azal

slusas album i svaka sledeca pesma je najbolja

ipak je tu pobedio bubnjar zvani Keli a pravo ime mu Hrafnkell Örn Guðjónsson

dobra ideja

ekipa sto slusa Alestorm se bas preklapa dobro da nije Sabaton

to ja ne radim ali moze alkohol

u fazonu sam jabuke u poslednje vreme

27 novembar Novi Sad 28 novembar Elektropionir Driver will be accompanied live by the following lineup: Timba Harris (Secret Chiefs 3) on violin Charlie Schmid (Tombs, Vaura) on drums Nick Hudson (The Academy of Sun) on keys. With support by Del Judas. 16.11.18 TR Istanbul, Peyote § 18.11.18 ARM Yerevan, tba † 19.11.18 GE Tbilisi, tba † 22.11.18 IL Tel Aviv, Levontin 7 † 24.11.18 SK Bratislava, Kulturák Club 25.11.18 SI Bistrica ob Sotli, Klub Metulj 26.11.18 HU Szeged, Jazz Kocsma 27.11.18 SRB Novi Sad, CK13 28.11.18 SRB Belgrade, Elektropionir 29.11.18 BG Sofia, Mixtape 5 30.11.18 RO Timisoara, Manufactura 04.12.18 DE Hamburg, MS Stubnitz 08.12.18 IE Dublin, The Workmans Club 09.12.18 IE Cork, The Roundy 12.12.18 NL Haarlem, Patronaat 16.12.18 DK Copenhagen, Loppen 18.12.18 PL Warsaw, Klub Spatif 19.12.18 PL Krakow, Klub RE 21.12.18 DE Dresden, Jazzclub Tonne 22.12.18 CZ Prague, tba § Toby Driver solo † Toby Driver + Timba Harris duo

vidim da nije bila ova ova stvara vec lici dosta na Part the Second

bez greske album

Vola je glavni support tako da mislim da moraju bar 45 min da sviraju, ostali ce po 30 min verovatno. A karta skupa zbog Monuments, jbg, oni su valjda neko ime u tom djentu

klasika cena za bend koji radi prvu headliner turneju na kontinentu. treba se ici

nova stvar zvuci kao neki Bugarski Raunchy

http://bravewords.com/news/cirith-ungol-streaming-first-new-studio-recording-since-1991-witch-s-game-12-vinyl-and-picture-disc-available-for-pre-order

Koliko sam ja razumeo, 22 su stariji bend koji su cak i inspirisali i Leprous i Agent Fresco, ali su bili na duzoj pauzi pa su slabo ljudi van skandinavije culi za njih. Ali opasan je bend, nema dileme. neki pamtljivi math rock, jebemli ga, adebisi shank meets muse. meni su se bas dopale nove Agent Fresco pesme, narocito ona neznije gde Dan skoro sve vreme peva u nekom nepristojno visokom falsetu. Jedva cekam novi materijal od njih. Leprous setlista mi malo diskutabilna. Ne razumem zasto sviraju Foe kao drugu pesmu i generalo. Dobar je intro bio uvek, ali sad kad im je Bonneville intro stvar, mislim da Foe treba izbaciti. I Malinu bih izbacio, nije pesma za uzivo uopste. A i Angel potpuno nepotrebna obrada. Treba vratiti onu skracenu verziju The Valley u setlistu, zauvek hit. A i bilo bi lepo cuti Moon opet. Drago mi je sto sam Leashes cuo, ta nije bila prosle godine.

pritom CH ne znam da li su ikad imali turneju duzu od 15 dana. Leprous izlazi triput godisnje sa turnejama po 30-40 svirki. Ne moze niko da peva taj stil toliko i da im ne puca glas ponekad. Isto vazi i za AF.

nisu ni uzivo bolji uopste, iako su odlicni. Mozda je Jim konzistentiji pevac uzivo ali su mu vokali upola manje zahtevni takodje

nadam se da ce im imidz biti jos smesni sad

sta je ovaj plini neki metal za ikea reklame

kojom logistikom?

SACRAL RAGE To Release ‘Beyond Celestial Echoes’ Album on October 19: ‘Expect High-Tech Metal Lunacy’ Promising Greek speedsters Sacral Rage will release their highly-anticipated sophomore album, “Beyond Celestial Echoes”, on October 19 via Cruz Del Sur Music. The follow-up to 2015’s “Illusions In Infinite Void” was recorded between Ignite Studios (drums, rhythm guitars) and White Socks Studios (vocals, bass, lead guitars and keyboards) with mixing and mastering being handled by Stamos Koliousis. The album’s cover art was created by Dimitar Nikolov. Comments vocalist Dimitris: “With ‘Illusions’, we knew that we had set a high target and that’s why we took our time for ‘Beyond Celestial Echoes’. Maybe we felt a little bit anxious at the beginning, but now that we almost have the final result in our hands, we know that we did it the way we wanted to. Once ‘Illusions’ came out, we focused on the promotion of the album and did many gigs around Europe. Also, we didn’t want to start writing music right after the release because we believed that the impact of ‘Illusions’ was too strong at that time and we didn’t want to end up writing an identical album. So, after almost a year we started working on our new album in which we added a lot of elements and achieved a result that has the same aura as the previous one, but at the same time, is something different.” The universally positive reception to “Illusions” established SACRAL RAGE as one of European metal’s most exciting new thrash outfits. The band’s sound is a rare hybrid of technical thrash with classic metal elements, interspersed with the occasional sci-fi flourish. According to Dimitris, it was of utmost importance SACRAL RAGE continue to push forward while maintaining the core sound they established with “Illusions”. Appropriately enough, he says fans can expect an album like it was written by members of ANNIHILATOR, CRIMSON GLORY, DEATH, MERCYFUL FATE and RUSH. “We were always big fans both of the American and European scenes,” he notes. “So, we have experimented with keeping the balance between these two worlds. The songs are in the same complex and insane patterns that were before — fans can still expect high-tech metal lunacy. The pounding riffs and the spastic rhythms are all there. But, we have also embodied more of the feeling and melodies of the European scene. We have also searched within the core of our influences and added more of the ’70s prog rock elements and general vibe of that era.” Dimitris says SACRAL RAGE (who are rounded out by guitarist Marios, bassist Spyros and drummer Vagelis) have a unique chemistry, one that has blossomed since their 2011 formation. In turn, SACRAL RAGE decided to use the same writing process as previous albums to ensure the best possible result. “Marios and Spyros are responsible for the composition part,” he says. “Then, we all jam together until we feel comfortable with these new songs. Truth is that the four of us have been playing together for quite some time now, so we are able to understand what works and what doesn’t in terms of songwriting and arrangement. In the end, the goal is always to write good music. Off course we want to surpass ourselves and give something extra with any new release, but it’s not something that we have in our minds. I believe that our songwriting matures naturally. The only thing that we try is to not repeat ourselves.” Tracklist: Progenitor Eternal Solstice Vaguely Decoded Suspended Privilege Samsara (L.C.E.) Necropia Onward to Nucleus The Glass

meni to mozda omiljeni album od njih, jes da je skoro svako razlicit stilski ali ovaj mislim da najcesce pustam.

jebeno