temper

Imaš knjigu Viktora Peljevina - Poslednje pesme političkih pigmeja Pindostana. U jednoj od pet priča asasin pripoveda svoj životni put. I ostale priče su zanimljive, ali ovo je to što si tražio.

Takođe nemoj da razmišljaš kako je dobio i izlečio nervus facijalis

aksi i bora Zato što se ljudi nikada ne menjaju. "Bilo mi je truba da joj se mnogo udvaram pa sam napisao pesmu koju sam dao Đorđu Davidu, ali pošto je on nije snimio, uzeću je nazad. To je jedna predivna numera koja se zove njenim imenom: Tri srca da imam ne mogu da prime ljubav koja nosi samo tvoje ime Aleksandra – zaključuje Bora koji će ovu pesmu uvrstiti na novi album Riblje čorbe."

Ne, ovo pod 1 je stvarno bilo. Neka tetka mu sklanjala šapice. @Vuk Bolje akvarijum nego kavez, i samo rešetka odozgo.

Hahaha, znala sam! Here we go again

Odgovori na najgluplja pitanja na svetu u vezi sa patuljastim hrčcima koja su mi postavljali: 1) To što trlja donji deo stomaka ne znači da masturbira. 2) Ne, ruski hrčak ne pije votku. Ima nas raznih. Pravda za hrčke!

Albums 2011: Cyclone Singles 2009: "Summer of Love"

He, sad sam se setila one pesmice "U Milice duge trepavice" i necega sto me je svojevremeno zacudilo. Smatrala sam da tadasnje devojke gledaju u zemlju jednostavno jer su stidljive, nenaviknute da razgovaraju slobodno, a u stvari je ovde rec o tabuima. Patrijarhalni tabu-moral istovremeno je i zastita od zlih sila. Devojka obara trepavice i ne gleda u oci iz straha od uroka, a ista patrijarhalna devojka, kad nema tabua, da bi se udala, simbolicno se penje na vratilo (imitativna magija) i govori bez stida: "Ove godine na vratilo, dogodine na grabilo" Takodje su trudne zene bile podlozne uroku, a inace su se u doba trudnoce smatrale za neciste, pa im je bilo prepusteno vracanje i bajanje - ono sto je u nekoj vezi sa kultnom necistocom. U njih mogu da udju i zli demoni, pa zene preventivno nisu smele da jedu meso od ovce ili od koze koje je vuk jeo, jer bi po njenom detetu, kad se rodi, izasle rane koje se zovu vukojedine. U zle demone su se ubrajali: vestice, vampiri, jedogonje, vidovite, zduace, more. I po uvrezenom shvatanju, vidoviti nisu oni koji mogu da predvide buducnost (to je mala modifikacija) vec oni koji idu sa vilama, i znaju vise nego drugi ljudi.

I trebalo je da se odnosi samo na hriscanstvo i na obelezeni post. Ni ne nameravam da sirim dalje, a posebno da ulazim u polemiku sa tobom, kad si mnogo potkovaniji u tom pogledu, Novaliise. Jednostavno kazem da je moguce da neko iskljuci taj deo sebe (a da je prethodno istrazivao, ali bez toga da ima neko posebno duhovno iskustvo), a da mu nista ne nedostaje. Covek dnevno funkcionise sa malim milionom nesvesnih navika cije dublje znacenje ne uvidja, i cak da mu neko objasni poreklo svake od njih, pa da se to ukopca u neki veci sistem, to opet nista ne bi promenilo. Za nekoga bi to bila samo informacija, za drugog pak (tebe recimo), posebno novo iskustvo. Ne govorim o modernom nacinu zivota, o zatucanim masama... nego o tome da postoje ljudi koji ne mogu da dozive stvarnost na takav nacin. A ako ne mozes da dozivis, tu su samo teorije, a to svako moze da nauci. Sto je opet nista.

neko ko nije religiozan ili to izjavljuje nije obavezno duhovno osiromasen, njegov zivot nije neozbiljno zivotarenje i ne znaci da je losa osoba koja se predala grehu i smrti. ateizam ne moze biti filozofija jer nema o cemu da se filozofira. vrhunac svojih traganja treba traziti u sebi i svojim postupcima, odnosima sa sopstvenim teznjama i pojavama oko sebe, a ne u helenskoj misaonoj tradiciji. ranjen grehom? i jos tudjim? ako to znaci da se automatski radjas kao losa osoba, tim pre preispitaj sebe samog. ni jedna religija ne daje zadovoljavajuci odgovor na fundamentalna pitanja, zato danas i ima toliko sekti i izgubljenih dusa okolo. sve je to tastina.

Proizvodjac muzicke opreme Peavey i Marvel stripovi se udruzili i oslikali gitare. evo jedan primerak. bice i elektricnih i akusticnih na prodaju.

stariji albumi su bas veseli, priroda i to, kako vreme odmice postaju drugaciji, valjda ih gudra vise ne radi. ne ismevam, ovo je subjektivan osecaj, ali nije ni da ih aktivno pratim, nego pustim tako kad nisam skoncentrisana, u pozadini, i fino...

u, al si zaebana. imam samo jednu najtmis maju koja je ujedno i gornji deo pidzame. ne praktikujem, daju osecaj uniformisanosti. ili nisam naisla dosad na neku bas lepu.

Metallica, Linkin Park, Nirvana, Nightwish, HIM... Pokusala sam da krenem od Zeppelina, Judas Priest, AC/DC, ali nisam uspela, nego idoh od novijih, lozackih bendova, pa se polako vracala u proslost. Uz naravno sirenje muzickih interesa. Valjda je tako prirodnije...

Slazem se za grejanje. Smem li da kazem koliko kosta? 100 000 evra Ne znam dimenzije. Vidjala sam citave oooogromne vile skroz u staklu, i takve se sada grade po raznim delovima sveta, zaista izgledaju "mrtvije" od onih klasicnih. Opet, lepe gradjevine. Ima dosta ovakvih stvari, mislim, prenosnih kucica; sasvim simpaticnih koje se smestaju na bicikl (sic!), kucice 20m2 sa kompletnim instalacijama a unutra mala slobodna povrsina na sredini a okolo su sve police, cak se i spava u nekim vecim policama. Valjda je ista stvar kao sa ljudima koji zive u camcima. Avanturisti i samci, uz to debljeg novcanika.

mobilna kuca spolja iznutra

ok stil pisanja, zanimljiv, zarazan. ekstazi sam prvo procitala. zanimljivo, kad ga trazim u biblioteci ili kod prodavaca, svi se kao nesto zgrazavaju, na foru, losa je to literatura...

Moze da se prica i o modernoj umetnosti uopste, vidi prvi post.

Cool, samo gde bas u Arenu... Mogli su i manji prostor.

Pop Art (Beginning in 1956 in England, early 1960's USA) Pop Art has started in England in late 50's and grown in United States in early 60's. Among the Pop Art forerunners are two unique models - prototypes of the modern artists: the French artist Marcel Duchamp and the German Kurt Schwitters. Duchamp's work and his thoughts have altered the definition of the art and our way of understanding it. He was famous with his "ready-mades," objects torn from their usual contexts and exhibited as art. Kurt Schwitters produced collages and assemblages that lay somewhere between painting and sculpture. The work of his art turned into an environment that was no longer something only to be looked at. English art critic Lawrence Alloway used the term "Pop" first to describe the art that made use of the objects, materials and technologies from mass culture to bring out the yields of the industrial society. It is often borrowed from advertising, photography, comic strips and other mass media sources. Everyday life is endless resource for the pop art … today is the core of pop art. Pop stresses frontal presentation and flatness of unmodulated and unmixed color bound by hard edges. They suggest the depersonalized processes of mass production. Pop Art investigates in areas of popular taste and kitsch previously considered outside the limits of fine art. It was rejecting the attributes associated with art as an expression of personality. Works were close enough to reality and at the same time it was clear that they were no ready-mades but artificial re-creations of real things. Pop Art definitely broke the hegemony of the Abstract Expressionism in Europe and United States that occupied center art stage in 1950's-1960. It excreted the edges between high and low art. It confronted institutional art with everyday endless objects which gained, displayed as art, a new quality. After the large-scale pop art exhibition at the Sidney Janis Gallery in New York in 1962, Pop Art established itself as a serious, recognized form of art. This exhibition becomes a turning point for Pop Art. According to a series of critics, Pop Art marked the end of modernism and the beginning of the postmodern era. Although Pop is rather treated as an entertainment, it had a profound impact on the art scene. There are some differences between the Pop Art in England and United States. British Pop was the product of the Independent Group (IG), formed in 1952 whose members resisted the institute's commitment to modernist art, design, and architecture. They were particularly intrigued by American automobile design, with its emphasis on "planned obsolescence," the intentional production of goods that would soon require replacement. British Pop artists had optimistic point of view. They preferably dealt with various forms of direct action - assemblages and happenings rather than comics or AD. In Britain popular culture and technology was just the subject of the popular art. In America Pop artists reproduced, duplicated, combined, overlaid and arranged the endless visual details that make up American society, introducing shifts and transformations and acting like commentaries. The most famous American Pop artist, Andy Warhol specially had a lifelong interest in movie stars which first surfaced in his art in 1962 when he begun working on portraits of Marilyn Monroe. Warhole attempted to keep his personal fascination with fame from showing through too clearly in his works, preferring to leave their meaning open to the interpretation of viewers. The Pop and media role was summarized with Warhol's famous quotation:" In the future everybody will be world famous for fifteen minutes". Television, newspapers, magazines and Hollywood are just producing new images everyday. They are only enlarging the popular culture. Everything is just an image, ready to be consumed. The reality aura of art work is death, the millions copies are the survival of it. ko voli pop art u enterijeru, moze vrlo zanimljivo i veselo da uredi svoj dom: