Grobodan

Kult! Sta cu, moram da nas reklamiram - Despot je uradio odlican intervju sa njima, informisite se o bendu na jednom mestu ovde

Opa, vidi temu, extra Bila je vec, ali na Deathu, Vojvoda otvarao... Da ne duzim - kult, ko nije cuo neka skida, meni najbolji AWAKENING!

U brate, aj daj linkove ako vec imas

Evo jednog Norveskog benda - SVARTAHRID, kome se slusa mesavina starog Satyricona (up to Nemesis) i Darkthrone-a, ne moze da omasi. Likovi su dobri sa ekipom iz DT, pojavljivali su se na Nocturnovom DVD-ju, za sve koji se se israli na Darkthrone temi overite ovaj ovogodisnji album. Malicious Pride password : www.mediaportal.ru

Nazalost, tesko...

Slazem se u potpunosti. Nego, kako vam se dojmi live novi? Extra je

Odlican nick i avatar.

Sto bi rekao jedan Hornbijev lik geek "Normalni ljudi imaju misljenja, mi imamo liste"

To je za one koji nemaju reading disorders

Prica se o Kolosu. evo sta ja mislim Two years ago Keep Of Kalessin ripped everyone’s head off with “Armada” ; before it they were quite a familiar and respected band in the metal world but “Armada” sharpened and perfected every single aspect of their epic brand of Black Metal. Logically, immense success and slab of great reviews followed, thus making the “Kolossus” one of the most anticipated releases of the year 2008. Was “Armada” just a fluke, can they repeat it, will they sink or swim...? Nuclear Blast signed the band, sent them on tour with their starwaltz Dimmu Borgir and Behemoth (Black Metal boy bands, as our editor Marko jokingly said ) and prepared great advertising campaign for the album. And after all the waiting, rabidly watching studio reports on youtube.com, anticipating... “Kolossus” is finally in front of us. The album opens with acoustic intro “Origin” (the same way as “Armada”, if you remember...) and immediately sets us in the right mood. After the first listening of “Kolossus” one thing is certain – Keep Of Kalessin still kept the basic substances and goals of their work – epic and somewhat long songs. The main difference between the “Armada” and “Kolossus” is that the latter is a bit more melodic, and the songs now are more based on building the atmosphere (not that “Armada” wasn’t atmospheric, no way!). That fact gains “Kolossus” more variety than “Armada” had. Maybe this will catch you off guard a little bit, after all we were all crushed by “Armada”’s titanic warlike attack. But you will simply need couple of listens just to get used to this slightly different face of Keep Of Kalessin and everythink will be crystal clear – this band confirmed again that they are capable of biggest achievements. “Kolossus” is flooded with ideas of highest caliber and it engages you through its compositional maturity and authentic spiritual substantiality, simply not allowing intellectual passivity but rather it swallows you into its world full of unexplainable and unexpected sights. Every song here is a mini epic in itself, they are not based on basic “verse-chorus” structures but instead Keep Of Kalessin are rather taking quite a cinematic approach in making of their epos. Melodies are intertwined with brutality and epicness resulting in one piece which have its message and conclusions. All songs are indeed very long (except for the last song on the album entitled “Ascendant” which has a little bit usual approach, but nevertheless it is great, and that song is chosen for the first video) but exceptional compositional work and playing skills of band save them from sinking. Lions share of music complexity lies on drummer Vyl, who is reaching the highest realms of metal drummers closer and closer with each and every album. I particularly enjoy his blastbeats, he doesn’t seem to be simply grindng away the drums ; when he intervows them with Obsidian’s melodies they seem very conquering and marching. Some people complain about Obsidian’s riff work and they call it repetitive, but as I see it – the man found his unique riffing way, nothing wrong about it. Thebon’s vokals are going from deep growls to highest screams and everything in between, I have seen that people are comparing him to Ihsahn’s and Lemmy’s bastard child and I can tell that it is pretty funny but accurate description. Wizziac’s bass work is rarely heard, unfortunately, but if you really pay attention (with help of some good headphones maybe...) you will notice that his lines are not simply following the guitar, he is also adding extra spice on music. The production work on “Kolossus” is a little bit weird – the guitars and drums are a little bit thin, and that is the only thing that I can see as a minus. Everything else is done perfectly, Keep Of Kalessin is still on the rise, they gave us yet another colossal creation and the end of their superior creations is not yet in sight. This is recomendable to each and every metal fan IMHO, but mostly to those who adore bands like Emperor, Dimmu Borgir and Satyricon. With a little luck I think that Keep Of Kalessin can reach the same status as those gods in the future. Killer work!

U ekstra, Napalm nam salje promose tako da - eto ga meni ubrzo Bas brzo stancaju albume...

album je kult

Otkud ti to? Niko nista nije pominjao, nema nikakve turneje na vidiku...

Svedski OSDM, bili aktivni pocetkom devedestih pa se rasformirali, vratili se prosle godine sa odlicnim Tales form the tomb, a ove godine udarili sa jos jacim Dead calm chaos, za mene jedan od top DM izdanja ove godine. Evo linka za novi http://rapidshare.com/files/168530607/E200...iaportal.ru.rar Password: www.mediaportal.ru

Naravno. Jebote, ala se Kingonja nesto ucutao... Nista od Ozzfesta jos.

Srecan rodjendan Crnogorski kulte

Dosle nove generacije jbg. I meni je to cudno, ali sta da se radi... Kad cujem da klincima npr Metallica, Maiden ili Slayer nista ne znace, a kad sam ja pocinjao bili su ikone, sta ti je cudno za Morgoth. Ne vredi se uzbudjivati...

Da, ali ta poslednja 2 i jesu "kopija starih albuma", da tako kazem...

Pa najbolji je nesumnjivo Oath, a iz devedesetih... mozda bih se odlucio za In the shadows, ali teska je to odluka, bas.

The latest issue of Sweden Rock magazine features an interview with the Swedish black metal band NIFELHEIM conducted in late September during the group's Finnish tour with WATAIN. "MÖTLEY CRÜE and MUNICIPAL WASTE are likely the worst bands in the world. Next to METALLICA," the group's bassist Tyrant (real name: Erik Gustavsson) is quoted as saying in the article. When reminded that the day before marked the 22nd anniversary of the passing of METALLICA bassist Cliff Burton, Tyrant says, "That's right. I laughed and pissed on a photo of him. Speaking of which, when did that Dimebag Darrell [late PANTERA/DAMAGEPLAN guitarist] die? Damn how I cheered! Fucking glamf*g. One - nil to NIFELHEIM. Too bad Phil Anselmo [PANTERA singer] didn't die too; that was probably the only time I wished PANTERA had actually played." koji kult

...freedom.

Meni bolji s/t, bas je monstrum od albuma, King je samo odlican

Pa za mene je svaki njihov album iz devedesetih potcenjen, ali zasto bas taj?

Rime? Jebote... jebote... jebote...

E da, sad videh... izvinjavam se. Bankrotiracu u februaru, ali nema veze...up the irons!