http://www.youtube.com/watch?v=zhW1oM497Ns

kakav raritet samo sto je zvuk jako los

I posle 1000000 preslusavanja, jos uvek je se ne mogu naslusati:

 

http://www.youtube.com/watch?v=ZAZjQd36MAU

 

 

Shto se mene tiche, genijalna pesma, posebno pochetak. Ali, uslov je da Bruce peva.

Da li ima nekolinkove za onaj PRO AUDIO shot iz 2009te BG?

 

Probaj ovaj link:

http://www.megaupload.com/?d=WU7GGJG3

 

*Artist: Iron Maiden

*Album: Welcome To Hell, Live In Belgrade Arena - 10.02.2009 [bootleg]

 

*Year: 2009

*Genre: Traditional Heavy Metal

*Country: United Kingdom

*Format: mp3@CBR256kbps

*Size: 187MB

 

Tracklist:

Tracklist:

Cd1

01-Intro/Aces High

02-2 Minutes To Midnight

03-Wrathchild

04-Children Of The Damned

05-Phantom Of The Opera

06-The Trooper

07-Wasted Years

08-Rime Of The Ancient Mariner

09-Powerslave

 

Cd2

01-Run To The Hills

02-Fear Of The Dark

03-Hallowed Be Thy Name

04-Iron Maiden

05-The Number Of The Beast

06-The Evil That Men Do

07-Sanctuary

******************************

Total playing time: 1:42:20

 

S obzirom na ovaj opis i tezinu od 187 MB, to bi trebalo da bude onaj vrlo dobar audio bootleg snimak iz Arene.

Auuuu, hvala!

Nema na cem', bilo je tih linkova na onoj gigantskoj temi o koncertu Iron Maiden u Areni, ali je ta legendarna tema jednom preko noci iscezla iz arhive ovog foruma. :D

Ne mogu da prežalim činjenicu da te teme više nema, ne znam zašto je uopšte brisana. Bukvalno sam bio emotivno vezan za tu temu, sećam se da sam ispisao mnogo dobar izveštaj sa koncerta.

Glas moze da se unisti pevanje, tj ne pazenjem, koriscenjem lose tehnike, preopterecivanjem. Powerslave turneja je traja skoro godina dana i njegov glas posle nje nikad vise nije bio isti...

 

 

Dobro, za Khana razumem, ali sto Tobi? Lik ima skroz slican stil pevanja kao Bruce... Pazi, Dickinson je mnogo blizi skolovanom nego sirovom vokalu...jeste on ubacivao te hrapave tonove, ali je glavnina njegovog pevanja (posebno od povratka u Maiden) na operski cistim i jakim tonovima...

Tobi se, za razliku od njega, udaljio od tog stila poslednjih par godina i peva vise sirovo i hrapavo, bez mnogo visokih nota...

 

Naravno, boja glasa je stvar ukusa, ali ja samo kazem da je po tome koliko uspesno izvodi pesme uzivo, Bruce bolji sada nego pre 25 godina.

 

Ja sam se mozda malo lose izrazio,Tobi mi ima mnogo meksi glas od Bruce-a pa sam eto zato njega iskoristio za svoje poredjenje,Bruce je bas ono sto se kaze SAMOUK ,nego oko nekih stvari se slazemo oko nekih ne,ali dobro to je normalno,vazno je da smo se slozili ja mislim oko jedne stvari,Bruce je najjaci vokal ikad !

A brand new album from Iron Maiden is a major event and we always expect the best from this legendary band. But nothing has prepared us to the incredible sonic assault starting this fifteenth album. An onslaught of brutally heavy and atonal riffs, tribal percussions layers and an atmospheric touch à la Somewhere in Time (1986) are heard in the Overture of this ambitious album, which is epic in every way. As opposed to every album since Seventh Son of a Seventh son (1988), the first track is not a single but an eight and a half minute number. Satelite 15.... The Final Frontier, starting with a direct approach from Adrian Smith, really close from a UFO: a very vibrant title destined to become one of your best track live. The tracklist setup is very crucial. The catchy El Dorado, the hymn Mother of Mercy and the supreme Coming Home, temper the listener with their powerful riffs and their great melodies but it is clear from the beginning that The Final Frontier becomes as adventurous as its title suggests. Based on keyboards, Starblind mixes arythmic (staggering?) and mastered percussions by Nicko Mcbrain and a great vocal performance by Bruce Dickinson. The Talisman, co-written by Janick Gers, delivers a theatrical atmosphere very appreciated by the fans and in which the band always succeeds. Isle of Avalon meets the Welsh (Celtic?) mythology while the band creates an incredible tension leading to an excellent section from bassist Steve Harris, to one of his most expressive solo we have heard on an Iron Maiden album for a very long time. As strong as the album is, the best is kept for the end with an eleven minutes take entitled Where the Wild Wind Blows. Harris, admitting his style can be predictable, has chosen not to include slow crescendos and galloping explosions; he simplifies his approach, keeping a steady ambiance throughout the entire track. The result: one of the most brilliant composition, with its Celtic melody, the retained speaking of Bruce Dickinson, and the tragic character from Steve Harris that will make the listener travel in the higher spheres.

We are pleased when our favortite bands release good albums after a long carreer, but the way Iron Maiden is reinventing itself is extraordinary. The last four albums were their greatest creative period since their glorious days from the 80’s and The Final Frontier is another peak in their carreer.

Ja sam se mozda malo lose izrazio,Tobi mi ima mnogo meksi glas od Bruce-a pa sam eto zato njega iskoristio za svoje poredjenje,Bruce je bas ono sto se kaze SAMOUK ,nego oko nekih stvari se slazemo oko nekih ne,ali dobro to je normalno,vazno je da smo se slozili ja mislim oko jedne stvari,Bruce je najjaci vokal ikad !

What passing bells for these who die as cattle?

 

Da, Tobi ima meksi glas glas, to se u baladama najbolje vidi... Dao sam ti plus, ali ne slazem se da je najjaci vokal ikada, tj jeste najjaci, ali deli to mesto sa jos 5-6 drugih jer ja stvarno ne mogu da odlucim izmedju njih!

Freddie Mercury, Steve Perry, David Coverdale, Jon Bon Jovi, Bruce Dickinson, Michael Kiske, Tobias Sammet - to su ti oni koji su meni najjaci...

 

P. S. Sudeci po ovom izvestaju, bice super album!

Bon Jovi među najjačim vokalima? Hajde, molim te.

A brand new album from Iron Maiden is a major event and we always expect the best from this legendary band. But nothing has prepared us to the incredible sonic assault starting this fifteenth album. An onslaught of brutally heavy and atonal riffs, tribal percussions layers and an atmospheric touch à la Somewhere in Time (1986) are heard in the Overture of this ambitious album, which is epic in every way. As opposed to every album since Seventh Son of a Seventh son (1988), the first track is not a single but an eight and a half minute number. Satelite 15.... The Final Frontier, starting with a direct approach from Adrian Smith, really close from a UFO: a very vibrant title destined to become one of your best track live. The tracklist setup is very crucial. The catchy El Dorado, the hymn Mother of Mercy and the supreme Coming Home, temper the listener with their powerful riffs and their great melodies but it is clear from the beginning that The Final Frontier becomes as adventurous as its title suggests. Based on keyboards, Starblind mixes arythmic (staggering?) and mastered percussions by Nicko Mcbrain and a great vocal performance by Bruce Dickinson. The Talisman, co-written by Janick Gers, delivers a theatrical atmosphere very appreciated by the fans and in which the band always succeeds. Isle of Avalon meets the Welsh (Celtic?) mythology while the band creates an incredible tension leading to an excellent section from bassist Steve Harris, to one of his most expressive solo we have heard on an Iron Maiden album for a very long time. As strong as the album is, the best is kept for the end with an eleven minutes take entitled Where the Wild Wind Blows. Harris, admitting his style can be predictable, has chosen not to include slow crescendos and galloping explosions; he simplifies his approach, keeping a steady ambiance throughout the entire track. The result: one of the most brilliant composition, with its Celtic melody, the retained speaking of Bruce Dickinson, and the tragic character from Steve Harris that will make the listener travel in the higher spheres.

We are pleased when our favortite bands release good albums after a long carreer, but the way Iron Maiden is reinventing itself is extraordinary. The last four albums were their greatest creative period since their glorious days from the 80’s and The Final Frontier is another peak in their carreer.

 

Odakle je ovo?

Nahvali ovaj npvi album. Nadam se da to nije sam pro forme kao kad svakom bendu izadje novi album.

As opposed to every album since Seventh Son of a Seventh son (1988), the first track is not a single but an eight and a half minute number.

Plus za celu recenziju, ali nisam znao da je Sign of the cross bila single...

Najezio sam se na ovu recenziju Jedva cekam novi album!

Najezio sam se na ovu recenziju Jedva cekam novi album!

 

Drugi deo

 

http://www.youtube.com/watch?v=R8BAEIlF9ss&annotation_id=annotation_861604&feature=iv

Jedno kratko pitanje, u cemu je razlika izmedju DVD-eva Flight 666? I jedan i drugi DVD imaju iste pesme...

Jedno kratko pitanje, u cemu je razlika izmedju DVD-eva Flight 666? I jedan i drugi DVD imaju iste pesme...

 

????

 

Prvi CD je film, drugi je koncert.. Mada u filmu ima dosta delova tog koncerta.. Ako na to mislis..

Pa da, ja pogledao samo par minuta, i video Revelations i na jednom i na drugom, i gledam, sta je ovo???

Znaci na drugom su samo pesme?

Pa da, ja pogledao samo par minuta, i video Revelations i na jednom i na drugom, i gledam, sta je ovo???

Znaci na drugom su samo pesme?

 

Da, na drugom su pesme iz 17 razlicitih gradova..

Edited July 8, 201015 yr by Ancient Mariner

Plus za celu recenziju, ali nisam znao da je Sign of the cross bila single...

 

Ja prvi put čujem za to

http://www.youtube.com/watch?v=H6q5dGVnG0I&feature=player_embedded

Lepo izgleda

ovo super izgleda

 

ladno se otvorili za spot, sta ce to da znaci?!

 

a koliko traje ova stvar, cisto da znam da li da se nadam da ce je pustiti na tv-u? hahahaha

http://www.youtube.com/watch?v=H6q5dGVnG0I&feature=player_embedded

Ovo je k'o epizoda Battlestar Galactica-e, samo se Maideni chuju u pozadini.

a koliko traje ova stvar, cisto da znam da li da se nadam da ce je pustiti na tv-u? hahahaha

Sudeći po sajtu, pesma traje 8:40. Mada, možda će verzija za spot biti nešto kraća, kao što je bio slučaj sa Benjaminom pre četiri godine. Što se tiče puštanja na TV-u... Vala, ako je The Day that never comes sa svojih osam minuta mogla svaki dan da pet puta ide na MTV-u, mogu i Maideni bar dvaput nedeljno. Na VH1 spot možemo očekivati 100%, pogotovo u top listama kad izađe album.

Što se tiče puštanja na TV-u... Vala, ako je The Day that never comes sa svojih osam minuta mogla svaki dan da pet puta ide na MTV-u, mogu i Maideni bar dvaput nedeljno.

 

Zaboravio si da Maideni nisu bash u ljubavi s MTV-jem.