http://youtu.be/AaMgFIQSt2w

 

hajdemo sada malo u retro vode, za fanove Goblina, Carpentera režisera i ljubiteljima klasičnih giallo horora. Čak se može i rasplesati uz pojedine numere.

 

 

http://uploaded.net/file/tnnvq63k/Sadist2015.rar

Dobar je ovaj Blanca.

 

Novo otkriće, zaboravite na MC Ride i Gripse.

 

domaća loša radinost, da li je toliko loše da je slušljivo ili pak suprotno?

http://youtu.be/lKNd8gpvQz8

 

Ubav album.

 

 

Four primary factors distinguish Adrian Sherwood‘s earlier productions and remixes, anthologized onSherwood at the Controls, Volume 1: 1979-1984, from the later work gathered here. The September 1983 murder of close friend Prince Far I temporarily pushed Sherwood away from reggae. Shortly after that, while in the U.S. on business, he bonded with Keith LeBlanc, Skip McDonald, and Doug Wimbish, progressive session pros who had played together on “Rapper’s Delight” and “The Message,” among other cuts. Sherwood’s work with that trio, scattered across dozens of 12″ and full-length releases during the latter half of the ’80s, is summarized with a front-loaded batch on this second volume.

Whether backing the Pop Group’s Mark Stewart or operating as Tackhead or Fats Comet, the quartet made a futurist fusion racket like no one else. In the mix was chest-quaking percussion, basslines that struck blows as much as they held grooves, chopped-up samples, and an array of effects that took dub farther out. During the same period, Sherwood continued to work with punk and alternative acts, such as Flux and Ministry, who succeeded in sounding nervier, more abrasive. The supreme pairing was with the Beatnigs, whose “Television,” a purposefully disorienting whirl of alarmist agitprop, was recast by Sherwood with battering drums and frontman Michael Franti’s clipped interjections scudding between the left and right channels. As Sherwood recounts in the liner notes, he gravitated back to reggae when BBC presenter Steve Barker proposed a Lee “Scratch” Perry/Dub Syndicate collaboration that resulted in the 1987 album Time Boom X De Devil Dead, though recordings here from Dub Syndicate and Bim Sherman date from 1985 and 1986. It’s mildly frustrating that these last slots go to decent previously unreleased tracks when prime and representative material was left off or, in the case of Nine Inch Nails’ “Down in It,” impossible to license. Still, this is almost as crucial as the preceding volume and Science Fiction Dancehall Classics, the Sherwood/On-U Sound-centric package compiled by Trevor Jackson.

 

http://rapidgator.net/file/a3e40f98a77c50dd2c316a26cef04dca/1985-1990.rar.html

bas slusam elektroniku u zadnje vreme, u smislu synth pop, electro dance, al moze da upadne i nesto tvrdokrnije (neko je postavio kavinskog, odlican je)

 

novi album od pet shop boysa je top:

 

 

onda beloved (Conscience):

 

 

onda ovo je predobar album od Planet Funka, zero no sumness:

 

 

PS posle toliko godina nisam jos naucio kako se ubacuje video u postu na ovom forumu

Ovaj album nije los:

 

http://youtu.be/5ka7r9CwXek

 

ovo je do jaja

 

Što se elektronike tiče izabrao sam ovo

 

http://www.youtube.com/watch?v=hBQ9somvL9I

Ott je fantastičan

 

http://www.youtube.com/watch?v=72Jza9_eHjo

 

http://www.youtube.com/watch?v=gplew0rhXo8

 

Edited October 5, 20168 yr by Јарослав

Obrnuo se juce Fever Daydream, meeeh.

 

Divna, predivna produkcija, lepo slozeni vokali.

Ono sto mi se ekstremno ne dopada je to sto cujem sve vreme cudnu mesavinu Korna i Depeche Mode-a , kao i skakanje iz devedesetih u osamdesete i nazad, iz pesme u pesmu. Nisam cula nista novo, album je 5/10 samo zbog tehnicke ispravnosti.

Poslednja stvar, though, je toliko dobra da dobija 11, poslednjih 7 i po sekundi su toliko dobar kraj albuma da dobijaju 12, te dizem ceo album na 6/10

 

http://www.youtube.com/watch?v=FvwW8sq_1uI

Ott je fantastičan

 

http://www.youtube.com/watch?v=72Jza9_eHjo

 

http://www.youtube.com/watch?v=gplew0rhXo8

 

Gledah ga 5 put u zadnje 2 godine bucko ludacic

gde?

Obrnuo se juce Fever Daydream, meeeh.

 

Divna, predivna produkcija, lepo slozeni vokali.

Ono sto mi se ekstremno ne dopada je to sto cujem sve vreme cudnu mesavinu Korna i Depeche Mode-a , kao i skakanje iz devedesetih u osamdesete i nazad, iz pesme u pesmu. Nisam cula nista novo, album je 5/10 samo zbog tehnicke ispravnosti.

Poslednja stvar, though, je toliko dobra da dobija 11, poslednjih 7 i po sekundi su toliko dobar kraj albuma da dobijaju 12, te dizem ceo album na 6/10

 

http://www.youtube.com/watch?v=FvwW8sq_1uI

top3 album 2016.

gde?

Ozora ,gledo i kao ott i all seeing eye i sa novelty engine i ott dub i sa hallucinogenom in dub ,bash covek muzicar raspic ,poslushaj i hallucinogen ott remix :***

na kraju ću da se pokupim i odem jednom na tu Ozoru svaki put čujem nešto što me oduševi u vezi sa festom

Valja otići tamo...

 

 

http://www.youtube.com/watch?v=jeEU3cWwVRw

 

ovo kida, i video i audio! xD