VoivodBG

Nine Inch Nails Lights in the sky over Southamerica Movistar Arena Santiago, Chile 2008.10.0 Setlist 01.999,999 02.1,000,000 03.Letting You 04.Discipline 05.March of the Pigs 06.Piggy 07.The Frail 08.The Wretched 09.Head Down 10.Closer 11.Gave Up 12.Corona Radiata 13.The Warning 14.Vessel 15.Pinion 16.Wish 17.Terrible Lie 18.Survivalism 19.The Big Come Down 20.31 Ghosts IV 21.Only ** 22.The Hand That Feeds 23.Head Like a Hole 24.Encore break 25.Echoplex 26.Reptile 27.God Given 28.Hurt 29.In This Twilight 30.Zero sum Password: potq.cl http://rapidshare.com/files/151203184/NIN_-_Movistar_Arena__Santiago_2008.part1.rar http://rapidshare.com/files/151066481/NIN_-_Movistar_Arena__Santiago_2008.part2.rar

Amebix-No_Sanctuary_The_Spiderleg_Recordings-Reissue-2008-hXc Genre ..........: Punk Release Date ...: 2008-04-21 Store Date .....: 2008-00-00 Catnum .........: Virus382 Label ..........: Alternative Tentacles Source .........: CD Playtime .......: 0h 50min total Encoder ........: LAME 3.97 (-V2 --vbr-new) Bitrate ........: 194 kbps avg Size ...........: 70.23 MB Tracklist 1. Battery Humans 4:07 2. Control 4:01 3. Progress? 3:37 4. Sanctuary 4:14 5. The Church Is For Sinners 3:15 6. Sunshine Ward (Glad To Be Bad) 5:49 7. Moscow Madness (No Gods Part 2) 1:51 8. Winter 5:32 9. Beginning of the End 3:34 10. Carnage 4:59 11. Curfew 2:40 12. Belief 2:53 13. No Gods No Masters 3:48 50:20 Release Notes No Sanctuary: The Spiderleg Recordings gathers the sought-after cult releases No Sanctuary, Whos The Enemy, and Winter. Some of these tunes--such as Winter and No Gods, No Masters--are undisputed classics in the punk world. Carefully remastered by Jello Biafra and George Horn, these long-worshipped and revered recordings are finally available again from Alternative Tentacles on both CD (in digipak with booklet) and LP with bonus 7-inch. http://rapidshare.com/files/109440383/ua.rar

1. Rock N' Roll Train 2. Skies On Fire 3. Big Jack 4. Anything Goes 5. War Machine 6. Smash N' Grab 7. Spoilin' For A Fight 8. Wheels 9. Decibel 10. Stormy May Day 11. She Likes Rock N' Roll 12. Money Made 13. Rock N' Roll Dream 14. Rocking All The Way 15. Black Ice http://rapidshare.com/files/151660719/acdc08bi.zip

For a small bunch of fans, Trey Spruance needs no introduction. He is the insanely talented guitarist of Secret Chiefs 3 and Mr. Bungle, and other bizarre bands such as Faxed Head, Three Doctors and... yes, he played in a Faith No More album. After seeking him for two years, on september 08 we both were able to do an email interview. In this first part, Spruance is going to talk about his chilhood in Eureka, the first show of Mr. Bungle, his obscure death metal background with the band Scourge, his underground projects in the beginning of the nineties and his friendship with Gregg Turkington and John Zorn. My questions are in bold; his answers are in thin. Rivers: How did music positively influenced your childhood in California? Are the American homes so full of music as they seem to be? Does any relative of you played any musical instrument? hahahahahaaaaa! ahem... sorry. I grew up in a very rural place in the middle of nowhere, a very "backward" place (Eureka). My dad played a little bit of trombone in his youth, but never really played it while I was growing up. But the great thing about my dad is that he seems to be one of the last people in America with a really strong 'classical' education, and a great literacy (at least appreciation) of classical music of all kinds. So while I was being forcibly culturally indoctrinated with AC/DC and bullshit like Foreigner, at home my dad was playing Stravinsky and Poulenc records. My solution for awhile was to listen to Devo (whom I still love) with the three friends I'd made among the pool of rednecks. After awhile I couldn't take it, and was very thankful when Slayer came along and rescued me from any temptation to further depression in the bleak nothingness of 'rock & roll'. Around that time (1984/85), after being exposed to Rite of Spring and Concerto for Organ, Strings and Timpani, plus Bartok and Shostakovich by my dad, I guess you could say I "changed sides" on the whole "parents vs. your friends music" wars, and joined my dad's team. I stopped caring at all what was considered "good" music among any of my contemporaries, unless they were into extreme death metal, or were deeply immersed in classical music... I was lucky to have some really REALLY good music teachers during this time. Finally I moved to San Francisco in 1990 & was able to explore the more conducive musical environment that people think of when they think of California. Rivers: I also grew up in a small town. I remember me and my friends were always bored, so we played in lots of hardcore punk bands. Do you believe is there any relationship between music and boredom, or between boredom and delinquency, or even between boredom and extreme genres of music as death metal or hardcore punk? Why was Bungle connected to jumping freight trains? You've hit the nail-on-the-head, for sure! Yeah, I guess freight train jumping was almost like some rite, or monastic tonsure for our tiny clan. We were so alienated... but we weren't going to sit around and drink and numb ourselves or whatever. We were going to EXPLODE. When the train horn rang out, we would often drop whatever it was we were doing and race down to the tracks to try and get on... sometimes it'd be racing through town and we'd chase it and jump on at the last second. Other times we'd wait for hours and hours for it... the train sort of set the tone for us; though it had an irregular schedule, it was sort of like our own unpredictable call toprayer: we had to obey it. For no reason, mind you... we just knew we had to jump the train and riding ANYWHERE & then try to find a way to get back home. That was our 'rite'. And we were faithful to it. Now that I think about it, doing this as a tiny insular group of musical "extremists" was after all similar to what we were doing as a band. I don't know which was the more prominent part of our "ethos" at that point: music or the train. Honestly, probably the train. You make a good point. Rivers: What can you tell us about the formation of your first band, Scourge. Was there a particular reason why you decided to resurrect this band during 1990? There were other metal bands in the area of Eureka in that time? Have you have any other new from the drummer Jed Watts since then? Did you know he is now in a death metal band called Machete? Yeah, I heard about that!!!! Scourge was one of maybe two death metal bands --- but we weren't a death metal band. Listening to those demos, they are more like a premonition of Neurosis or something, but way sicker. I was extremely dark during that time. It was kind of a mix between a Nietzche-inspired bloodlust, environmental terrorist ethos, and a very extreme brand of misanthropy that black metal is only just now getting around to tapping in to. It was villainy, there was no 'moral' content. An embodiment of the "boogey-man" in the area I was living. I was only too happy to become their "devil"... it was sick, and I was, frankly, completely out of my mind. Luckily I had some good friends to collaborate on that with, so I can blame some of the problems on them.... Rivers: What do you remember from the first Mr. Bungle show at Eureka's High School Talent Show in 1985? Besides the jokey covers of Run-D.M.C., Village Brothers, Monkees, and Motley Crue, you played some instrumental stuff that Mark Prindle described as "Metal Polkas". What can you tell us about these old songs? Those are Camper Van Beethoven covers from their first album "Telephone Free Landslide Victory". We learned them the day before that gig. We MAY have played one original. "Evil Satan" perhaps. Or "Hypocrites". But no Death Metal. Rivers: I have noticed a big evolution from the second Mr. Bungle demo ("Bowel Of Chiley") to the third one ("God Dammit, I Love America!"). Even in Patton' vocals... When the third demo was recorded, was Patton in Faith No More? Do you think his work with the band of Gould, Bordin, Bottum and MArtin affected to his vocal abilities, making him sounding much better in "OU818" 1989 demo? He joined FNM well after the recoding of "Goddamnit I love America". In fact, I think we recorded OU818 right around the time he was working on the FNM album. He definitely hadn't toured with them yet. I think Patton's voice just matured along the way. If you ask me, he became a great vocalist much AFTER the Mr. B self-titled and "Goddamnit I love America". --- a growth initiated by getting used to being around a lot of great musicians (from improvising in Zorn's Cobra etc), and listening to a lot more good music than we ever could do in Eureka. This is a maturity he brought not just as a vocalist but also as a more confident and well-rounded musician to the recordings of Angel Dust, as well as Disco Volante. Of course, as far as Mr. Bungle goes, we had all grown along similar lines, and after getting away with so much chaos on tour in 1992, with a new well-grounded musical confidence going in MANY directions, all this did was make the band even more musically adventurous (forcing us to also take the mantle of studio production to service our ridiculously elaborate vision). Rivers: So, how do you decide to move to San Francisco? Could you tell us how you met Gregg Turkington and start to work with him? From 1990 to 1995 (more or less), your main focus seemed to be Bungle, but you worked on a bunch of projects and underground bands like Faxed Head, Pop-O-Pies, Crafty Ladies, Mol Triffid (as a producer), The Three Doctors Band, Los Parasitos... How would you evaluate this period of time and work? I met Gregg I guess in 1990? I think the first time I met him he came over to Mike's and my house in SF... I didn't really talk to him much. But my girlfriend at the time (who is too smart for her own good) was really good friends with him and insisted on bringing me together with some of her friends in Caroliner Rainbow and Gregg & see what would happen. A few "Great Phone Calls" were made, and then our discovery of the band Faxed Head from Coalinga, California led us to patronize their efforts at overcoming disability to make some good, old time death metal with cracked electronics. This was still 1990 or 91. Later I met Neil Hamburger through Gregg, and set up microphones for him & recorded him in some faraway and unlikely nightclubs. Yes, playing with Joe Pop-o-Pie was another indoctrination into fearlessness, preparing me for the later irruption of the 3 Doctors Band. During all this time I was was furiously learning everything I could about hi-fi / lo-fi audio gear and techniques --- so I was able to collaborate with a lot of really brilliant conceptualists and extremists of a sort in San Francisco in the early '90s --- I guess sort of the last gasp for the extreme "post post punk" post-Flipper underground there. The place was just filled with mysterious talent, and was just very alive. I learned so much; trying to keep up with it all and translate things on a 'technical' level without killing the spirit led to what became a renaissance period for my development as a low-grade, high-concept "recording engineer". Absolutely. But more importantly, I was introduced to and was lucky enough to forge some good friendships with people I greatly admire. Rivers: Can you explain us about that rare Mr. Bungle 7" called "Mi Stoke Il Cigaretto". Where does it come from? It comes from that era. Rivers: In the early nineties you worked with Zorn in Cobra and Xu Feng, the "Elegy" album and even in the infamous Weird Little Boy. Was there a particular reason why you have limited your collaborations with John Zorn after that? How was working with him again for the "Xaphan: Book of Angels Volume 9" album? It was marvellous. Zorn is one of my favorite people on earth. A truly generous heart, and his very rare spark of insight, inspiration, and social magnetism accords well with his brilliant economy of dizzying compositional depth. One of the world's great problem solvers, I can tell you. But yeah, for a long time there I had an itch that needed scratching: I have my own idea about how the process of music should go --- what kind of care should go into it. I just needed time to develop that away from any influence, not just Zorn's. Thus my various "disappearances". And I'm glad I did. Zorn's method is very different than mine, and I can say frankly his is really a lot smarter than my own approach, which is comparatively stupidly cumbersome and laborious. But I needed to develop that method nonetheless. Since Zorn is so broad-minded and accommodating, it turns out to be very complimentary situation when we do manage to have some interaction. I consider myself very fortunate to have a friendship with one of the very few visionary beacons living today. Interview by David Von Rivers. End of part one. In part two, Spruance will talk about the recording of "Disco Volante", reveal some obscurities about the song "Merry Go Bye Bye", announce a Faxed Head release, share some reflections about faith No More and talk about the eventual writting of an article about the recording of the album "California".

Bas mi se dojmila serija, konacno da se David Duchovny proslavi u nekoj drugoj seriji sem X-Files-a Likovi su veoma zanimljivi, mozda su njihovo ponasanje i stavove malo preuvelicali da bi serija bila sto zanimljivija. Zanimljivo mi je to sto je Hank zaljubljen u svoju zenu Karen (iako nije riba, a to mi je realnije, nego sto se za njega lepe, neke tamo savrsene ribe, i sto ih teslaci skoro svaki dan) i da je brizan otac, cak iako ima mali milion svojih problema. Charlie je ubedljivo najzabavniji, peripetije sa sekretaricom i ono svrsavanje u kancelariji su presmesni. (a tek ono sa squirter-kom ) Nije mi se isprva dopalo sto ce raditi drugu sezonu, jer sam mislio da su ispricali sve sto su mogli u prvoj sezoni, i drago mi je da i dalje imaju ideja za seriju, tako da se sada samo cekaju nove epizode.

Poslednje dve epizode 4 sezone su najpotresnije... Zaista odlican svrsetak, i konacno raspadanje "prijateljstva" House i Willson-a... Prva epizoda 5 sezone obecava jos zanimljiviji razvoj likova, i njihovih razmirica, sve vise na neku veliku disfunkcionalnu porodicu, heh....

TRACKLIST: 01- The End 02- Evenmore 03- Serenade Of Aggression 04- Carrie's Alone 05- Drowning In Your Blood 06- Darkened Glow 07- Home 08- Raise Hell 09- Dead Calling 10- Won't Get Back 11- The Last Remaining Song http://rapidshare.com/files/151541799/2008_Parasites_And_Worms.rar Tracklist 1. 68 2. Mad Man 3. Haunting 4. Resolve 5. An Adult Tree 6. Babylon 7. Invoke Reform 8. Sons Of The Fallen Nation 9. Labyrinth 10. Porcelain 11. Autumn http://rapidshare.com/files/151489302/Drea_mediaportal.ru.rar

Dear friends, when things went from bad to worse and we realized that it wasn't going to work out with Christian, we were faced with two options; either calling it quits, or seizing the opportunity to take the next logical step in the evolution of our sound. We chose the latter. We've used both growls and clean vocals in our music since day one, and with each album we've pushed the envelope of what you can do vocally in a metal band to the point where a lot of the songs on "Holographic Universe" would be hard if not impossible to sing live. So the question is: Is it really possible to push the vocals even further and manage to perform everything live? The answer is YES! Instead of hiring a new singer, we decided - some of you might already have figured it out by now - to recruit TWO singers! The idea of having two vocalists in the band is something that's been in the back of our minds for a long time, and after auditioning and rehearsing with two of Sweden's best vocalists we're thrilled, excited, stoked-beyond-belief!!! So let us introduce you to... ROBERTH KARLSSON - lead growl vocals and backing clean vocals Roberth was our first choice for the growling position. Jonas once called him "Sweden's finest growler", which is no overstatement. Roberth has been involved in many band throughout the years, among others Edge of Sanity and Facebreaker. LARS PALMQVIST - lead clean vocals and backing growl vocals Roberth introduced us to his long-time friend Lars, who blew us away with his powerful-yet-beautiful voice. You can imagine our excitement when we learned that he's a fantastic growler as well! Despite his amazing talents he's virtually unknown to the metal public, which just might change as of today! We are very fortunate to have found these guys. They bring to the band not only their incredible skills but also a positive vibe we haven't had for some time. We've posted a videoclip from when we auditioned Roberth and Lars, as a little teaser... Yes it might come across as we were drunk the entire time, which probably is very close to the truth. Enjoy! http://www. youtube. com/watch?v=MbkDV6pc0Vs# After we disclosed the news about Christian leaving Scar Symmetry, we received a lot of applications for the vocalist-spot, both from unknown and well-known singers, from all around the world. Though we had already decided upon Roberth and Lars, it was really cool to listen to all of you! We didn't have time to reply to everyone, so here's a big THANK YOU to all of you who made the effort to send us your stuff! Stay tuned for more news and updates!!!

http://rapidshare.com/files/137885150/king_crimson___tool_-_live_in_san_diego_2000_by_Toola.part1.rar http://rapidshare.com/files/137887729/king_crimson___tool_-_live_in_san_diego_2000_by_Toola.part2.rar http://rapidshare.com/files/137890152/king_crimson___tool_-_live_in_san_diego_2000_by_Toola.part3.rar http://rapidshare.com/files/137892606/king_crimson___tool_-_live_in_san_diego_2000_by_Toola.part4.rar

Volim te!

Apologija Laibach Tomaž Hostnik (1961-1982)

Zeitgeist 2 Addendum Web Rip

Mike Patton & Serj Tankian - Bird's eye

E-Play - E-Play 36 Daggers - Kalpa Minutes

Dragon Ball (film)

@Nestvarna, Ahsoka Tano, ona je Anakinov padavan, koji su mu dodelili Yoda i Obi Wan Kenobi, klinka u doslovnom smislu te reci, koju Anakin u pocetku ne moze da podnese, ali posto vidi malo sebe u njenim akcijama, zgotivi je pa ipak pristaje da je trenira. Mozda bi mi i bila zanimljiva kao lik da od nje nisu napravili samo malu devojcuru koja R2D2 zove Artooey, Anakina Skyguy itd. Topla preporuka svim hardcore fanovima SW je da preskoce ovaj film, nije vredan para, a i Lukasu sigurno vise ne treba...

Bio sam veceras na premijeri Clone Wars-a... Animacija mi se uopste ne svidja, previse su kockasti, a da ne govorim koliko im je losa animacija kada su odeca i kosa u pitanju... Borbe ima, ali nisu uopste zanimljive, prica pa ima tu nesto smuckano, na brzaka, likovi su ravni kao ispolirane table, a da ne pricam infantilnom humoru (ma kakav crni infantilan humor, ono se ni deci ne bi dopalo) I sto je najgore ovaj film je uvertira u novi Clone Wars serijal, koji ce biti radjen u 3d, onaj prethodni sto je bio radjen u 2d je barem bio zanimljiv i imao je taj SW smek... Veoma slab odziv publike za premijeru, mozda je bilo samo 60 ljudi u SC.

Meshuggah - Destroy Erase Improve [Remastered] (2008) Genre: Math Metal | Technical Thrash Info: [Mp3//VBR//44100Hz Stereo] Length: 76.14 min Size: 120 Mb Country: Sweden (Umeå) TrackList: 1 - Future Breed Machine 05:49 2 - Beneath 05:38 3 - Soul Burn 05:18 4 - Transfixion 03:34 5 - Vanished 05:05 6 - Acrid Placidity 03:16 7 - Inside What's Within Behind 04:31 8 - Terminal Illusions 03:47 9 - Suffer In Truth 04:20 10 - Sublevels 05:14 11 - Vanished (Demo) 05:34 12 - Suffer In Truth (Demo) 04:27 13 - Inside What's Within Behind (Demo) 04:11 14 - Gods Of Rapture (Live) 04:54 15 - Aztec Two-Step 10:44 ORIGINAL RECORDING REMASTERED. 5 bonus tracks. tracks 11-13 are bonus demos tracks and track 14 is bonus live track, all different from self caged ep. track 15 is also bonus track. http://rapidshare.com/files/149882664/me_rem_08_by_KamaZoh_mediaportal.ru.part1.rar http://rapidshare.com/files/149882157/me_rem_08_by_KamaZoh_mediaportal.ru.part2.rar

^ To mu dodje nekih 60-70 linkova? Pre bih ga kupio na originalu nego se mucio da ga skinem sa neta.

Samo napred izbaci to iz sistema, ne daj da se talozi!

Popboks The Slip recenzija pominje se cak i Charles Manson. nudge.

@S. Pony & Machka, procitajte strip, bolji je nego ova dva buckurisa od filma, da su sredili recept kojim su Sin City i 300 bili napraljeni, bili bi super, a ovo je cista limunada jednog polu ludog meksikanca...

Isprati se napolje. Spajdermen je jos gori po tom pitanju, jer i sa maskom (u filmu) zvuci kao Piter Parker... Betmen barem ne zvuci kao Brus Vejn... (iako je glas iritantan) Decembar, tako daleko a opet blizu, dvd se mora posedovati.

Mi'sim ok, vec 3 put dolaze, bolje da su doveli neki drugi hc bend (Terror, Most Precious Blood), njah...

Jel moze neko da stavi neke linkove ka albumima minus the bear-a?