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Genre: Experimental / Progresive Rock / Jazz Fusion

 

01. Hands Tied to the Roots of a Hemorrhage

02. City Dreams Inside a Truck

03. Sex, Consolation for Money

04. Tied Prom Digs on the Docks

05. Seeth of Cloudless Hymstone

06. Mood Swings

07. An Ancient Shrewdness in The Veins

08. A Story Teeth Rotted For

09. Of Ankles to Stone

 

http://rapidshare.com/files/147059241/AMHGF_MediaPortal.ru.rar

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Dzez muzika smrdi kao i svako ko je slusa i svira. Dzezere bacite lavovima a njihovu djecu kastrirajte.

Dzez je smece. Crncuge znojave... Fuj...

Esbjörn Svensson Trio - 301 (2012)     1. Behind the Stars (03:44) 2. Inner City, City Lights (11:48) 3. The Left Lane (13:37) 4. Houston, The 5th (03:34) 5. Three Falling Free

Tributo a Esbjörn Svensson ( 1964 - 2008 )

 

f_candleestm_1e2db85.jpg

 

Tracks :

 

88 Days In My Veins

The Rube Thing

The Goldhearted Miner

Behind The Yashmack

Believe, Beleft, Below

Spam-Boo-Limbo

When God Created The Coffee Break

Round Midnight

Spunky Sprawl

 

Personnel :

 

Esbjörn Svensson (RIP) - piano

Dan Berglund - bajo

Magnus Öström - batería .

 

 

http://rapidshare.com/files/122805726/Tributo_Esbjorn_Svensson_www.zonadejazz.com.rar
Password: zonadejazz

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Zašto ovde većina beži od fusion-a,i jačeg jazz rock/metal sveta??

Meni lično je fusion/prog/experimental fav. pravac,a sve komentare što sam pročitao...dovode me na pomisao da je ovo u vašim očima "noobovski".

Samo jedan jedini post na kome se pomenuo Holdsworth? Nema ništa o Shawn Lane-u? Pa njegov basista Jonas Hellborg?

Alex Masi?

7 for 4 ?

 

Ili mislite da sam ja zalutao i ne slušam,"pravi",jazz...

 

Jedna devojka je pomenula kako stariji likovi ne smatraju jazz-om ništa posle 65',i za sve ostale koje su naklonjeni tome,bilo je vreme kada je bop bio nov i mnogi kukakli kako je to noob,a sada mnogi isto za fusion i experimentalne pravce kažu...

 

Well,šta ćete reći za 60god.kada to bude old sc?

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Fanu & Bill Laswell - Lodge (2008)

 

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rtists//

 

FANU is Finland’s and perhaps the world’s finest

breakbeat splicer and re-imaging doctor. His programming, layering, and

arrangements of classic breakbeats are truly some of the most innovative

and by far the most realistic sounding – akin to a jazz drummer with

no boundaries and seventeen available drum kits at once.

 

BILL LASWELL is the grammy award winning producer of Herbie Hancock,

bassist and arranger extraordinaire. Fresh off the amazing Method of

Defiance record “Inamorata”, he’s completed this follow

up recording, which also features Parliament Funkadelic keyboardist Bernie

Worrell and Norwegian trumpeter Nils Petter Molvaer prominently.

 

Album//

 

If you took the electric period of Miles Davis, with less

repetition, more funk, and mad scientist drummer, you might end up halfway

to LODGE. Half time vamps swing with steady funk bass from Laswell and one

of Bernie Worrell’s most inspired keyboard performances since PFunk,

LODGE turns it out with much more emphasis on the groove. Bits of drum n

bass and floating trumpet maneuver over the core modular pieces; a much

less harsh sound than the Method of Defiance project, more demonstrative

of the soul of Laswell’s funktronics.

 

1 - Orh

2 - Bloodline

3 - Transgenesis

4 - Hollow Grounds

5 - Fourth Voice

6 - Transfer Code

7 - The Incal

8 - Shroud

 

Fanu - breaks, loops, and dark fun

Nils Petter Molvaer - trumpet, wino

Graham Haynes - trumpet, dope

Bernie Worrell (P-Funk): keyboards, bach

Bill Laswell: fender bass, psychosis

 

(VBR)

 

 

 

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Tied & Tickled Trio - Aelita

 

 

 

TTT.jpg

 

Artist: Tied & Tickled Trio

Album: Aelita

Label: Morr

Release date: 1 June 2007

Genre: Electronic

Style: Abstract/Ambient/Dub/Experimental

 

 

________________________________________

 

Tracklisting:

01. Aelita 1

02. You Said Tomorrow Yesterday

03. Tamaghis

04. Aelita 2

05. A Rocket Debris Cloud Drifts

06. Chlebnikov

07. Other Voices Other Rooms

08. Aelita 3

Total running time: 43' 58"

________________________________________

 

 

http://rapidshare.com/files/59368480/77T_TT_A27.rar.html

 

pass: nodatta.blogspot.com

Edited by diletaNT

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97cd357f5296bc8cac50ff1ff86785e2.jpg

 

Omar Rodriguez Lopez - Minor Cuts and Scrapes in the Bushes Ahead 2008

 

Genre: Progressive Rock / Psychedelic / Electronica / Dub

Info: Mp3, VBR, Joint Stereo

Myspace

 

01. Solenoid Mosque

02. Trident Resting on the Pulse

03. Work on Motors

04. Electrodorphines

05. Pawn Shop Blues

06. Thankless Serpent

07. Devouring a Sibling

08. White Paint White Meat

09. Sliding In and Out of a Laceration

10. A Pinching Invention

11. Atrotecism Fenleon

 

http://rapidshare.com/files/148302979/MIN_MediaPortal.ru.rar

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Dzez mi je savrsen za rane jutarnje sate,il kad docekujem jutro.Inace volim da slusam Majlsa Dejvisa(time after time,njegova verzija),legende Return to forever(mada me malo udavise na koncertu,ali sve u sveku bilo je super,preperucujem albumce Where Have I Known You Before),Markusa Milera(jedan od najboljih koncerata na kom sam bio),Herbija Henkoka(svi ste culi onu Cantelope Island),Vesa montgomerija..

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Damir Imamović Trio - Damir Imamović Trio Svira Standarde

 

damir-imamovic-1.jpg

 

Damir Imamović Trio funkcionira od početka 2006. godine i predstavlja Damirov pokušaj da proširi ono što je ranije radio na solo nastupima uz gitaru. Idealne muzičare za takvu vrstu eksperimenta pronašao je u Edvinu Hadžiću (kontrabas) i Vanji Radoji (violina). Pored dobrog poznavanja sevdaha i drugih vrsta muzike, ovaj trio karakterizira i spremnost da otvore uši i sviraju sve što znaju. 

 

 

Trio svira tzv. fusion sevdah ili sevdah otvoren uticajima drugih vrsta muzike. Uz prilično tradicionalan Damirov vokal i akustičnu gitaru koja «pleše» između muzičkih svjetova, izraženijom postaju i za ovu muziku potpuno neortodoksne uloge kontrabasa i violine. Ova minimalistička formacija njeguje muziku otvorenu improvizaciji što sevdahu daje drugačiji karakter od onoga na koji smo navikli i zapravo ga vraća, po Damirovim riječima, «njegovom izvoru koji jeste improvizacijski». Ono što nastaje iz ove smjese tradicionalnog i inovativnog zasigurno nije sevdah koji se već odavno primakao svadbarskoj muzici, nego kamerna muzika koja slušaoce angažira onako kako to čini jazz.

 

 

 

1. Lov lovio Muhareme

2. Tesko meni jadnoj u Saraj'vu samoj

3. Na hastalu gori svijeca

4. Omer beze

5. Djevo, djevo

6. Moj behare

7. Kraj potoka bistre vode

8. Oj, medjice, medjice

9. S one strane Plive

10. Sejdefu majka budjase

 

http://rapidshare.com/files/305607/Damir_Imamovic_Trio.rar

 

 

 

 

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Gypsy Jazz (2007)

 

Proper Records presents a four-CD, 97-track anthology devoted to music recorded during the golden years of Gypsy jazz, from swing to bop to a bit of the cool (1934-1956). Happily, this tradition is still very much alive, and the recordings compiled herein demonstrate why even Joseph Goebbels, Adolf Eichmann, and Heinrich Himmler couldn't stamp it out. In addition to classic sides by famous or relatively well-known artists like guitarist Django Reinhardt, violinists Stéphane Grappelli, Michel Warlop, and Svend Asmussen and crooner Jean Sablon, this fascinating collection traces the intricacies of the Gypsy jazz movement throughout mainland Europe with rare recordings by members of the Reinhardt and Ferret families as well as accordionists Gus Viseur and Tony Murena, saxophonist Albert Ferreri, reedman and violinist Frans Poptie, and a veritable swarm of guitarists including Oscar Aleman, Jean Bonal, Eddy Christiani, Jean-Pierre Sasson, and Henri Crolla. Given this set's wealth of variegated material and its remarkably affordable price tag, Proper may well have come up with the world's best all-purpose, authentic Gypsy jazz collection. It more or less picks up where the Fremeaux & Associes 2005 release Django Reinhardt Complete, Vol. 20: Pour Que Ma Vie left off.

 

 

http://rapidshare.com/files/160387215/Gypsy_Jazz_-_Exitos_del_Jazz_CD_1.rar
http://rapidshare.com/files/160387395/Gypsy_Jazz_-_Exitos_del_Jazz_CD_2.rar
http://rapidshare.com/files/160387546/Gypsy_Jazz_-_Exitos_del_Jazz_CD_3.rar
http://rapidshare.com/files/160387634/Gypsy_Jazz_-_Exitos_del_Jazz_CD_4.rar

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jedanaesti-pancevacki-jazz-festival.jpg

 

Jedanaesti pančevački Jazz festival po redu, održaće se 7. i 8. novembra u Centru za Kulturu Pančevo. CZK-u, kao organizatoru festivala, ove godine potvrdili su svoje učešće afirmisani Jazz umetnici i bendovi iz inostranstva i Srbije.

 

Svrha ovog izuzetnog dogadjaja je predstavljanje različitih generacija džezera i njihovih bendova, negovanje čistog zvuka i naravno popularisanje džez muzike, rekao je Dušan Ivanišević, umetniči direktor Pančevačkog Jazz festivala.

 

7.11.2008.

 

* 20:30h - “DEPART” (A,CH) (feat. Jojo Mayer!)

* 22:00h - “UNIT5″ (SRB,UKR)

* 23:30h - Jam session, BIG-BAND MUZICKE OMLADINE SRBIJE

 

8.11.2008.

 

* 20:30h - “BAOBAB” Ensemble(ITA,SRB)

Federico De Vittor (piano)

Michele Montolli (bass)

Filippo Orefice (tenor saxophone)

Vladimir Kostadinovic (drums)

* 22:00h - “BOJAN Z TRIO” (FRA,GB,SRB)

Bojan Z (piano)

Ruth Goller (bass)

Seb Rochford (drums)

* 23:00h Jam session

 

A bice i da se pije. Ko voli i ponese ;)

Edited by Marko, Mon_a[MOR]e

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Omar Rodriguez Lopez - Old Money (2008)

 

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Genre: Experimental / Progressive rock / Psychedelic Rock

Info: Mp3, 320, Joint Stereo

Myspace

 

01. The Power of Myth

02. How to Bill the Bilderberg Group

03. Population Council's Wet Dream

04. Private Fortunes

05. Trilateral Commission as Dinner Guests

06. 1921

07. Family War Funding (Love Those Rothschilds)

08. Vipers in the Bosom

09. I Like Rockefellers' First Two Albums, but After That...

10. Old Money

 

http://www.mediafire.com/?ztmmzymmart
http://www.mediafire.com/?zymynqmltt4

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ОК, помињао сам на неком другом месту али контам да можда љубитељи Џеза то нису видели а било би ми жао да неко зна а не подели оно што сам у прилици да препоручим:

Bohren & der Club of Gore - Dolores

The Kilimanjaro Darkjazz Ensemble - истоимени албум.

У питању је мало спорија, амбијентална струја Џеза која се није стидела да испита и неке тамније кутке света.

Лишена је перверзности и бизарности у том смислу да није трагала за ружним али има једниствени стил и заиста је прилично moody and brooding.

Све у свему идеална музика за неке опуштене тренутке или сањарења, нека дубља маштања и мисли.

Да ли треба да кажем да ми се јако, јако допада?

Верујем да не.

 

И наравно, поздрављам афирмацију Џеза макар и на тај начин да је тема истакнута као Важна.

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Kada bi mi neko rekao ranije nesto o Jazz-u ja bi rekao da su to ljudi smaraci, koji se kada to slusaju zajedno medjusobno smaraju

A onda sam na nagovor mog poznanika skinuo RtF. I na prvih desetak slusanja su me smarali, ali sam bio uporan. I onda jednog dana sam ih zgotivio. Pa sam poceo da skidam solo stvari od clanova benda Stanley Clarka, Chick Corea-e, Al di Meole i Lenny White-a

A zatim sam od raznih jazz izvodjaca skidao po par pesama i tako slusao. Pa sam onda zgotivio Pat Metheny-a, Grant Green-a, Weather Report, John Scofield-a....

 

I tako ja sada posle metala najvise slusam jazz

A od svih ljudova koje znam do 90 godista, ima samo nas troje koji bas volimo i slusamo jazz

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