azal

uff ja pustio pre neki dan i stvarno jebe mater idalje, stvarno savrsen. ali ne znam..Odyssey mi je nekako savrsen heavy metal album, a TDWOT mi najdrazi jer sam ga prvog cuo. jedan od retkih bendova koji je uspeo 4 albuma prejebenih da izbaci zaredom.

zakljucio sam u poslenjih mesec dana da je Time mnogo potcenjen

1. (00:04:02) Clipse - Intro 2. (00:03:01) Clipse - The Haters Wish 3. (00:03:19) Clipse - Big Dreams 4. (00:00:46) Clipse - Lauren London Interlude 5. (00:03:15) Clipse - So Fly (Now We've Had Her) 6. (00:04:04) Clipse - Addiction 7. (00:03:50) Clipse - Pop Champagne (feat. Ab-Liva) 8. (00:02:33) Clipse - Numb It Down 9. (00:03:48) Clipse - S.L.U. (feat. Ab-Liva) 10. (00:02:53) Clipse - Swing Ya Rag 11. (00:00:42) Clipse - Lil Willie Interlude 12. (00:03:59) Clipse - Feds Taking Pictures http://www.seriousfiles.com/link/77aa0f36 http://www.complex.com/ENTERTAINMENT/MUSIC/Clipse-Mixtape

dobio warn i sad pusta suze na svom eric the red themed jastuku.

muhammed je dosadan, naucio skale i plete, ne zvuci kao solaza nego kao vezba. a death, mislim da je Andy Laroque imao najbolje solaze, ITP i Symbolic. ja bas i ne volim onu slayer skolu solaza sto trey iz MA svira, dobro se uklapa u stil benda, ali me ne lozi. nadam se da je neko spomenuo Bill Steera. To je bio solo gitarista.

Cynic - outro solaza na How Could I?

haha koliko je to njabolji avatar bio. imao je momenta 6 degrees, ali nije stoodovao test of time mislim da neces moci neke dobre kritike za ToT da nadjes ...to je tek djubrad tezak. na 6degrees su bar dobre bendove kopirali kao peter gabriel i radiohead, na ToT su zvuceli kao debeli matori geekovi koji se loze na slipknot.

nista bez 8 track plejera u kolima na nekom jamezdin sranju.

naprotiv.

ja ocekujem guvno kao sve of 6 degrees pa nadalje.

do 2010 nece vise proizvoditi ploce

PLASTIC BAG IN THE SEA!!!!

koliko za kapuljacu bez duksa?

recenzija u New York Times-u. CYNIC “Traced in Air” (Season of Mist) Death metal scours the old values and meanings of song structure. Verse, chorus and bridge may remain, but if they do, they’re not signifying in the normal ways: home, away, the development and draining of tension. There’s lots of detail, lots of sections, but the music feels tense and dire all the way through. The drama, the moments of safety and release in a song’s cycles, don’t exist for it. The band Cynic came out of death metal; its guitarist Paul Masvidal and its drummer Sean Reinert spent some time during the 1990s in the Florida band Death. At this point, though, Cynic has only a slender connection to death metal. It retains the same kind of ambivalence toward traditional song structure. It also has the genre’s dated production values, with an underfed drum sound and glossy reverb overall. But on “Traced in Air” — Cynic’s second album in 15 years and a totally unlikely comeback — the welter of detail is about one quarter mathematically busy, earning its designation as “progressive” music, and three-quarters flamboyantly, outrageously beautiful. On the basis of “Traced in Air,” more so than its 1993 predecessor “Focus,” Cynic should be understood not so much alongside any metal bands but along with the radical harmonic progressives in the last 45 years of pop and jazz: composers like Milton Nascimento, the Beach Boys or Pat Metheny. Crazy with melodies — the serene vocals underscored occasionally by the growling death-metal vocals of Tymon Kruidenier, like a hidden trace of where the band came from — “Traced in Air” tends to present them sequentially, in sudden shifts, like Paul McCartney at his messiest and most inventive. There’s a track toward the end of this short but action-packed album called “King of Those Who Know.” It begins with fingerpicked electric guitar and the multitracked voice of the folksinger Amy Correia, all establishing a motif; then it gives way to distorted electric guitar and Mr. Masvidal’s voice, made choirboy-high through the digital process of a vocoder. There follow a few countermelodies, a crazy-fingers solo, a psychedelic bridge, a part with Mr. Masvidal’s unprocessed singing, a Metheny-like solo-guitar ending with a soft-spoken tone. We’re in a time when all music in flux. Still, this is a track that makes you wonder how songwriters can think so free of genre. BEN RATLIFF

uzasan mi on vokal, upropastio Tad Morose

ufff hvala ti brate za ovo, bas me zanimalo.

uruk, necu da ti odgovorim direktno ali cu da ti postavim par pitanja. 1. Da li su moji postovi na ovom forumu generalno mrtvi ozbiljni? 2. Da li mislis da bi mogli da prevarimo 65 miliona ljudi koji su kupili piromaniju? 3. Da li bi mislis da bi normalan covek koji ne svira u manowaru ili nekom italijanskom power metal bendu trece lige nazvao album "Metalmania?" 4. Da li si ti normalan? 5. Da li mislis da bi spremali album 2 godine i onda koristili omot koji sam ja napravio u fotoshopu (program koji sam juce cetvrti put u zivotu ukljucio) za 25 minuta? 6. Da li duvas lepak redovno? 7. Gde bubnjar iz Def Leppard-a kupuje majce?* *ovo je ustvari vic i odgovor je "u second hand shopu"

bolja piromanije bre, dosta bolja.

bila bi bolja majca da je ovo back na front i da nema nista na backu

izvini sto sam vas cimao, ne svidja mi se ovaj voyager

da