo svi alkoholičari!” Od ostalih likova bih izdvojio Harry Pfarrer (George Clooney) udatog ženskaroša radi kao agent-čuvar u američkoj riznici. Dotični ima aferu sa Katie (Tilda Swinton) koja je udata za Osbourne-a… Zanimljivo je da sam film počinje kao zbirka kratkih priča koja će kasnije spojiti sve likove i krojiti im veoma surove i nepravedne sudbine… Tematika je i ovaj put slična kao i u ostalim im filmovima, obsesija koja drži priču, mada ovaj put nije situacija za nečim fizičkim (npr. Za bebom kao u Raising Arizon-a) već za poboljšanje tela kod lika Francis Mcdormand, Pitt-ov lik je opsednut vežbanjem i od dotičnog ne može ni da ražmišlja, Clooney pak ne može da prestane sa brbljanjem sem ako ne džogira ili jebava sa nekom od žena. Sam spomen reši inteligencija uz dozu mračnoga humora daje Burn-u posebnu draž, a na vama je da odgledate i da se pronađete u kojoj ste grupi ljudi….

@Skullkrusher, da li si dobro preslusao njihovu diskografiju? Znam da ne moraju svakome da se dopadnu (ukusi su ipak razliciti) ali da su ti Infernal Love i High Anxiety iznad proseka.... Preslusaj bolje Never Apologise Never Explain (skoro hitican album kao i troublegum) pa onda Shameless koji daje cist omaz panku sa kraja 80-tih i melodicnom roku 90-ih, i slabi Semi-Detached na kojem nije ostao taj popast zvuk sa Infernal Love-a, ali su zato nastavili sa melodicnoscu, i kliseiziranim tekstovima... Mislim da ce sledeci album u neku ruku biti bolji od recimo one cure fits all, koji mi nije bas legao, iako se i na njemu nalazi nekoliko pesama koje su mi se dopale (Rain hits concrete, Deluded Son, Private Nobody) verovatno im je falila rok energija sa High Anxiety i Never Apologise Never Explain....

Znam da je staro, ali uvek me nasmeje.

Crooked Timber, is the tenth full-length album by the band Therapy?, and the first to be released on Demolition Records. It will be released on March 23, 2009. The album was recorded from July to August 2008 at Blast Studios, Newcastle. Produced by Andy Gill, the album is set to feature a bias towards rhythm rather than melody. According the Andy Cairns; “I guess we’re always challenging just what makes us Therapy?. After so many years, if we were formulaic about it, we’d have gotten bored with the band long ago. The album was written together as a band, and each track has its own concept and inspirations. They took a while to write and we’ve taken our time to write them.” “From the crooked timber of humanity, no straight thing was ever made.” Immanuel Kant (18th-century German philosopher) Andy explains: “The recording is about celebrating people’s quirks, the things which make us unique. These days everyone tries to fit it, instead of just being themselves. The songs examine what it means to be human - To realise that we are the only living things on the planet aware of our own deaths." Track listing All songs written by Therapy? 1. "Beercan" 2. "Black On Page" 3. "Clowns Galore" 4. "Crooked Timber" 5. "Don't Try" 6. "Enjoy The Struggle" 7. "Head Strangle" 8. "I Told You I Was Ill" 9. "Low Winter Sun" 10. "Somnambulist" 11. "Rite Of Spring" 12. "Magic Mountain"

01.01.2009 Livin Room Pero Defformero A album ce izaci pre toga ili pak u 2009?

Romeo Is Bleeding (1993) Neo-noir triler za 20 vek, ne bi me zacudilo da je ovo bio jedan od mnogih filmova koji je uticao na igru Max Payne... Gary Oldman glumi korumpiranog porucnika Jack Grimaldi-ja, koji radi kao dousnik za mafiju. Jack vodi idilican zivot, prelepu zenu Natalie (Annabella Sciorra) i kucu, ljubavnicu sa strane (Juliette Lewis), dobre kolege, ali nikako ne napreduje na poslu, i zadovoljan je sa time, jer ga mafija placa da im sa vremena na vreme otkrije lokaciju dousnika. Sve je teklo svojim idilicnim tokom, sve dok se nije pojavila femme fatale Mona Demarkov (Lena Olin), okrutna i psihoticna placenica, koju mafija zeli da ukloni, jer je pocela da igra na svoju ruku, Jack je nesrecnik koji se zaljubljuje u nju preko glave i njegov svet se preokrece naglavacke za 360 stepeni. Stvari se izvrnu kontroli, i kako se fabula filma blizi kraju, sem ocaja i propasti ne moze se naslutiti ni tracak pozitivnog zavrsetka, ali vas zato drzi do napete do kraja. Sam film vam dodje kao neki dozivljaj, sama atmosfera filma bi se najbolje mogla opisati kao spoj izmedju nasilnog filma i spoja noir filmova sa Humphrey Bogart-om. Gary Oldman se veoma istice sa svojom ulogom, dok sam gledao film i njegov lik, nije mi licio na anti heroja ili negativca, vise na coveka koji jednsotavno nije pasovao takav nacin zivota, i njegova zedj za jos novca, ga je poslala u tu spiralu ponora ka nasilju, smrti, i dekadencije... Izdvojio bih i Olin koja glumi Monu, iako je ona barem po nekom mom neskromnom misljenju iako mi fizicki ne izgleda kao neka zenska za kojom bi odlepio, ona je sam duh i karakter lika uspesno prenela. Muzika je takodje veoma bitan faktor za film, jazz u svojem najboljem obliku, cela atmosfera je bila pun pogodak za film jer drugacije nije moglo biti. Kompozitor je Mark Isham (jazz/elektronika/sintisajzer) nominovan vec jedared za oskara, radio je OST-ove za vec dosta filmova (Rules of engagement, Men of honor, npr.) i ima odvec poduzu solo muzicku karijeru iza sebe. Izdvojio bih samo jedan citat iz filma koji izgovara Jack(Oldman): Can i tell you what makes love so frightening? It's that you don't own it. It owns you. Zastrasujuce, i istovremeno veoma istinito.

Nema na cemu. Opanjio sam zvuk do maksimuma, odslusao ceo album, komsije se nisu bunile na buku, ali ljudi moji i to kakvu! Koliko je to umilno po usi, toliko je pogubno po stomak, fantazija!

The Moonchild Trio - The Crucible (2008) a r t i s t : John Zorn t i t l e : The Crucible d a t e : 2008 l a b e l : Tzadik (TZ 7372) g e n r e : Rock r l s. d a t e : Dec/2008 t r a c k s : 08 b i t r a t e : VBRkbps s i z e : 62,8 MB The legendary Moonchild trio returns for another intense journey into the worlds of magic, alchemy and witchcraft. Following one of Zorns true masterpieces Six Litanies for Heliogabalus, this fourth volume streamlines and simplifies the music with new melodic elements bringing Zorns sax and the lyricism of Masada into the power and structural complexity of the patented Moonchild sound. With Patton using his prodigious voice to sing melodies in addition to his preverbal screams and howls, The Crucible is another bold step from mad alchemist John Zorn. Including special guest guitarist Marc Ribot on one Led Zeppelin influenced track, this is a rocking new installment to the Moonchild-Astronome- Heliogabalus legacy. Personnel: Joey Baron: Drums Trevor Dunn: Bass Mike Patton: Voice Marc Ribot: Guitar John Zorn: Alto Sax 01-Almadel 07:10 02-Shapeshifting 03:20 03-Maleficia 08:14 04-9x9 05:37 05-Hobgoblin 02:55 06-Incubi 07:44 07-Witchfinder 03:49 08-Initiate 05:42 44:31 min http://rapidshare.com/files/174863831/JohnZornCrucible.rar

Dalek--Gutter_Tactics-(Ipecac)-Promo-2009-UKi a r t i s t : Daelek t i t l e : Gutter Tactics d a t e : 2009 l a b e l : Ipecac c a t : IPC109 Promo s o u r c e : CDDA g e n r e : Avant / Experimental / Hip-Hop r l s. d a t e : Dec/2008 t r a c k s : 11 b i t r a t e : VBRkbps s i z e : 74,8 MB _______________________________________________________ Gutter Tactics info “I think we’re moving forward further and further into the back of our minds,” reflects producer okt0pus, one half of hip-hop duo dälek (pronounced dial-ekt). With the group’s fifth album, Gutter Tactics, dälek has closely packed intensity with consistency, rallying banks of saturated grit over the fractured insistence of New Jersey’s boom-bap bricks. “Our debut EP Negro Necro Nekros and From Filthy Tongue of Gods and Griots were about us starting out, sometimes getting sounds more than songs,” says okt0pus. “Absence was the book on how extreme you could go. Abandoned Language had more ambient moments, and was the end of that chapter of writing it all either heavy or mellow. Gutter Tactics is more us continually doing some early hip-hop ~love~ but with the attitude of the Melvins or Black Sabbath.” Not that dälek has ever been anything but hip-hop, even as the group claims contemporaries from Techno Animal to Mobb Deep, Kevin Martin’s the Bug to Isis. A group whose intense lyrics would clear the air even as its sonic density threatened to clear the room, dälek has spent a decade-plus voraciously consuming leftfield influences and spitting out sonic altercations that have seen the group garner tremendous European support even as dälek stays true to its members’ East Coast origins. “I’ve always just said that it’s hip-hop, because that’s my culture - everything I do is hip-hop,” says dälek, the group’s namesake MC. “And more than that it’s a philosophy on how music is made, it’s the philosophy of diggin’ through crates to find sounds you make your own regardless of genre. Afrika Bambaataa sampled Kraftwerk, while we draw on the essence of Faust, or My Bloody Valentine...” For Gutter Tactics, however, dälek drew from more than just a cultural, spiritual and philosophical home. Having spent the last two years building a commercial studio by hand, the group similarly constructed Gutter Tactics from the ground up on newly minted home turf, surrounded by patch bays of analog and digital means located just outside the Lincoln Tunnel in Union City. “Since I started my ‘studio’ was always my bedroom, and now I live nine blocks away from the space,” says dälek. “There is no rolling out of bed and working on ~love~ right there, but I like the fact that I need to motivate. I was always making beats constantly, but it’s nice to have that provision - 1000 square feet of playground that inspires me to work even harder.” Once the beats were collected, okt0pus invited members of the group’s Deadverse massive into the studio, laying down sample banks of ghosting tones from musicians such as Destructo Swarmbots, recorded while tweaking effects live to erase any human performance element. Absence could be equated to a Glenn Branca aggregation of harmonic mêlées and atonality pushed so far it verges on pop, and Abandoned Language approached a British-style hypnotism of encompassing more than overly aggravated passages. The 11 tracks of Gutter Tactics, however, work off the immediate grid, lyrics and loops informed by arena-ready dynamics and electronic addling. The sound marches forward even as it pays tribute to a time when Gang Starr fans wore Bad Brains t-shirts and the Bomb Squad could make Slayer seem childish. Old school compression tricks were then used to slam the ~love~ out of signals, driving things into the red, getting sludge to keep it from being empty, soulless, overly focused. “I’d rather have that David Lynch lighting - shadowy, claustrophobic, but shoved with detail,” says okt0pus. “This album isn’t pummeling you, though,” observes okt0pus. “It’s got that heavy, but it takes a few listens to realize just how substantial it is. We were guilty in the beginning of having everything so focused and compressed, and this record shows you can still be loud and retain the room dimensions that make records really great to hear.” Lyrically, the socio-politically minded Gutter Tactics is equally measured and insurgent. “I don’t make records for shock value ... this is a collection of who I am at this point and what I see around me, so it’s a dark album, full of anger, maybe some fear, and also hope. It’s the state of the world where I, where we are at right now. I just think in America it’s not always as safe to speak truth anymore. So, while our music may be abstract, I want the thought process to be more straightforward. “Except maybe this album’s title,” concludes dälek. “Instead of having an absolute meaning the title ‘Gutter Tactics’ is about the overall feel. It’s an album that’s raw, heavy, but full of clarity.” ____ _________________________________________________ 01-Blessed Are They Who Bash Your Children's Heads Against A Rock [01:25] 02-No Question [04:40] 03-Armed With Krylon [05:11] 04-Who Medgar Evers Was... [08:04] 05-Street Diction [05:29] 06-A Collection Of Miserable Thoughts Laced With With [03:22] 07-Los Macheteros / Spear Of A Nation [03:16] 08-We Lost Sight [04:32] 09-Gutter Tactics [04:39] 10-2012 (The Pillage) [03:30] 11-Atypical Stereotype [06:23] http://rapidshare.com/files/174499850/DA-GT.rar

Dalek--Gutter_Tactics-(Ipecac)-Promo-2009-UKi a r t i s t : Daelek t i t l e : Gutter Tactics d a t e : 2009 l a b e l : Ipecac c a t : IPC109 Promo s o u r c e : CDDA g e n r e : Avant / Experimental / Hip-Hop r l s. d a t e : Dec/2008 t r a c k s : 11 b i t r a t e : VBRkbps s i z e : 74,8 MB _______________________________________________________ Gutter Tactics info “I think we’re moving forward further and further into the back of our minds,” reflects producer okt0pus, one half of hip-hop duo dälek (pronounced dial-ekt). With the group’s fifth album, Gutter Tactics, dälek has closely packed intensity with consistency, rallying banks of saturated grit over the fractured insistence of New Jersey’s boom-bap bricks. “Our debut EP Negro Necro Nekros and From Filthy Tongue of Gods and Griots were about us starting out, sometimes getting sounds more than songs,” says okt0pus. “Absence was the book on how extreme you could go. Abandoned Language had more ambient moments, and was the end of that chapter of writing it all either heavy or mellow. Gutter Tactics is more us continually doing some early hip-hop ~love~ but with the attitude of the Melvins or Black Sabbath.” Not that dälek has ever been anything but hip-hop, even as the group claims contemporaries from Techno Animal to Mobb Deep, Kevin Martin’s the Bug to Isis. A group whose intense lyrics would clear the air even as its sonic density threatened to clear the room, dälek has spent a decade-plus voraciously consuming leftfield influences and spitting out sonic altercations that have seen the group garner tremendous European support even as dälek stays true to its members’ East Coast origins. “I’ve always just said that it’s hip-hop, because that’s my culture - everything I do is hip-hop,” says dälek, the group’s namesake MC. “And more than that it’s a philosophy on how music is made, it’s the philosophy of diggin’ through crates to find sounds you make your own regardless of genre. Afrika Bambaataa sampled Kraftwerk, while we draw on the essence of Faust, or My Bloody Valentine...” For Gutter Tactics, however, dälek drew from more than just a cultural, spiritual and philosophical home. Having spent the last two years building a commercial studio by hand, the group similarly constructed Gutter Tactics from the ground up on newly minted home turf, surrounded by patch bays of analog and digital means located just outside the Lincoln Tunnel in Union City. “Since I started my ‘studio’ was always my bedroom, and now I live nine blocks away from the space,” says dälek. “There is no rolling out of bed and working on ~love~ right there, but I like the fact that I need to motivate. I was always making beats constantly, but it’s nice to have that provision - 1000 square feet of playground that inspires me to work even harder.” Once the beats were collected, okt0pus invited members of the group’s Deadverse massive into the studio, laying down sample banks of ghosting tones from musicians such as Destructo Swarmbots, recorded while tweaking effects live to erase any human performance element. Absence could be equated to a Glenn Branca aggregation of harmonic mêlées and atonality pushed so far it verges on pop, and Abandoned Language approached a British-style hypnotism of encompassing more than overly aggravated passages. The 11 tracks of Gutter Tactics, however, work off the immediate grid, lyrics and loops informed by arena-ready dynamics and electronic addling. The sound marches forward even as it pays tribute to a time when Gang Starr fans wore Bad Brains t-shirts and the Bomb Squad could make Slayer seem childish. Old school compression tricks were then used to slam the ~love~ out of signals, driving things into the red, getting sludge to keep it from being empty, soulless, overly focused. “I’d rather have that David Lynch lighting - shadowy, claustrophobic, but shoved with detail,” says okt0pus. “This album isn’t pummeling you, though,” observes okt0pus. “It’s got that heavy, but it takes a few listens to realize just how substantial it is. We were guilty in the beginning of having everything so focused and compressed, and this record shows you can still be loud and retain the room dimensions that make records really great to hear.” Lyrically, the socio-politically minded Gutter Tactics is equally measured and insurgent. “I don’t make records for shock value ... this is a collection of who I am at this point and what I see around me, so it’s a dark album, full of anger, maybe some fear, and also hope. It’s the state of the world where I, where we are at right now. I just think in America it’s not always as safe to speak truth anymore. So, while our music may be abstract, I want the thought process to be more straightforward. “Except maybe this album’s title,” concludes dälek. “Instead of having an absolute meaning the title ‘Gutter Tactics’ is about the overall feel. It’s an album that’s raw, heavy, but full of clarity.” ____ _________________________________________________ 01-Blessed Are They Who Bash Your Children's Heads Against A Rock [01:25] 02-No Question [04:40] 03-Armed With Krylon [05:11] 04-Who Medgar Evers Was... [08:04] 05-Street Diction [05:29] 06-A Collection Of Miserable Thoughts Laced With With [03:22] 07-Los Macheteros / Spear Of A Nation [03:16] 08-We Lost Sight [04:32] 09-Gutter Tactics [04:39] 10-2012 (The Pillage) [03:30] 11-Atypical Stereotype [06:23] http://rapidshare.com/files/174499850/DA-GT.rar

seven that spells izdali novi album u septembru (tek sada sam provalio na njihovom myspace), zove se "cosmoerotic dialogue with lucifer".

Ionako ceo festival fokusiraju na njih jer ih je dosta bilo ove godine, kapiram da ce sledece biti jos puno engleskih bendova... rsmo...

Mnogo ste se primirili, a proslo je vise od 15 dana otkako ste rekli da cete zavrsiti stampanje diskova. Dajte ljudi ovaj cd ce biti perfektan novogodisnji poklon za (da samog sebe castim) clanove porodice, prijatelje i komsije! Dok sam krstario netom naleto sam na Pero Defformero - Napalm, Nitro, Turbo, Disko, da li je to demo album ili se neko samo segaci?

Procureo.