VoivodBG

http://youtu.be/TcmgvzHjtgQ http://pogavranjenband.bandcamp.com/album/raspored-u-asa

http://hollyhunt.bandcamp.com/

Balkanrock permutovao u najavi. Kada ce krenuti karte u pretprodaju?

Wending its way through the development process now in Estonia is an intriguing, fantastically charged fusion of both live action and stop motion animation in a stew of traditional pagan and Christian folklore produced by Katrin Kissa at Homeless Bob Productions. Titled Rehepapp (orJesus' Blood and Red Currants for the international market), Kissa describes the film like this: The story is set in a pagan Estonian village where werewolves, the plague, and spirits roam. The villagers' main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo. People steal from each other, from their German manor lords, and from spirits, the devil, and Christ. To guard their souls, they'll give them away to thieving creatures made of wood and metal called kratts, who help their masters by stealing more. They steal even if their barns are already overflowing. Stealing is an obsession that makes the villagers more and more like the soulless creatures they command, the kratts. The main character of the film is a young farm girl named Liina who is hopelessly and forlornly in love with a village boy named Hans. Her longing makes the girl become a werewolf and jump into an ice-cold pond. She's ready to die in the name of love. The pragmatic farmers are faced with a question: is the life that they've won through so much toil worth anything, if it lacks a soul? Though not yet in production on the main feature the producers have already shot test reels of the kratt creatures in action along with assembling some incredibly evocative imagery. Take a look in the gallery below.

Izasao im novi album danas! Ima li neko da udeli?

Massive Attack vs Burial – Four Walls / Paradise Circus [single] (2013) 01. Four Walls 02. Paradise Circus http://ul.to/baduuymi

Nikada nisam imao zivaca da do kraja ispratim epizodu Family Guy-a, a American Dad! sam krenuo da gledam na osnovu preporuke. Da osim nepovezanih stoseva i referenci na pop kulturu postoji prica i razvoj likova, i za sada se dobro zabavljam. Neke epizode pogledam na preskok, a neke mi bas drze paznju. Za sada su mi najsimpaticniji Roger (vanzemaljac) i ribica sa one liner-ima.

Gledao ih kao predgrupu Block Out-u na istom koncertu, Vranjkovic im radio ton, ako se ne varam, pojela ih distorzija i mikrofonija, nista nisi mogao da razaznas. Crni gnoj mi je bila dojmljiva pesma, jer je na maternjem i ovaj pevac ima takozvani jareci vokal (Jello Biafra odmah pada na pamet kao inspiracija) ostatak radova je na vise jezika, po meni je to bas kontraproduktivno za bend, nece sigurno neki Spanac, Francuz da te slusa dok se ti pomno trudis da im skrnavis jezik. Slusaju ih bendovi koji se druze sa njima po Jelen Pivo turnejama iz prostog razloga, jer su povezani sa Jelen Pivarom, kao i Hypnotized. On topic: Zaplesimo Gresnici u samom vrhu domacih albuma ove godine. (u svim zanrovima, a i nije kao da imamo izdanje svakog meseca, pa da pravimo kakve liste...)

Hvala na objasnjenju. Zacudilo me bas, jer sam gledao dosta zivih youtube snimaka i nazad u danu, imala je pregrst pedala. Zbog toga sam i bio zbunjen. I definitivno tvrdim, najbolja setlista koju sam uspeo da uzmem na nekom koncertu, jebeni karton iz Grcke.

Uskoro na vinilu!

Imali su probleme sa carinom (atakarnet) i nisu mogli da nadju put do Beograda, GPS i internet nemaju osvezene mape Srbije, ocigledno. Dugi niz godina sam cekao da ih vidim, prvi deo seta, circa 20 minuta me bacio u najvecu mogucu euforiju koju nisam osetio jos od... nekog metal koncerta koji je valjao, davno, davno. Edgar (bubnjar, ma sta bubnjar Zverko iz Muppet-a, bogte spalio!) svira kao da mu je zivot pri isticaju, i udara svom silinom na skrsenim cinelama i ceo set bubnjeva je izgledao kao da ce se raspasti i izgoreti u plamenu na bini. I usput iskusno ispija svako Zajecarsko pivo koje su mu ostavili. Amber (pevacica, gitaristkinja) ne koristi nikakve pedal efekte za gitaru, to mi je doslo bas kao iznenadjenje. Spoznao sam jos jednu cinjenicu posle sinocnjeg nastupa, Jucifer na plocama i uzivo su dve razlicite stvari, Amber je ponajmanje pevala, vise je silovala njenu gitaru, ispustala je tu i tamo kakav primalni krik, dok je Edgar vecinu pesama otpevao sa nesnosnim skricavim vokalom. Saznah iz razgovora sa njom da se konstantno smenjuju, jer kako sama priznaje ne bi ona mogla da peva mesec dana zaredom tako, i kako joj vise joj prija da svira gitaru. Pesme su mi bile neprepoznatljive, osim par bazicnih rifova koje sam ukacio sa poslednjih nekoliko izdanja, sve je vise zvucalo na najfuzz izdrkavanje zida buke (izjedi se A Place To Bury Strangers, povodom onog komentara da su najbucniji bend, ha!) i da nisam nosio cepove, najverovatnije bih sada vikao na sve i nosio tubicu da bih ista cuo. Da ispostujem buku izvadio sam ih na kraju koncerta, kada sam i osetio taj nenormalni nalet, samo osetite kako vam nesto probada celo i bol u usima u glavi. Neprijatno iskustvo par excellance. Apropo kasnjenja, bend je dosao u 21 ispred festa, a trebali su u 18 da budu tamo da bi imali probu. Oni nesrecni Litvanci su upali na mesto predgrupe jer ih je neki Bosanac izjebao za datume i ostavio ih na cedilu, pa je Nino odlucio da spase stvar i da im pomogne. Tidal Yield sam preskocio jer ono sto sam cuo i video na youtube, da izvinete dosadno i neinventivno. Da li sam u sustini zadovoljan koncertom? Donekle, voleo bih da je bend zadrzao i neke stare stvari koje svrsishodno nisu bili metal i teske, ali opet primamljive i slusljivije. Interesantno je da oni nemaju prava na ta prva izdanja, i ne mogu da ih reizdaju, a izdavacke kuce su propale. Da bi ih ponovo izdali, morali bi da ih snime u novim aranzmanima. A smatrao sam da samo kod nas u Srbadiji ljudi imaju probleme sa izdavackim kucama. Ninu hvala na organizaciji i prevozu.

Jedan od vizuelno najneprivlacnijih (blago receno) spotova. Clanovi benda kao da su izasli iz Texas Chainsaw Massacre originala. Na stranu izgleda clanova i spota, album je s-j-a-j-a-n! Post-punk pomracenje i psihodelija, plus malo garaze da sve legne na svoje mesto. Poslusajte ga na sledecoj stranici: http://fatwhitefamily.bandcamp.com/album/champagne-holocaust

We have some bad news / good news news: We are saddened but excited at the same time. Life in a nutshell. Read Below from Arif. Dear friends, Riff here. It's with a heavy heart that I'm writing to say I won't be joining PTH on the upcoming North American tour. As you can readily imagine, this is the most challenging decision I've ever made as a part of this wonderful band and I have not done so lightly. Over the past several years, I've been working closely with some very talented performers in creating a stage adaptation of a Dostoevsky story entitled The Double. We debuted February 2012 to enthusiastic audiences which, through good fortune and hard work, has led to a new staging of the show at a different theatre as part of their official season. These dates were originally tailored to work around the PTH schedule but (as all of you musicians undoubtedly know) creating an album is a series of missed deadlines and inevitably takes longer than expected. The results left us with two options: wait two months with a finished album for my play to be over, or release the music we're so proud of and bring the show to you as soon as possible. The band, as they say, played on. Filling in on bass is our longtime friend, producer, creative collaborator, and stand-up gentleman Cameron McLellan. He is a tremendous musician of immense consequence and will likely leave audiences saying "Riffy who?" If you don't believe me, listen to Without Prejudice on our new album and enjoy his sparkling cameo: an amazing riff he both wrote and performed. I have always taken distinct pride that the PTH audience is open-minded toward art & the creative process. I can only hope you'll be as understanding as my brothers in the band who have shown incredible support and patience in the face of hideous miscalculations of tragic timing. Those interested in details of my stage production can follow the links provided. I encourage anyone with questions or comments to reach out to me directly, but please understand I am fielding lots of messages so I may be awhile in response. I'm sorry to the old friends I'll miss on this tour, and the new friends I would have made. I'll see you all in 2014. Remember to tip your merch guy. Arif http://tarragontheatre.com/season/1314/the-double/