Kent

evo nekih linkova za holandske postere... http://www.wevsdeath.nl http://www.monotheband.com/index.html http://www.fjordmusic.nl/english.php http://www.vehicleband.net/ http://www.toyz-web.com/ a ovde imas jos nekih zanimljivih bendica... http://www.zabel-muziek.nl/home.htm http://www.muze-records.nl

Meni, kao laiku, Detwiije potpuno holandski zvucalo Pa... Holandija je jedna od jacih evropskih underdog-ova po tom pitanju... We vs Death su opaki, Mono (ni japanski ni britanski) dorastao imenjacima, Fjord zanimljivi iako ne previse originalni, Commodo su bas kul (neka mesavina Tristeze, Arab Strapa i Tarantel), Vehicle klasican Mogwai, Toyz (vise prog nego post, ali prilicno dobri). Od belgijskih sam slusao Mammoeten op Kousevoeten (epic, mocno, sjajno), Sweek (bend koji je izbacio jedan od najboljih post-rock albuma u poslednjih par godina), Grim (klasika u post-rocku, nesto kao WEG, WEB whatever) i, da ih ubacim tu, DAAU (to je vec kvlt i poznato i sire courtesy of Roskilde Festival). Cak je i Luksemburg aktuelan na ovom polju, Actarus su tamo prave legende, a sviraju, tj. svirali su neku metaliziraniju verziju instrumentalnog post-rock-a. Iz njihovog pepela su iznikli Mutiny On The Bounty i Treasure Chest At The End Of The Rainbow, od kojih sam nazalost cuo samo semplove, koji svejedno prilicno dobro zvuce. Nadam se da malo pomogne.

sto bi bon jovi rek'o, have a nice day

nemoj tako, benelux ima finu post-rock scenu... mada, detwiije nisu iz nizozemske, koliko god naziv sugerisao...

SYMMETRY - Progressive Post-Rock band from Bristol/Reading, UK 'Taking influence from the instrumental sludge of PELICAN and the melodic nu-prog of OCEANSIZE in equal measure, SYMMETRY's aspirations are obviously weightier than those of many unsigned bands. Although predominantly instrumental, the occasional well-placed vocal melody does surface from beneath the bludgeoning riffs, and when it all comes together, as on the climatic 'End Of', this is pretty damn fine.' -Rock Sound, may 2005 '...made the stage their own, by covering every square inch of it. Never content to stick with one phrase for too long, these guys excel in slow ambient breakdowns, intense crescendo and a climax of instrumental mayhem...' '...with people as venerable as Karl Middleton creating an apt synopsis of their sound as 'fucking mint' you know something out of the ordindary has formed and is unleashed its sound in Reading...' '...sounding like PELICAN lying down with MOGWAI, with RADIOHEAD and CULT OF LUNA poking their noses in to see what the noise is about, this is impressive stuff...' '...the built-up crescendos in the music provide an epic and intense backdrop to thier more ambient moments - a juxtaposition many bands simply fail to create...where these fail and stutter, SYMMETRY excel...' '...a simply spellbinding mixture of composites which altogether form a band who seem to have been producing classics all their lives...the sheer weight of sound created by these young men is simply jaw-dropping...' '...the band refuse to let themselves stagnate, which ultimately is the reason why their 10-minute epics remain interesting time and time again...' '...theres only a handful of bands that can create the perfect EP. SYMMETRY has just ticked off our little box...this is special...' http://www.iapetusrecordings.com/symmetry/video/hero.mpg

pocelo je... kad vec nije prosle godine

kad ste kod kanadjanina, je l' se pojavio catfish haven jos uvek??

kentoje ce u lijepoj nasoj sledece da gleda in flames, a vi (maxova recka iz bv-a)-ovci se lepo provedite i donesite mi po neko ozujsko... meni dosta bilo letos sunca... ipak sam ja za polarne noci...

ako pogledas roskilde report, videces takodje crticu... simbolika

-------- kakvo doprinosenje hermeticnosti!? meni bas drago sto se ovde pominju mogwai, anotony i gramatika&pravopis, i to ne od strane isis crew-a! vidim da je lista stigla i do itsatrap-a, tako da uskoro ocekuj sve ostalo... kewl.

ko su ovi ljudi??

sve si gluplji. ipak je trebalo da studiras nesto. nije retard u pravom smislu reci.

neka jack rose postuje kada je sledeci put nastup senzacionalnog shamana u kocki, pa da idemo svi da navijamo.... ljudi, ja nisam gledao nista shokantnije u ovom milenijumu! retardirani covek mrtav pijan recituje shekspira na engleskom obucen u kaubojsko odelo, sa podlogom doors-a i filmom cudo nevidjeno u pozadini... havarija...

orthrelm je trebalo da se nadje u tvojoj rubrici, jer je izasao negde u maju ako se dobro secam... daklem, sebe pitaj zasto je nema

oce neko na beocon? program: Petak, 20. januar 2005. Velika sala: 18:00 – 20:00 Otvaranje manifestacije. Najava dešavanja. Otvaranje izložbe radova Dobrosava Boba Živkovića. Pogon: 21:00 – Šetajuća izložba majstora specijalnih efekata i maski Miroslava Lakobrije Subota, 21. januar 2005. 11:00 – Mini sajam knjiga sa štandovima izdavača. Izložba. 11:00 – Prezentacija igre “Confrontation” 11:00 – 15:00 Strip radionica Vlade Vesovića. Velika sala: 17:00 – Festival srpskog filma fantastike. Predstavljanje autora, projekcija filmova, razgovor o prikazanim delima. Aleksandar Radivojević i Nenad Bekvalac sa gostima. Pogon Doma Omladine: 12:00 – 13:30 Predavanje. dr A. B. Nedeljković: Program naučne fantastike u Kragujevcu – iskustva prvog semestra. 15:00 – 18:00 Okrugli sto. Tema diskusije je status fantastike na ovim prostorima, pre svega u književnosti i izdavaštvu, a zatim i u ostalim oblastima, sa posebnim osvrtom na elektronske medije i Internet. 19:00 – 20:30 Razgovor. Gost: dr Zoran Živković. Nedelja, 22. januar 2005. 11:00 – Štandovi izdavača. Izložba. 11:00 – FRP turnir u igri MERP. 17:00 – Festival srpskog filma fantastike. Predstavljanje autora, projekcija filmova, razgovor o prikazanim delima. Aleksandar Radivojević i Nenad Bekvalac sa gostima. Sala za konferencije: 12:00 – 13:00 Mihailo Smiljanić: Pravoslavno bogoslovlje i SF 13:00 – 14:00 Mr Zorica Đergović-Joksimović: Utopijska književnost 14:00 – 15:00 Mr Goran Bojić: Razlozi posustajanja SF-a 16:00 – 17:00 Dušan Žica: Demonski stihovi - horor u poeziji, ili poezija u hororu? Pogon Doma Omladine: 12:00 – 13:30 Predstavljanje kluba Lazar Komarčić. Predstavljanje Emitora, glasila kluba. Prikazivanje filma iz Plovdiva sa Eurocona. 14:00 – 17:00 Predstavljanje gostujućih društava. 18:00 – 19:30 Dejan Ognjanović: Putopis iz Providensa. Predstavljanje zbirke HP Lavkrafta, kao njegovog lika i dela. Multimedijalno predavanje. (napomena: IZMENA - ovo je vrlo interesantno, bice u subotu umesto Zorana Zivkovica) 20:00 – 23:00 Veliki nagradni kviz. Voditelj: Pavle Knežević. Nakon kviza dodela nagrade Ljubomir Damjanović i ostalih nagrada. 23:00 Zatvaranje.

ivanovic na eurosportu! dobi australijanka prvi gem ubedljivo, ali tek je krenulo...

mog'o si kod mene na stuttgarter hofbrau

metalstorm je oduvek bio sranje i jedan od najlosijih webzinova... a ova recenzija je plain shit... whoracle najbolji album , a o nepoznavanju pojma "metalcore" necu ni da pricam... ti si barem naucio sta je to prosle godine recenzija je na nivou desetogodisnjeg deteta, kao i sam webzine uostalom...ne bih se bas ponosio istom.

hocete mrs. robinson da obradite?

moma rajin je jedini covek koji je gledao kings of leon na exitu

to sam hteo da vam kazem

procitao si u dahu, priznaj

Aftermath - 1994 Directed and Written by Nacho Cerda, An award winning short film about what happens after death to a female corpse in a Spanish autopsy room. The film explores the subjects of Necrophilia and what happens to the body after the soul has vacated the corpse. I had read about this film long before I had the chance to see it in Dark Side magazine. When it was shown at various film festivals it usually had two reactions among the audience; the first being one of outrage or disgust at the graphic portrayal of an autopsy and if they can stomach it that long, the scene where the pathologist rapes the corpse: the other reaction, one of Applause, for a Director who is willing to push cinema to the edge and try and deal with such a difficult theme in such an unflinching and intelligent way. I knew I was not the type to 'enjoy' such a subject, but that is not what this kind of cinema is for in the first place. You are not meant to 'enjoy' scenes of Necrophilia, if you do I advise you check yourself into the nearest asylum before you feel that you have to go breaking the law and digging up your humps or turn someone living into a suitable candidate for your lusts. You are meant to 'think' about the subject and your reactions to it. This kind of cinema is intended for exactly the kind of people who know they will be offended or sickened or 'horrified' by the scenes contained in this movie. The Director wants you to ask some questions, such as why someone would even make such a film in the first place? He wants to provoke discussion and even argument. Before you even ask, no it is not widely available for sale in the UK, but the Internet is a wonderful thing (When customs don't object). There is a release available on VHS which not only contains the short film, but an incisive 'making of' where all aspects of production and reasons for choosing such a subject are addressed. There is also a short film that Cerda made in America, a trailer for Aftermath and a short interview by Jorg Buttergeit (Nekromatic) that attempts to reinforce the reasons for making such a film. The first thing you will notice about the film is it's very glossy expensive look. The filmmakers obviously lavished a lot of money on this project, which is both unusual in short films as the financiers of such films very rarely recoup their investment, and in such a brave film that is almost impossible to market or show in its uncut form. the director admits that without the backing and faith from a few close friends the project would not have been possible to do at all. The second thing you will notice is their is no dialogue, save for the voiceover dialogue on a TV at the end. The lack of dialogue is a device by the director to reinforce the view that the corpses are the important people in the film, they have feelings. The Doctors and Attendant are merely living, but almost soulless in this context. The face of the Pathologist is actually obscured throughout the film, by his mask, with just the predatory lifeless eyes and his actions to tell us what he is thinking. The only time Pep Tosar really tries to communicate with us is when he stares the nosey attendant out of the room, for the rest of the film we see him from the side or behind, as voyeur or accomplice. The cinematography is excellent, having been handled by a friend of Cerda' and colleague of Roger Corman (Buggered if I can track down the name right now-sorry). The use of coloured filters really helps to set different sombre moods within such a stark and sterile environment, lending it extra thematic character. Especially when it helps bring out the visceral colours in contrast to the sterile blues and whites. The vision is entirely Cerda's, having been born out of his Catholic influence and fear of death. His first film 'Awakening' deals with the moment of death, whereas Aftermath literally deals with the events that take place after death. His rigid storyboarding in the actual location and in depth research (having actually viewed 3 autopsies in that location) really pays off, helping to convince you of it's authenticity and sophistication. That said, the film is difficult to watch. I don't enjoy gore for the sake of it, but can see the reason for showing it. Cerda wanted to show how the bodies are 'violated' after death, how the organs are removed and then rudely shoved back in to the body before cremation/internment, how the whole procedure is professional and without emotion or thought for the lives these bodies once lived. The rape scene is difficult and mercifully for the crew and the audience, the buggery scene was too short and not professional enough (due to limited time and budget and most of the crew didn't want to be present) to remain in the final cut. Cerda did apparently want to have a more censored version distributed to TV stations, knowing fans may check out the stronger version if they like it enough, but so far there have been no takers as it is too strong for even the strongest corporate stomachs. You will not 'enjoy' this film. But you will respect it's professionalism, it's polish even if you don't agree with it's objective. Apparently there was a true reported case of similar acts after the film was released, not so much life imitating art, as art reflecting life. But who knows. Maybe people who do suffer such desires really do want those kinds of jobs. That said. Do you really want to be Autopsied after death?

e, slazem se. taj je album doziveo katarzu kod mene kad sam ga pustio na iPod-u... bas je heavy... drugi najbolji njihov album.

Nacho Cerdá?