VoivodBG

u Gray Room-u u Medici slijedila je Sadhaka. Sadhaka je novi atmosferični black metal iz SAD-a koji je sredinom travnja ove godine izdao prvijenac „Terma“ za Pest Production i trenutno je na europskoj turneji. Sadhaka je zapravo projekt sastavljen od članova Fauna, Møllehøj i Vradiazei. Potpuni mrak i par zapaljenih svijeća odavali su nešto drugačiju atmosferu i zvuk od Hazardera. Ipak, nisam znao šta da očekujem jer sam u polumraku primjetio dvije djevojke u bendu, jedna u sredini isturena kao glavni vokal. Počelo je kako sam se i bojao. Lagano, melankolično, vječno. Samo sam čekao da mlada dama ispusti operni vokal u stilu Nightwish-a. Na svu sreću tempo se ubrzao i atmosfera se brzo promijenila kada se iz zvučnika čuo prigušeni muški vokal. Prvo mi se učinilo da je tonac pogriješio ali sam se nakon nekog vremena privikao i shvatio da tako i treba biti, da ti prigušeni mučni vriskovi djeluju tako prirodno i skladno uz spore, melodične rifove gitara i odlično usklađene bubnjeve i bas. Meni je zvuk bio jako dobar i unatoč dugim i melankoličnim pjesmama uspjeli su zadržati pažnju nekolicine prisutnih stvarajući pravu simfoniju uz tekstove koji su vrlo dobro pokrili te duge dionice. U jedno trenutku mi se činilo kao da čujem cijeli orkestar. Ženski vokal je također bio odličan. Čist i mučan vrisak ali ništa pretjerano.

Random Access Memories - jedan od najčudnijih, najtužnijih, najplesnijih, najistinitijih, najljepših, najbahatijih, najboljih albuma ikada. Kacige. http://kultivator.hr/daft-punk-random-access-memories-columbia-2013-2/

http://www.popboks.com/article/29600

http://www.popboks.com/article/29601

https://www.facebook.com/redrivervalleyserbia besplatan download ep-a http://tribalrajberlabel.bandcamp.com/album/red-season-ep

hoce li uskoro neki novi materijal?

Otisao danas do Dallas music shop-a, i imao sam sta i da vidim, novi Koljin album se nasao u prodaji. I jos vece iznenadjenje je bila cena 999 dinara. Kartonsko pakovanje, unutra ima podebeli buklet, hajde da je i 600 dinara, ali sa ovom cenom, ako se proda i jedan primerak...

karte danas do 16h, 500 dinara u Pinball Wizard-u. Od ponedeljka 700 dinara na istom mestu.

besplatan je ulaz. ostaje ti da se mesas sa masom klosara.

novi album http://woodenambulance.bandcamp.com/album/river-sand

Intervju sa Borisom http://www.novossti.com/2013/05/boris-vlastelica-trebaju-nam-buntovnici-s-razlogom/

http://clz.to/a4w8c4zj bez voice over-a,

Festival će tačno u 21 čas otvoriti bend "On tour", čiji će nastup sa bendom "Wooden Ambulance" činiti prvu polovinu večeri, do 22 časa, kada će nastupiti pauza. Od 22.15 pa u sledećih sat vremena će na sceni biti Ana Ćurčin i bend "Stray Dogg". Vrata Velike sale Doma omladine biće otvorena od 20.30, a najavljeno je da će koncert početi u 21 čas, bez kašnjenja, pa se posetioci mole da dođu na vreme kako bi se smestili, s obzirom na to da će u sali biti postavljene stolice. Satnica festivala 21:00-22:00 – On tour / Wooden Ambulance 22:00-22:15 – pauza 22:15-23:15 – Ana Ćurčin / Stray Dogg Ovaj jedinstveni festival specifičan je, osim po zanimljivoj "back to back" formi nastupa, o kojoj su članovi benda pričali u intervjuu, i po tome što predstavlja izvođače koji na originalan način tumače bogato američko nasleđe rok i folk muzike. Festival "Americana Night" je organizovan pod pokroviteljstvom Američke ambasade u Beogradu.

CANNES, France — The Chilean director Alejandro Jodorowsky has made only seven features in his nearly half-century career, but his legendary midnight movie "El Topo," a wigged-out peyote western that played to New York audiences for months in 1970, sealed his place in the annals of cult cinema. Jodorowsky last made a comeback in 1989 with the Oedipal melodrama "Santa Sangre," about a serial killer operating under the spell of his armless mother. When that project was announced at the Cannes Film Festival, a journalist wondered if a decade-long break from filmmaking had left Jodorowsky rusty. He responded: "A rusty knife is twice as deadly." Deadlier than ever, presumably, after an even longer absence, Jodorowsky, 84, has returned to directing with "The Dance of Reality," his first movie since 1990's "The Rainbow Thief" (a work-for-hire with Peter O'Toole and Omar Sharif that he has since disowned). Billed as a work of "imaginary autobiography," "The Dance of Reality" is among the most eagerly anticipated titles in this year's Director's Fortnight section at Cannes, which is also screening "Jodorowsky's Dune," a documentary by Frank Pavich about Jodorowksy's fabled, doomed attempt in the mid-1970s to turn Frank Herbert's classic science-fiction novel into a big-screen space opera. "Every one of my pictures is different — I die and I'm reborn with each one," Jodorowsky said last week by Skype from Nice, where he was on vacation, preparing for the Cannes maelstrom. Even over a spotty connection, the bearded Jodorowsky, with his shock of white hair and gleaming row of improbably perfect teeth, registered as larger than life. An expansive if rambling conversationalist, he apologized several times for his faltering English and his penchant for digressive rants. After one vigorous diatribe — on the evils of money — he said, with a smile: "You know, you are speaking with a crazy person." On the subject of his new film, which will have its first screening May 18 (along with Pavich's documentary), Jodorowsky declined to get into specifics. "I am like a mother with a son in my belly," he said. "I don't want to think about it before the baby is born." Jodorowsky described "The Dance of Reality," which he shot in his hometown of Tocopilla in the Chilean desert, as "psychological time travel," an attempt to give poetic yet concrete form to the first chapters of his colorful life. Born to Russian Jewish émigrés in 1929, Jodorowsky studied theater and worked as a circus clown and puppeteer in Santiago. In postwar Paris he performed mime with Marcel Marceau and fell in with the surrealists. He then moved to Mexico, where he mounted dozens of plays inspired by Antonin Artaud's theater of cruelty. Back in Paris, where he has lived since the 1980s, he cultivated multiple sidelines: writing comic books, studying the tarot and developing a therapeutic method known as psychomagic, rooted in both psychoanalysis and shamanism. Psychomagic is the guiding philosophy of "The Dance of Reality," a kind of home movie writ large. Jodorowsky's wife, Pascale Montandon, was the costume designer, and three of his sons appear in it, including Brontis (who in "El Topo" portrayed the son of the title character, a gunslinger known as "the mole" and played by Alejandro Jodorowsky). In the new film, Brontis, now 50, plays Jodorowsky's Stalin-lookalike father, whom the director described as "a very terrible father, a very hard man, but he had his reasons." "Before we started, I said to the crew, 'I am trying to heal my soul,'" Jodorowsky said. "But it's not an egocentric, narcissistic picture. Poetry doesn't speak about history. It speaks about interior life, universal problems." "The Dance of Reality" came about when Jodorowsky reconnected with the producer Michel Seydoux through Pavich's film on "Dune." They had not spoken in years, each nursing his wounds from the abortive project, which was to have starred Orson Welles and Mick Jagger and featured a Pink Floyd score. David Lynch eventually brought Herbert's book to the screen in 1984, but Jodorowsky's unmade version has exerted its own influence — not least thanks to his would-be collaborators, who included artist H.R. Giger, cartoonist Jean "Moebius" Giraud and screenwriter Dan O'Bannon, all of whom worked on Ridley Scott's "Alien." Nicolas Winding Refn, a fan of Jodorowsky's who dedicated "Drive" to him (and is back in Cannes this year with "Only God Forgives"), appears in the documentary to make the provocative suggestion that had Jodorowsky's "Dune" been made — and been a hit instead of "Star Wars" — it could have changed the course of mainstream cinema. Unrealized projects loom over Jodorowsky's career, among them an "El Topo" sequel and a gangster film, "King Shot," that was to have starred Nick Nolte and Marilyn Manson. The money men inevitably pulled out for the same reasons, Jodorowsky said: "They're afraid, they think it's too surrealist, too weird." Jodorowsky, by his admission, is not his own best salesman. For "The Dance of Reality," he said, "I told the producer, 'I want to make a picture to lose money.' I am tired of all that money. Movies are an art, not a business." Jodorowsky once argued that "head" movies should not merely simulate psychedelic visions — they should supplant the need for drugs. These days his musings on the power of cinema have a more spiritual bent. "I ask to movies everything I can ask to a sacred book: Bible, Koran, Torah," he said. "Movies were the hope of human culture. The Surrealists thought it was the real new art of the century, but now it's the worst. The first illness is the producer, and the second illness is stars. They kill the art, the big, big egos who believe in nothing." He's also no fan of digital technology, which creates "scientific images, very clear, with color like a painting," he said. "You see a tiger in a film and you have no emotion because you know it is not real. You admire the technique but you don't believe there is any danger." In the Jodorowsky universe, to make art is to risk something, whether it be safety, sanity or ridicule. He shot "Santa Sangre" in actual slums and red-light districts, working with real-life criminals. On the new film, the production had to contend with extreme pollution from the local copper mines. "Everything is poison there," he said. "After two months we were all ill." A onetime emblem of the counterculture, Jodorowsky is now, in his way, an elder statesman. "Fando y Lis" (1967), his violent first film, prompted a riot at its Acapulco premiere, but "El Topo" and the even more outrageous "Holy Mountain" (1973), both newly restored, have found appreciative younger audiences; the Museum of Modern Art in New York presented a retrospective of his work two years ago. To hear him tell it, though, Jodorowsky's troublemaking days may not be behind him. "Wait until you see my new picture — maybe that will destroy everything," he said with a laugh. "I believe 100% in what I did, but this film is not similar to the past. It's a step into nothingness." An autobiographical work by an octogenarian, "The Dance of Reality" begs to be read as a culminating work, but Jodorowksy refuses to think of it as a swan song. "People are prejudiced about my age," he said. "They think you become an idiot. But to have more years is to become more wise. They say I am old, but to me 84 is young. I think I can make four or five more pictures. I am not in a hurry."

Uglavnom drzim rezoluciju na 1920x1080 (22 inch-ni monitor) ali smanjim rezoluciju po potrebi (pokusao i za Riddick-a manje rezolucije nije upalilo) uglavnom na 1600x900 bi bio neki minimum. Pa nisam sada nesto sludjen da igram recimo Batman Arkham City, ali kapiram da bih mogao Arkham Asylum ako nabavim kakvu solidnu grafu. Dragon Age 1, 2, Witcher 1, 2, to mi trenutno pade na pamet sta bih igrao od tih starih/novih igara.

@Demon Seed, mislio sam da si skinuo mozda neki torrent originalne igre pa da imas problem. GOG (Good Old Games) izdanja uglavnom rade bez problema, evo pikam Arcanum of Steamworks & Magicka, i za sada nema nikakvih problema i slicne stare hitove koji se mogu nabaviti sa njihovog sajta.

Simpaticni filmic b kategorije. Iako su zombiji lajtmotiv filma, ipak je ljubavna romansa i taj pozitvini vajb za zivotom odvojio ovaj film od gomile dosadnih klonova koji izlaze sa zombi tematikom. I upozorenje za zombi postovaoce, ne ocekujte previse nasilja i krvi, film je bas miran po tom pitanju. I solidan mu je OST.

@Demon Seed, jesi skinuo GOG verziju igre?

@trulianded, i meni takodje su Pushing Daisies medju ne prezaljenim prekinutim serijalima. Nervira me kada nesto ostane sa otvorenim krajem, a ta serija je barem zasluzila da ima kakav zavrsetak, pa makar to bio i tv film od 50-tak minuta. Videcemo da li ce sudbinu pratiti i Hannibal. I definitivno mi nedostaje sto je Cleopatra 2525 ostala nezavrsena, sci-fi b serija koju je producirao Sam Raimi. (Evil Dead) Bila je sasvim opicena i imala je simpaticnu glavnu junakinju striptizetu koja se budi iz kriogene komore u doticnoj godini i mozete samo pretpostaviti sta sledi dalje.