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Ovi Hydra Head su takvi kraljevi   Vidim ja da se na sajtu u 5 dana rasprodao kompletan kontigent blood red LP-ja, i taman se sjebem, kad napišu Gridlink na fejsbuk stranici da se ljudi iz istočne

Ma kakvi strimovi i procuravanja, ceka se pravi (grid)link.

idemo bre https://nooneknowswhatthedeadthink.bandcamp.com/album/no-one-knows-what-the-dead-think

It was a good run. Thanks so much to everyone who came out to Socrates and EarthDom, they were great shows. Now we go our separate ways: planes and trains to the opposite sides of the world. Look for more info in Longhena shortly as well as GridLink Longhena shirts.

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Longhena recording in 16 days. Last live in 19 days.

 

Series termination has begun.

 

smor :(

bedak sto ih nikad necu videti uzivo :/

mislim, ovaj info o last live je od25. avgusta :).

Edited by Uruk

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pa ono, nisam se ja nadao da cu ih gledati u okolini, kontam da ni turneje po Evropi nisu nesto radili. al' ono, bilo ih je po Americi i Maryland Deathfestu

Edited by Uruk

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  • 3 months later...

nova stvar

 

 

i obavestenje:

 

In a few weeks you guys will lay your hands on the last GridLink record and probably the last record I will ever make. It wasn't always going to be that way, but during the recording I realized that this was the end of the line for me. I don't think I will make a better record and I don't want to be in a band with anyone other than Takafumi Matsubara, who was cashing out his chips as well. This is a hard genre to play in. I've loved the style since I first heard it in the late 80's, via Napalm Death, however I have been notoriously critical of the genre and really only ever liked a handful of bands that play "grind"(I have gone so far as to say 99% of bands that call themselves grindcore are just playing short death metal songs). It's earned me a lot of scorn over the years but I haven't lost any sleep over it

 

I think about how lucky I have been to work with such talented people over the past 20+ years creating music in a genre that few can understand or engage with. I'm especially lucky to have met and worked with people like Rob Marton and Takafumi Matsubara, people who were not content to play in that space, but were committed to carving out a whole new sub-genre that was distinctly their own. Then there's the percussion team of Witte and Fajardo, both guys who were the absolute best at what they did, eclipsing not only their peers but those that inspired them to something more. And then there's the bass, which I grudgingly agreed to but turned out pretty damn good LOL

 

To this day, I am still surprised anyone listens to or vaguely understands any of the music I've been a part of. So once again, I find myself saying goodbye. I'm going to be focusing on writing new graphic novels, making video games and films, etc.

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