VoivodBG

FOM, ne to su ti helanke ili šarene farmerice što si stavila slike. Ovo je baš klasična farmerica tamna, pokušao sam da izguglam negde sliku ali ne vredi. Ako mi neka dozvoli da je uslikam dobijete sliku.

malo je pederski, ali je lijepo.

http://youtu.be/-NWNV_TlgHk

Ukratko, razočarenje večeri je bio sam zvuk i prostor. Uz sav trud tonaca da nešto izvuku, The Cyclist Conspiracy i Threesome, ma koliko dobro zvučali i bili uvežbani, često niste mogli da razaznate vokale ili je jednostavno dolazilo to toliko jakog zujanja sa ozvučenja i kvrc! Nešto sam razmišljao o The Cyclist Conspiracy, definitivno su više u oriental fazonu, ali mi je kanda to bilo ogoljeno i kao da je namenski izmenjen svaki aranžman da bude prihvatljiv uz surf bendove ostale večeri, a možda i grešim? Šteta što im se Katarina pridružila na jednoj ili beše dve pesme, vidi se da fali, a i ne bi bilo loše da se od preostalih devojaka koje pevaju bek vokale, jedna konačno iskorači napred i postane glavni vokal. (ne ove sa prvog epija, ali nadolazeće svakako.) Ipak se i dalje izdvajaju pesme sa prvog EP, ništa bez kafanki hitova! Threesome, ništa ja tu ne bih dirao, nisam ih ni dugo gledao, pa mi je sve bilo simpatično i energija i reverb i kada je sve otišlo dođavola i obrada. Grke pogledao pola prve pesme i zapalio. Ako su bili bolji na drugoj, onda im se izvinjavam.

Na dnevnoj bazi vidim barem 6 do 10 devojaka da nose te farmerice. Samo što i nije nešto za pohvaliti se, nekako mi to neugledno izgleda, a i nije više fora ako je postalo deo masovnog konzumiranja.

Abella Danger

nova traka biciklista, naravno sa probe.

imam predosećaj da će novi Stone Roses albuma da bude bulja, stoga imate ovu momčadiju sa dva albuma, nastavili gde su oni stali i lepo voze.

Kada ne gledaš gde treba. Facijalne ekspresije su joj komične.

Jedno pitanje šta se dešava sa devojkama i onim isflekanim farmericama? Primera radi deluje kao mlečni put ili sazvežđa.

sve na jednom mestu mađija!

https://elevatorgrips.bandcamp.com/album/elevator-grips

a tek kada vidiš ostatak: klik dios mio!

+ šta? nikada vam iz pošte nije stigao ispretumban paket? plojka, disk ili ne daj bože neki porcelan.

Martin Eric Ain, elaborating on the artwork design for Celtic Frost's first new studio album in 16 years, Monotheist, after Celtic Frost's label Prowling Death Records signed a licensing agreement with Century Media Records in Dortmund, Germany. Second from left: Leif Jensen, Celtic Frost's extremely proficient A&R partner at Century Media; now fulfilling the same position for Triptykon. In the back, next to Celtic Frost drummer Franco Sesa: Antje Lange, long-standing Celtic Frost and Triptykon manager. Photo taken on January 16, 2006, courtesy of Century Media Records. Ten years ago this month, Celtic Frost had just embarked on the band's most extensive (und ultimately final) tour in support of the Monotheist album. Monotheist, Celtic Frost's seventh studio album, had been released on May 29, 2006, after some five years of intense gestation. We had originally intended the album to be a highly experimental record without any regard for conventions and limitations (as evidenced, in part, by the preposterously dubiousPrototype industry demo of 2002). But Martin and I had resolved to grant ourselves as much time as it would take to produce a proper and authentic Celtic Frost album, and the group subsequently underwent a significant radicalization in the course of the years of songwriting, demo, and production work. The result was a completely different but entirely appropriate album, first showcased to co-producer Peter Tägtgren and our later licensing partners Century Media Records by means of the six-song Dark Matter Manifest demo in 2005. The Monotheist tour comprised 125 concerts on various continents, nearly all of them in the headline slot except for a handful as special guests to our extraordinary friends in Type O Negative. Many further concerts were considered for the tour, and we originally intended to record several further albums. Alas, such passionate creative and musical ambitions eventually succumbed to the invoking of the familiar demons of instability and individual deficiencies. The music conceived for these unrealized albums subsequently materialized in a closely similar form under the name of Triptykon. But the loss of Celtic Frost, and thus the truly inimitable songwriting partnership with Martin Eric Ain, is something I will bemoan to some extent for the remainder of my days. http://fischerisdead.blogspot.rs/2016/06/obscured.html