azal

jare taj old school danas uglavnom ispadne los jer se previse furaju na pricu "sve danas je sranje, vratimo se staroj skoli" a muzika je preslikana iz 90ih bez ikakvog novog fazona. ali ima jedan mladi lik iz NY koji vraca taj zvuk na kul nacin, Joey Bada$$ i njegova ekipa.

uzbudjen sam

evo vam instagram bob's donuts iz aesopove "fryerstarter" http://instagram.com/bobsdonuts/

ovi krenuli thrash da sviraju

taj rad. ja sam bas naprzen za ovo.

http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=184597 SANCTUARY 'A Few Days' Away From Officially Signing With CENTURY MEDIA RECORDS - Jan. 8, 2013 Reunited '80s cult metal outfit SANCTUARY is "a few days" away from "officially" signing to Century Media Records, according to the band's lead singer, Warrel Dane. Asked about the progress of the songwriting sessions for SANCTUARY's "comeback" album — tentatively titled "The Year The Sun Died" — Dane told GetYourRockOut in August 2012, "We've got so much stuff written that it's hard to sort through, but we played two new songs [at the Bloodstock Open Air festival]. We played the one ballad, it's called 'I Am Low', and we played another one called 'The World Is Wired'. Some of the other stuff is a little heavier, but those songs, I think, are… Sometimes the stuff that isn't as heavy is stronger, so that's why we picked those." He added, "I don't think anybody is gonna be disappointed, because I am involved in the creative process and I know what's going on and I know where we're going and I know it's gonna be killer." Regarding how SANCTUARY's reformation came about, Dane told Rock My Monkey TV, "[sANCTUARY guitarist Lenny Rutledge and I] always talked to each other, but never really been friends again. And when the whole thing came about, that we were actually friends again, that's when we started talking more about doing it. And it definitely wasn't because NEVERMORE was imploding... which it was, at that point . . . We all just started talking with each other again. That was kind of the groundwork for it. And then we started saying, 'Well, gosh, let's make music again.' And my god! Lenny is writing some stuff that is so friggin great! Obviously, he's been bottling this up for years, because he really hasn't been doing anything... Well, he's had bands here and there. But he's really writing some great stuff that's really inspiring me, and making me fall in love with music again, with the creative process... everything that revolves around that. Really inspiring me to write really evil lyrics." On the topic of the sound of SANCTUARY's upcoming studio album, Dane said, "This record is not going to sound like the other two. It might sound very similar to the second one ('Into The Mirror Black'). It's definitely not going to sound like the first one, because we're all a little bit older and I can't come up with a c-clamp for a scrotum and a helium tank . . . It's not going to sound like the old ones... it's 2011. It's still gonna be that good, I think, and there's gonna be high-pitched screaming. I'm making sure of that. With NEVERMORE, high-pitched screaming was never really called for. You know, with SANCTUARY... of course it is." SANCTUARY in 2011 tapped Brad Hull (FORCED ENTRY) to play second guitar for the band. Hull has spent the last few years playing the role of "James Hetfield" in the METALLICA tribute band BLISTERED EARTH, which plays "classic songs ranging from 1983's 'Kill 'Em All' to 1991's self-titled 'Metallica'." SANCTUARY's current touring lineup: Warrel Dane - Vocals Lenny Rutledge - Guitar Brad Hull - Guitars Jim Sheppard - Bass Dave Budbill - Drums

gresis sine fish - top 10 frontmena ikad

zar nije bilo neko amorphis reizdanje za top 5?

http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=184499&utm_source=dlvr.it&utm_medium=twitter ANDRÉ MATOS To Perform ANGRA's Entire 'Angels Cry' Album On Upcoming Tour - Jan. 7, 2013 Brazilian vocalist, keyboard player and composer André Matos (ANGRA, SHAMAN, VIPER) will celebrate the 20th anniversary of the release of ANGRA's 1993 debut album, "Angels Cry", by performing the LP in its entirety on his upcoming solo tour, which is set to kick off in March. The show will consist of two parts, with the first part focusing on the material André wrote and recorded with SHAMAN and VIPER, as well as during his solo career. In addition to recording the vocals and keyboards on the entire CD, André Matos was the composer and arranger of nine of the ten tracks on "Angels Cry", including "Carry On", which is still considered to be one of ANGRA's most popular songs. Matos released his third solo album, "The Turn Of The Lights", in August 2012. Matos' current solo band includes new drummer Rodrigo Silveira and bass player Bruno Ladislau — replacing Eloy Casagrande (now with SEPULTURA) and Luis Mariutti, respectively. Keyboardist Fabio Ribeiro also left the group. André's longtime collaborators, guitar players Hugo Mariutti and Andre "Zaza" Hernanades, have remained with the singer.

sto ti je to cudno kad znas koliko glupih ljudi ima na ovom svetu

ja nikad ne preskacem nijednu pesmu. i mislim da to sto vama zvuci ljigavo meni samo iskreno. tekstovi su mnogo prostiji i providniji nego sto je inace pisao, manje vise u slicnom stilu kao sto je pokojni baja iz WoY pisao. zvuci ljigavo i infaltino ali je tako pisano sa namerom.

http://www.prog-sphe...2013/01/05/dlg/ Best Albums: Baroness – Yellow & Green Choosing to veer off the path of the progressive sludge metal that they perfected over the course of their last two albums, Baroness made a choice to follow their guts and hearts into new territories, crafting an exhausting but ultimately very fulfilling and brave journey across 18 songs and 75 minutes of melodic, sometimes psychedelic, other times catchy, but always earnest progressive rock music. Here’s hoping that they recover from their horrific bus crash quickly so that they can continue showcasing this amazing work to the world in a live setting, where it is, no doubt, even more impactful. Pig Destroyer – Book Burner Simply put, Scott Hull writes better riffs than just about everyone playing metal today. Bolstered by the energy and precision of new drummer Adam Jarvis (Misery Index), “Book Burner” sees Pig Destroyer stripping down the slightly busier style of their last album “Phantom Limb,” but without losing the jagged grooves so prominent on that album, and focusing on a more direct approach that has them crafting as visceral and innovative a grindcore offering as ever. Cattle Decapitation – Monolith of Humanity Easily the breakout album of the year, “Monolith of Humanity” has elevated Cattle Decapitation into the upper echelon of deathgrind bands. Their songwriting has never been better and they have managed to clean up their production without sacrificing any of the brutality. However, the star of the show is vocalist Travis Ryan, who offers up more extreme vocal styles than anyone in the business and even adds a snarling melodic voice to his repertoire this time around, which helps to set the album’s sound apart from any other band operating within this gory realm today. Enslaved – RIITIIR Enslaved have been painstakingly working on fusing black metal and progressive rock over the last decade or so and their efforts have resulted in what could be one of the most complete albums of the band’s career. While the formula does not stray far from what the band has been doing on most of its recent albums, RIITIIR shows them really honing their sound, production, and songwriting skills by striking a perfect balance between extremes - effortlessly blending harsh vocals and sublime cleans, blast beats and warm analog keyboards, and expansive prog explorations with memorable choruses. Anaal Nathrakh – Vanitas Without compromising any of the chaos, Anaal Nathrakh have recorded what is probably their catchiest offering to date. All of the vitriol and anger is still there, keeping the over-the-top production, harsh electronics and blasting black metal riffs intact, but the epic choruses are more massive than ever this time around and the songwriting is a lot stronger than on the slightly disappointing “Passion.” Pharaoh – Bury the Light If you are looking for a traditional metal band that is able to sound classic without sounding dated, Pharaoh is the band you need to hear. Matt Johnsen sets the tone with perfectly-plotted melodic, progressive-tinged riffs and incredibly tasteful soloing and vocalist Tim Aymar, best known for his work with Chuck Schuldiner’s Control Denied, has never sounded better. Om – Advaitic Songs Building on the foundation laid on 2009’s “God is Good,” Om have taken the added “classical” instrumentation they experimented with on that album and made it an integral part of the band’s sound on this record. “Advaitic Songs” perfectly blends the hypnotic, transcendental and spiritual state in which bands like Earth operate with the colossal heaviness of their Sleep-related lineage. Converge – All We Love We Leave Behind Converge seems to be one of those bands that will never let you down. They have been sitting atop the modern hardcore scene for over a decade and still refuse to get lazy. “All We Love We Leave Behind” is yet another all-engulfing slab of metal-infused hardcore that is as emotionally potent as it is technically impressive and musically unrelenting. No matter how unbelievable it sounds, this album is proof that Converge might not have even reached their artistic peek just yet. Meshuggah – Koloss What do you do when entire scenes are created for the sole purpose of copying your sound? You strip that sound down to its most rudimentary essentials and prove that you are still the only eight string guitar-wielding band that matters. “Koloss” plays like a montage of Meshuggah’s impressive career, featuring not only nods to the futuristic neo-trash of their youth, but also some of the most impressively soul-crushing polyrhythmic, down-tempo dirges the band has ever created. Choosing subtle and deceivingly naïve grooves over pointless exhibitions of guitar pyrotechnics, the Swedes make yet another churning statement of supremacy with their latest offering. Torche – Harmonicraft This Torche album gives me the same heartwarming and fuzzy feeling that Devin Townsend albums used to give me. After the perfect “Meanderthal” and infectiously melodic “Songs for Singles” EP, Torche take yet another step towards creating an incredibly unique sound that manages to retain the heaviness of their sludgy heritage while creating some of the most melodic and bombastic heavy metal anthems of the year. Dysrhythmia - Test of Submission Dysrhythmia continue to make some of the most engaging and interesting instrumental metal around, and “Test of Submission” might be the power trio’s finest album yet. The band effortlessly blends dissonance and complexity with broodingly dark atmospheres through innovative and unorthodox guitar and bass interplay. “Test of Submission” cements them as one of the most original and instantly-recognizable bands on the planet, instrumental or otherwise. This album has me even more excited to hear what Kevin and Colin were able to add to Gorguts’ already-recorded but yet-to-be-released new album, which is far and away my most anticipated album of 2013. Asphyx – Deathhammer Why would you listen to lesser bands trying to mimic 90s death metal when Asphyx are still around and as good as ever? This is a lesson in crafting bludgeoning 90s-style death/doom if there ever was one, as Van Drunen and his cohorts continue to show the kids how it’s really done. Spawn of Possession – Incurso There’s a good chance that the new Necrophagist album still isn’t done because Muhammed Suicmez heard this album and decided that it was time to go back to the drawing board. “Incurso” is as close to technical death metal perfection as it gets in 2012, with Spawn of Possession continuing to set new standards in terms of complexity and brutality. Check the ten minute-long, symphonically-adorned “The Evangelist” for confirmation of this. Gaza – No Absolutes in Human Suffering I usually don’t enjoy bands like this, but Gaza’s mathcore/sludge mix is so brutally convincing that the quality of this material is hard to ignore. This album is unapologetic in its rage and unrelenting in its approach, making it easily the angriest and one of the most powerful albums of the year in heavy music. Dodecahedron –s/t Many might dismiss this band as a Deathspell Omega wanna-be on first listen, but upon further inspection, there is a lot more going on. This debut album is an incredibly dense work of dissonant black metal art that owes as much to bands like Immolation, Gorguts and even bands like Botch, as it does to the mysterious Frenchmen. Honorable Mentions: High on Fire - De Vermis Mysteriis Getting Converge guitarist and producer extraordinaire Kurt Ballou to work with them on this album is the best decision that Matt Pike could have made. Ballou’s studio skills enable High on Fire to crystalize their sound without losing any of the weight and pummeling punch that have been the band’s trademark. Unfortunately, the songwriting on the album is a bit uneven and bounces from less-inspired retreads of former creations to absolutely monumental pieces like the album’s centerpiece “King of Days,” which just might be the best metal song I heard this year. Gojira – l’Enfante Sauvage There is nothing wrong with this album other than the fact that when I want to listen to Gojira, I usually tend to reach for their two prior releases. “l’Enfante Sauvage” finds them further refining their sound, choosing to focus more on making the melodic hooks and atmospheric guitars shine, while staying firmly grounded in the groove-heavy, progressive death metal that has become their calling card. Dordeduh - Dar De Duh If you had hoped for Negura Bunget to continue on the path of their seminal “OM” album, you can now rejoice. Dordeduh do just that as former members of the innovative Romanian band, leading further explorations into the realms of atmospheric and progressive folk-inspired black metal that results in music that is as beautiful and haunting as it is harrowing. Black Breath – Sentenced to Life This album is just a plain old good time. If you are a fan of Entombed-core, this won’t disappoint. Imagine a less complex and heavily mid-period Slayer influenced Trap Them, and you have a good idea of what Black Breath are all about. “Sentenced to Life” is the perfect soundtrack to heavy drinking and any poor life decisions that may result from it. Rush – Clockwork Angels Even though this can’t be considered a metal album really, it’s hard not to give a nod to the legendary Rush, who have created yet another great album in their illustrious career. As heady and ambitious as ever, but with much more immediate songs than on their more recent offerings, this is easily my favorite Rush album since “Counterparts.” Biggest Disappointments: Witchcraft – Legend Witchcraft really had something going for them with 2007’s “The Alchemist.” They had an airy and psychedelic sound that really separated them from the proto-metal pack. This album, while very good, takes a step back by increasing the prominence of heavier riffing and making them sound more like a lot of the other retro Sabbath-worship, leather vest and mustache-clad bands that are so hip these days. While Witchcraft are still a lot better than most of these neo-hippie metal bands, I was expecting a lot more from this release after such a long wait. The Devin Townsend Project – Epicloud After spending the last 15 or so years of my life being an unapologetic Devy fanboy, the fact that none of his recent output does anything for me is really a quiet tragic personal realization for me. “Epicloud” lacks all of the emotional depth that made me connect so strongly with Townsend’s earlier music and leaves me feeling unaffected. This poppy side of Devin has always been there, but all of the earlier vulnerability seems to have been abandoned, leaving only the glossy pomp and increasingly daft humor with nothing more substantial to balance it out. Nachtmystium – Silencing Machine Again, an album that while good, did not meet my high expectations. Even if the touted return to more primitive black metal was definitely over exaggerated, there is still not enough experimentation and variety on this album to satisfy me as a huge fan of the last two albums, though there are several songs on the album that do floor me on a regular basis. Biggest Surprises: Haji’s Kitchen – Twenty Twelve Eleven years after their last release, these Shrapnel Records favorites released a fantastic album that came out of nowhere. Enlisting the help of former Tesseract vocalist Daniel Tompkins, who does a great job fitting into the band’s aesthetic, Haji’s Kitchen were able to modernize their original blend of alternative groove metal and shreddy guitar leads perfectly, catching the ears of younger metalheads while keeping their old fan base satisfied. Drottnar – Stratum I have never heard of this Norwegian band earlier, despite the fact that this is their third full length and they have been around since the mid-90s. Technical black metal is an apt description of this album, though it might not sound like what you would expect. Drottnar combine a black metal atmosphere with influences that run the gamut of technical heavy metal heavyweights, touching on everything from nimble Watchtower-inspired riffing to the complex thrash sounds of “Undeceived” and “Synergy” era Extol. C.B Murdoc – The Green When the guys in Meshuggah constantly gush about a band you have never heard of and even insist on taking them out on the road with them, you better have a listen. It’s hard to describe C.B Murdoc’s sound other than the fact that they are really good. With influences ranging from At the Gates to Gorguts and Meshuggah, these guys play a highly original and very intense and energetic style of extreme metal, and this album should put them on everyone’s radar as a band to watch in the coming years.

eve vam http://www.prog-sphe...2013/01/05/dlg/ Best Albums: Baroness – Yellow & Green Choosing to veer off the path of the progressive sludge metal that they perfected over the course of their last two albums, Baroness made a choice to follow their guts and hearts into new territories, crafting an exhausting but ultimately very fulfilling and brave journey across 18 songs and 75 minutes of melodic, sometimes psychedelic, other times catchy, but always earnest progressive rock music. Here’s hoping that they recover from their horrific bus crash quickly so that they can continue showcasing this amazing work to the world in a live setting, where it is, no doubt, even more impactful. Pig Destroyer – Book Burner Simply put, Scott Hull writes better riffs than just about everyone playing metal today. Bolstered by the energy and precision of new drummer Adam Jarvis (Misery Index), “Book Burner” sees Pig Destroyer stripping down the slightly busier style of their last album “Phantom Limb,” but without losing the jagged grooves so prominent on that album, and focusing on a more direct approach that has them crafting as visceral and innovative a grindcore offering as ever. Cattle Decapitation – Monolith of Humanity Easily the breakout album of the year, “Monolith of Humanity” has elevated Cattle Decapitation into the upper echelon of deathgrind bands. Their songwriting has never been better and they have managed to clean up their production without sacrificing any of the brutality. However, the star of the show is vocalist Travis Ryan, who offers up more extreme vocal styles than anyone in the business and even adds a snarling melodic voice to his repertoire this time around, which helps to set the album’s sound apart from any other band operating within this gory realm today. Enslaved – RIITIIR Enslaved have been painstakingly working on fusing black metal and progressive rock over the last decade or so and their efforts have resulted in what could be one of the most complete albums of the band’s career. While the formula does not stray far from what the band has been doing on most of its recent albums, RIITIIR shows them really honing their sound, production, and songwriting skills by striking a perfect balance between extremes - effortlessly blending harsh vocals and sublime cleans, blast beats and warm analog keyboards, and expansive prog explorations with memorable choruses. Anaal Nathrakh – Vanitas Without compromising any of the chaos, Anaal Nathrakh have recorded what is probably their catchiest offering to date. All of the vitriol and anger is still there, keeping the over-the-top production, harsh electronics and blasting black metal riffs intact, but the epic choruses are more massive than ever this time around and the songwriting is a lot stronger than on the slightly disappointing “Passion.” Pharaoh – Bury the Light If you are looking for a traditional metal band that is able to sound classic without sounding dated, Pharaoh is the band you need to hear. Matt Johnsen sets the tone with perfectly-plotted melodic, progressive-tinged riffs and incredibly tasteful soloing and vocalist Tim Aymar, best known for his work with Chuck Schuldiner’s Control Denied, has never sounded better. Om – Advaitic Songs Building on the foundation laid on 2009’s “God is Good,” Om have taken the added “classical” instrumentation they experimented with on that album and made it an integral part of the band’s sound on this record. “Advaitic Songs” perfectly blends the hypnotic, transcendental and spiritual state in which bands like Earth operate with the colossal heaviness of their Sleep-related lineage. Converge – All We Love We Leave Behind Converge seems to be one of those bands that will never let you down. They have been sitting atop the modern hardcore scene for over a decade and still refuse to get lazy. “All We Love We Leave Behind” is yet another all-engulfing slab of metal-infused hardcore that is as emotionally potent as it is technically impressive and musically unrelenting. No matter how unbelievable it sounds, this album is proof that Converge might not have even reached their artistic peek just yet. Meshuggah – Koloss What do you do when entire scenes are created for the sole purpose of copying your sound? You strip that sound down to its most rudimentary essentials and prove that you are still the only eight string guitar-wielding band that matters. “Koloss” plays like a montage of Meshuggah’s impressive career, featuring not only nods to the futuristic neo-trash of their youth, but also some of the most impressively soul-crushing polyrhythmic, down-tempo dirges the band has ever created. Choosing subtle and deceivingly naïve grooves over pointless exhibitions of guitar pyrotechnics, the Swedes make yet another churning statement of supremacy with their latest offering. Torche – Harmonicraft This Torche album gives me the same heartwarming and fuzzy feeling that Devin Townsend albums used to give me. After the perfect “Meanderthal” and infectiously melodic “Songs for Singles” EP, Torche take yet another step towards creating an incredibly unique sound that manages to retain the heaviness of their sludgy heritage while creating some of the most melodic and bombastic heavy metal anthems of the year. Dysrhythmia - Test of Submission Dysrhythmia continue to make some of the most engaging and interesting instrumental metal around, and “Test of Submission” might be the power trio’s finest album yet. The band effortlessly blends dissonance and complexity with broodingly dark atmospheres through innovative and unorthodox guitar and bass interplay. “Test of Submission” cements them as one of the most original and instantly-recognizable bands on the planet, instrumental or otherwise. This album has me even more excited to hear what Kevin and Colin were able to add to Gorguts’ already-recorded but yet-to-be-released new album, which is far and away my most anticipated album of 2013. Asphyx – Deathhammer Why would you listen to lesser bands trying to mimic 90s death metal when Asphyx are still around and as good as ever? This is a lesson in crafting bludgeoning 90s-style death/doom if there ever was one, as Van Drunen and his cohorts continue to show the kids how it’s really done. Spawn of Possession – Incurso There’s a good chance that the new Necrophagist album still isn’t done because Muhammed Suicmez heard this album and decided that it was time to go back to the drawing board. “Incurso” is as close to technical death metal perfection as it gets in 2012, with Spawn of Possession continuing to set new standards in terms of complexity and brutality. Check the ten minute-long, symphonically-adorned “The Evangelist” for confirmation of this. Gaza – No Absolutes in Human Suffering I usually don’t enjoy bands like this, but Gaza’s mathcore/sludge mix is so brutally convincing that the quality of this material is hard to ignore. This album is unapologetic in its rage and unrelenting in its approach, making it easily the angriest and one of the most powerful albums of the year in heavy music. Dodecahedron –s/t Many might dismiss this band as a Deathspell Omega wanna-be on first listen, but upon further inspection, there is a lot more going on. This debut album is an incredibly dense work of dissonant black metal art that owes as much to bands like Immolation, Gorguts and even bands like Botch, as it does to the mysterious Frenchmen. Honorable Mentions: High on Fire - De Vermis Mysteriis Getting Converge guitarist and producer extraordinaire Kurt Ballou to work with them on this album is the best decision that Matt Pike could have made. Ballou’s studio skills enable High on Fire to crystalize their sound without losing any of the weight and pummeling punch that have been the band’s trademark. Unfortunately, the songwriting on the album is a bit uneven and bounces from less-inspired retreads of former creations to absolutely monumental pieces like the album’s centerpiece “King of Days,” which just might be the best metal song I heard this year. Gojira – l’Enfante Sauvage There is nothing wrong with this album other than the fact that when I want to listen to Gojira, I usually tend to reach for their two prior releases. “l’Enfante Sauvage” finds them further refining their sound, choosing to focus more on making the melodic hooks and atmospheric guitars shine, while staying firmly grounded in the groove-heavy, progressive death metal that has become their calling card. Dordeduh - Dar De Duh If you had hoped for Negura Bunget to continue on the path of their seminal “OM” album, you can now rejoice. Dordeduh do just that as former members of the innovative Romanian band, leading further explorations into the realms of atmospheric and progressive folk-inspired black metal that results in music that is as beautiful and haunting as it is harrowing. Black Breath – Sentenced to Life This album is just a plain old good time. If you are a fan of Entombed-core, this won’t disappoint. Imagine a less complex and heavily mid-period Slayer influenced Trap Them, and you have a good idea of what Black Breath are all about. “Sentenced to Life” is the perfect soundtrack to heavy drinking and any poor life decisions that may result from it. Rush – Clockwork Angels Even though this can’t be considered a metal album really, it’s hard not to give a nod to the legendary Rush, who have created yet another great album in their illustrious career. As heady and ambitious as ever, but with much more immediate songs than on their more recent offerings, this is easily my favorite Rush album since “Counterparts.” Biggest Disappointments: Witchcraft – Legend Witchcraft really had something going for them with 2007’s “The Alchemist.” They had an airy and psychedelic sound that really separated them from the proto-metal pack. This album, while very good, takes a step back by increasing the prominence of heavier riffing and making them sound more like a lot of the other retro Sabbath-worship, leather vest and mustache-clad bands that are so hip these days. While Witchcraft are still a lot better than most of these neo-hippie metal bands, I was expecting a lot more from this release after such a long wait. The Devin Townsend Project – Epicloud After spending the last 15 or so years of my life being an unapologetic Devy fanboy, the fact that none of his recent output does anything for me is really a quiet tragic personal realization for me. “Epicloud” lacks all of the emotional depth that made me connect so strongly with Townsend’s earlier music and leaves me feeling unaffected. This poppy side of Devin has always been there, but all of the earlier vulnerability seems to have been abandoned, leaving only the glossy pomp and increasingly daft humor with nothing more substantial to balance it out. Nachtmystium – Silencing Machine Again, an album that while good, did not meet my high expectations. Even if the touted return to more primitive black metal was definitely over exaggerated, there is still not enough experimentation and variety on this album to satisfy me as a huge fan of the last two albums, though there are several songs on the album that do floor me on a regular basis. Biggest Surprises: Haji’s Kitchen – Twenty Twelve Eleven years after their last release, these Shrapnel Records favorites released a fantastic album that came out of nowhere. Enlisting the help of former Tesseract vocalist Daniel Tompkins, who does a great job fitting into the band’s aesthetic, Haji’s Kitchen were able to modernize their original blend of alternative groove metal and shreddy guitar leads perfectly, catching the ears of younger metalheads while keeping their old fan base satisfied. Drottnar – Stratum I have never heard of this Norwegian band earlier, despite the fact that this is their third full length and they have been around since the mid-90s. Technical black metal is an apt description of this album, though it might not sound like what you would expect. Drottnar combine a black metal atmosphere with influences that run the gamut of technical heavy metal heavyweights, touching on everything from nimble Watchtower-inspired riffing to the complex thrash sounds of “Undeceived” and “Synergy” era Extol. C.B Murdoc – The Green When the guys in Meshuggah constantly gush about a band you have never heard of and even insist on taking them out on the road with them, you better have a listen. It’s hard to describe C.B Murdoc’s sound other than the fact that they are really good. With influences ranging from At the Gates to Gorguts and Meshuggah, these guys play a highly original and very intense and energetic style of extreme metal, and this album should put them on everyone’s radar as a band to watch in the coming years.

wha?

"These shows were our last for the year, and we now climb head-first into completing work on our fourth album. At this point we have been writing since March, and so far have completed 4 tracks, close to 35 minutes worth of music. We're exploring a lot of new territory with this material and so far everything is sounding a lot violent/uglier than past releases, as well as more rhythmically involved than The Destroyers of All. "

pratim aesopa na tviteru pa sam video da uveliko snimaju. inace je lik naj anitpaticniji onaj oldschool znam sve bolje od vas metalhead na internetu

Listenable potpisao ovaj bend koji prilicno bezobrazno kopira starog devina

odlican intervju http://www.attnmagazine.co.uk/feature/6213

evo ide treci put. sevanje

jos linkova http://getmetal.org/post-rockmetal/29270-cult-of-luna-vertikal-2013.html

nisam jos skinuo, ali riffovi na weapon mi bas deluju zanimljiviji nego sto je za ocekivati od njih. jel ima kljava na celom albumu kao na toj pesmi? to bi bilo lepo. jebem ti posao, moram da slusam album prvi put na mono skype slusalicama

da, bio je nastup u LAu pa je skinuo masku nakon nastupa. ima tu i tylera i jos nekog valjda. mozda oni likovi iz the underachievers. oni su sledeci u igri, valjda ih Fly Lo potpisao, cekiraj ih.

ja se nisam nesto odusevio iskreno. sto se tice LUM, guglaj "Mista Thug Isolation" nacices bez problema link.